Sometimes there are dances that we do, not for the public but for ourselves. It began in Russia, my home country. We would begin the night dancing for the crowds, dancing for those men with their hands in their pockets and their gaping maws, thrusting the zloty into the ridiculously brief costumes we would wear.
True sexuality comes not from a red sequined g-string and a few moves that simulate the sexual act against some shining pole that still carries the scent of the other dancers that work the club. All to the pulsing, throbbing music that sends liquid honey through the veins. It comes from within.
Before we dance for each other, we bathe. Perhaps it is a reaction to that sweat, that stink, that stench that remains in the nostrils hours after we finish a show. It invades the skin and the odour of spent desire remains in our hair, though we have not allowed anyone to cum on us. It did not matter though.
We bathe in pairs. Do not misunderstand, we are not lesbian. But we touch each other, a gentle contrast to the rough handling from the men we have had touch us again and again.
The bath begins on a small wooden stool. A bowl with warm rosewater is made ready. Candles and lanterns pattern the room with shifting shadows and pools of light.
The sponge is dipped into the water and placed against the back of my neck and squeezed. The water sluices down the satiny smooth golden skin, trickling down my buttocks and dripping onto the floor. Slender strands of hair soak with water, while the rest is pinned atop my head.
Another dip of the sponge and this one smoothes over my shoulders and down one arm to my fingertips. The faint scratchiness inevitably causes the rosebud tips of my breasts to peak. The sensation is indescribable.
The sponge traces across the tanned skin of my breasts, a tantalizing dip and swirl over each sensitized mound. My skin shines in the glow of the candlelight. A kiss is placed on my shoulder with gentle lips as the sponge traces the other arm, cleansing it. Those lips drift up to my neck, a delicate tongue tracing the soft skin.
I do not respond. There is no need to. I just draw comfort and a slow arousal from it. The sponge is drawn across my belly and down my legs to my toes. Dancer's legs, slender and toned, the nails clear of the bright red nail polish that matches my 'uniform'. The rough sponge is drawn up my inner thighs, the sensations plucking at my core. The lips still do wonderful things to my neck. And with that, the bath ends with no protest. What is given is gratefully received, but more cannot be asked.
I am dried with a soft cotton towel. I need not lift a finger to help, and next comes the perfumed oil. The scent is reminiscent of jasmine. Strong fingers rub the tension from my shoulders with sensual strokes, sending tremors of awareness through my blood.
The fingers smooth the slick fluid over my breasts, tracing over my nipples, teasing gently. The sheen on my skin makes it glow copper in the candlelight. Lips replace the fingers, kissing briefly, while the fingers splay across my belly, smoothing more oil across the flat plane. Oiled fingertips slide into the thin stripe of curls covering my groin, moving in a breath stealing motion. My eyes are closed through the entire ritual – not from disgust, but to use every other part of my body to enjoy the sensations – the smell, the taste, the sound, the feel. The eyes can be deceived, mocked...but one cannot make a fool of the skin and the gentleness of the touch of another woman.
For a moment, those lips rest on mine, tenderly kissing me. No thrusting tongue, or clash of teeth, just a careful tasting. Our tongues flow together, a mating dance that is slow and thoughtful, testing each other out. There is no sense of should and should not, there is only the moment. The hands smooth more oil down my legs as she kneels between them and her face in the light is exquisite.
She rises before me, her form lightly clad in nothing more than a white silk shift, made transparent by pressing against my damp body and again I need do nothing as my dancing garb is brought in. Of azure silk, the garment is richly jeweled, and hides more than it shows. But ah, such is true sensuality. A real dancer does not need to flash her breasts and her mound to arouse others. She uses her eyes, her limbs, her soul.
The flowing skirt clasps at my waist, the sapphire jeweled belt a match for my eyes. The fingers smooth the silken bodice over my breasts and tie it behind my neck. The areola are peaked and visible behind the sheer cloth.
My fingers are clasped firmly in hers, as she leads me to the front room. Here the tables are cleared to one side, the floors clean and swept. All the lights are out. Like the bathing room, the front room has only firelight to illuminate it – candles and lanterns by the hundreds.
An indulgence the owners know to allow. There are no men here, none are ever invited.
The music is not the strident rhythm of the strip club, but it holds elements of similarity. Someone plays the drums. The driving beat that sends shivers of heat through the veins, overlaid by a sensual melody wrought by a flute that asks the body to move, not in a superficial parody of sex, with thrusting hips and shaken breasts, but in a more earthy manner – a story told by limbs, by eyes not deadened by experience and by a come-hither flick of the hips.