I'd like to thank blackrandl1958 and GeorgeAnderson for editing this. This story wouldn't have been written if it wasn't for her event.
*****
Turn left. I know to the meter where the traffic light is going to be. I've counted. It's red in about 82% of the cases. Today it's red. Everything else is grey. That includes the faces around me. I look at the other commuters, as I do so often. Again, I'm hoping to find proof that one of them is really alive, that one does something out of the ordinary, something making them a bit human. Their faces look as dull and lifeless as everything around me and they just keep staring forward. We all wait for that damn traffic light. Rain is dropping on my windshield in an unnecessary attempt to increase my misery. It's cold out there, and even though the car is heated up by now, my fingers refuse to move without the dull ache I'm so used to. They are clammy, like they are almost all winter long. Apart from that, the situation is just the same as it is in the summer or on any other given day.
My life is so unbelievably monotone. The repetition feels so perfect; it's almost like a trance inducing mantra. If I were more daring, I could probably live my whole life with closed eyes. Somehow, that actually sounds appealing. Better than having to watch this shit every day. It seems everything remains exactly the same; only the seasons change around me. Neither I, nor the world seems to change at all. My life surely doesn't. My routine doesn't. Nothing does. It's a prison of endless repetition. Everything is moving, yet static.
The seasons do change, so I know that I'm not living the same day again and again, but maybe I am living the same year over and over? I need to find permanent changes around me: the proof that I'm not living some kind of dream, that I'm living at all. That idea isn't new, but those events are rare and hard to find.
While I drive along to work, my obsession to spot even the most subtle, yet permanent, changes around me is keeping me busy. There. The park bench has been painted. It's still green, but it looks fresh and clean. The problem is, was it newly painted a year ago, as well? I can't tell, my memory is so damn fuzzy these days.
Still, I try to memorize everything on my way to work and back, trying to find minute changes. Maybe next year I will remember today's changes.
There's a guy in a black suit standing right next to the road. No briefcase, no movement, nothing. He just is. He looks completely generic. Black hair gelled back, immaculate appearance. He looks somehow... unnormally normal. I wouldn't be able to describe him if anyone asked.
Of course, nobody would ever ask me, about anything, come to think about it. My wife and I don't talk much anymore. I hardly see my colleagues at all and if I do, they don't seem to see me. I keep staring. Not being able to see anything distinctive about this guy unsettles me. He's standing too still; he seems almost artificial, like some Madame Tussaud's figure.
Wait, he's turning his head. The movement is too slow and smooth; it's almost robot-like. Is this guy even real? He continues to slowly turn his head until he looks directly at me. Is this really happening? I have an extremely weird feeling about this. He just looks at me and I'm unable to look away. The dead eyes hold me. It's like watching the devil anticipating the consumption of your soul. "Ah, that's Alex. He's on the menu tomorrow. Looks delicious," I can almost hear him thinking.
A horn blares. Ah, the light is green. I look at the stick to engage first gear, apologize to the honking, but otherwise strangely calm man in the delivery van behind me, and pull away. Don't look at the suit man again. Don't, it's not good. He's bad news. I look. He's gone. How did he disappear so quickly? Was he even real? I hope he wasn't. He was evil. I hope he was real. Because having imagined him would be even worse.
At work things are easy. They always are. I just wish they hadn't transferred me into this lonely annex. Still don't know why they did it. There was plenty of room in the main building. Okay, all of them are engineers, I'm the only accountant, but still, I feel like such an outsider, somehow.
I immerse myself in the files, as I do every day. The numbers seem to be exactly the same as yesterday. At ten, Ralph will briefly come by to bring me some files, just as he did yesterday. I get most of my data through our intranet, but sometimes paper still needs to be exchanged. Management has apparently insisted that someone will bring it to me, not the other way around. I'm more or less forbidden to enter the main building, these days. I try not to think about that insult too much anymore. It still makes me angry. Wait. No, it doesn't. For some damn reason it doesn't. Why not? It should. Rationally, I know it is wrong. They shouldn't exclude me like this, but for some reason I can't bring up the energy to be upset about it. I hear Ralph advancing through the empty corridors of this empty building long before he enters my small office. I can hear every step in these reverberating corridors.
Soccer. I'll talk to him about soccer. I really want to talk to him. About something. Anything. I don't know anything about soccer. We don't even have a TV. What else could I talk about? He's already in my office, I've missed a few seconds. The new files are already on my desk, he's leaving. How can I have missed the only brief human contact my work day offers?
"Ah, Ralph..." is all I can get out before he's out of the room, and he ignores it. Why? Ralph and I always got along well, but that was long ago. How long? No idea. My past is just one big mush.
Ah, the new files. Just concentrate on that, Alex. Do your job. Don't think about your life.
What? Eleven o'clock? I shake my head in confusion. The new files lie there unopened. How have I spent the last hour? I have no idea. Was Ralph late? No, he always comes at ten o'clock. Footsteps. In the corridor. Moving away from me. What? Ralph? I don't get up to check, afraid of what I might find.
*****
I arrive at home and park my car as I always do. Perfectly aligned, the steering wheel turned straight before I kill the engine. Tina is already at home as she always is. Her car is in the left spot, a bit crooked, as it sometimes is. Sometimes it's perfectly straight, but not always. I try to do things correctly all the time. These details are what keep me sane.
I look at our house. The lights go out in the bedroom upstairs; Tina must have heard my arrival. The curtain in the living room is moving. What? Is someone else in the house? We have no kids, not even a pet. I exit the car quickly, enter the house.
"Tina?"
"I'm up here," she says as she comes down the stairs. She looks a bit strained, as she usually does recently. Why? We're both working; we have plenty of money. Maybe if we ever talked, really talked, I would know what's bothering her.
"Is someone else in the house?"
She winces a bit and looks at me, worried.
"No. No, Alex." She speaks slowly and clearly, as if to a child. "No one else is in here."
That surprises me. Is she lying?
"But that curtain moved."
"Oh, Alex," she just says, as if that explains anything. For some reason she seems close to tears. Is she cheating on me?
I slowly and numbly go past her and sure enough, the bedroom is empty and the bed is neatly made, as always. I search every nook and cranny. The house is empty. Tina watches me silently, her worried expression unchanged.
The meal is silent and I'm just as embarrassed as I'm confused.
*****
Ten o'clock. Ralph. The new files. This time I'm quicker.
"Hey Ralph, how's it hanging?" I try to sound cordial. I'm even using a sentence I've never understood, but it's something that I think buddies say.
"Ah. Alex." It almost seems like he's surprised that I'm able to talk.
"You're here with the new files?" I ask, just to say something, maybe to start a real conversation. I have no idea what to say, though. I don't really know him at all.
"Yeah. Yeah. You know, I'm in a bit of a hurry. Boss is waiting."
"Oh, Geller himself?"