How do you really know when someone loves you? I mean really, deep down, without hesitation or qualifiers, loves you? This is the story of how I found out.
*****
I met him at a bar. Already sounds a little seedy, doesn't it? But he wasn't there cruising, or looking for Miss Right Now. He was in the band, a local country band with serious rock overtones. They had a pretty big following, and the place was packed for a Thursday night.
My friends practically dragged me there, and my mother all but threw me out the door. "Go. Have fun. You used to love to dance, so dance. Let yourself go and just move to the music. You don't even need a partner, and the girls have sworn to me they'll watch over you. It's time honey, time to go back to the woman you used to be."
I refused to wear a dress, but had enough pride in my appearance to wear a really snug pair of jeans and a red silk blouse that showed a hint of cleavage. Looking myself over, I decided I needed just a hint of makeup, a light lip gloss, did my hair up a little, topping the outfit off with my red cowboy boots. The girls looked me over and started smiling. Melody declared in a singsong, breathy voice, "She's back!"
They all hugged me before bundling me into Autumn's monster SUV. Six women and we were still comfortable. We were bound for a new place, Silver Spurs, and the reviews I'd read were favorable.
Freezing up when we hit the parking lot, it took them ten minutes to get me out of the vehicle. Autumn, the 'mama' of the group at 39, put her arm around me. "We got your back, honey. Your asshole ex still has about six months to a year to go, and if any of his lowlife buddies are around, we'll put a bug in the owner's ear. That should send them packing."
After a while I started relaxing. At first, I just danced in a group with the girls, but by the second set I'd danced with two men, guys I'd known since high school. One hugged me and I froze up, then relaxed. He was my friend, and genuinely happy to see me. I never danced a single slow dance.
Line dancing was almost a thing of the past, but the band did a couple of numbers for the old patrons, and I remembered the steps, so I swayed and twirled on the dance floor. I was flushed and happy when it was over, dying for a drink, so I made it back to the table and killed my ginger ale, before asking the waitress for a glass of ice water.
I was catching my breath when the band, still in the country groove, did a modern Western Swing song. "Moonlight In Tennessee," by Freddy Johnson. I had the album and was surprised by how well they did. The lead singer didn't do it, turning the mic over to another band member, and his high tenor did an outstanding job. He was playing a short little guitar lying on a stand, using a steel slide, and the sounds he could produce was amazing. I learned later it was called a lap steel. An older couple waltzed by us, cheek to cheek, and it made me sad, wondering if I'd ever find a love like that.
The band took a break, and when they came back, they announced it was their last set, and asked if there were any requests. Half the bar was screaming for a song I'd never heard of, "Green Grass and High Tides." The band grinned and said they would save it for last. There were a few others, and they played as many as they could, before announcing last song. They had two really good guitarists, and the bass player treated his instrument like a lead guitar. When you added the steel player, it was a pretty impressive wall of sound.
The song started slowly, with a lot of finger picking for the intro. Then the steel player joined in, doing a nice counterpoint, followed by the other guitarist. Soon the song was being played at breakneck speed, propelled along by the drummer and the bassist, and I was fascinated, watching the steel players' fingers fly across the strings. There was a tight three-piece harmony in a couple of places, and by the time it was over the people were on their feet cheering, while the band bowed, bathed in sweat.
The lights came up long before the cheering stopped.
*****
I got a good look at the band when the lights went up, thinking they must grind those guys out on a 3D printer in Nashville. All with medium long hair and full beards or goatees, wearing some version of a cowboy hat. Only the steel player and the drummer were cleanshaven, and the steel player had shaggy but short sandy brown hair.
They walked by us and the drummer stopped. "Hi, Katie. Enjoy the show?"
Our friend Katie gave him a hug, laughing. "You guys were on fire tonight! That new guy really sets your sound apart, where did you get him?"
His grin got bigger. "At church. Momma made me go to Easter service and he was there, and I found out he played with the church musicians sometimes. When he told me what he played I begged him to jam with us. It took two months, then another three to get him to play in public with us. Ah, here he is now."
Kyle had joined him by then, and Billy introduced him to everyone. Normally I didn't say a lot, but I did compliment him on his skill. "What made you decide to take up that particular instrument?"
I thought he wasn't going to answer me for a minute. "I was in a car wreck a few years ago, and it damaged my left hand. I can still play guitar, but my fingers give out after about thirty minutes. This way I can still play, and I really enjoy it."
"Well, you do a really good job. I'm glad you overcame your adversity."
"Thanks. You know the old saying. When a door closes, jump out the window, or something along those lines. It was nice to meet all of you."
*****
"Kyle's cute."
I looked at Katie as she grinned. We were on the way home, tired but happy.
"He'll do."
"Stop! He has those killer brown eyes and hair that just begs to have a woman's fingers running through it."
"Why don't you do it, then?"