I feel nervous excitement as I board. I've taken this train a thousand times, but today is special. Today the train journey, at its end, becomes a trip into my wildest fantasies.
I can back out any time that I want to. I want to. I want this to be a journey like any other, to sit half asleep, scrolling through Instagram on my phone, headphones on, pretending I don't notice guys checking me out, annoyed when they do, annoyed when they don't. I want to get off the train as another face on the platform, disappear into the station, make for home.
I want to do that.
I don't want to do that.
I don't want to chicken out and regret another missed opportunity.
I want my fantasy to become reality.
It's busy in the train carriage. I wonder how long it will be busy for? Too busy, and I won't be able to go through with it. But there are many stops before mine, as the train takes us further and further out of the city, so I'm not worried.
I'm worried.
I'm worried that after I told my friend Andrea that today was the day, I've picked a bad time. I worry that the crowd won't thin, that I'll be too observed. I spend the journey in a state of heightened anxiety, counting the passengers as they get off, mulling over whether to switch seats or carriages, whether that will draw more attention to me.
Gradually, a few at each stop, they start to leave the carriages.
I will myself to relax.
It's bright. The sun was hot today, and it flares through the scratched Perspex windows of the carriage. It makes reaching into my bag for sunglasses, unfolding them, putting them on, a natural gesture. I feel safer behind them, more anonymous.
We're getting close to my stop now. Maybe ten minutes. There are two more stops to go. I'm almost on my own in my little space. One empty seat next to me, two opposite. Across the aisle from me, another woman, in the same position.
We stop again. She gets up. She goes to the doors. She gets out of the carriage.
There are other people in the carriage. I crane my neck, I count a dozen, maybe fifteen. But I'm unobserved now in my little space. I'm not in anyone's natural line of sight. They'd have to be trying hard to see me to see me.
My chest feels tight. It's time now. Time to start.
I don't want to.
I want to.
I wriggle in my seat. My cotton dress is loose, I reach up under the skirt with both my hands. I find my panties, find the tight elastic hem against my thighs. I slide my thumbs beneath it, working my hands to the sides. I make fists, the fabric of my panties bunched in my small hands. I lift my butt off the seat, I pull, the panties come down. They're round my legs, then my knees, then leaning forward I pull them to my ankles, work my feet through the leg holes and then sit back.
I remember to breathe then.
I look around. Nobody has noticed.
I smooth the skirt of my dress back down. My face must be red already. My heart is pounding.
My panties are balled up in my fist. I discard them, stuffing them between myself and the wall of the carriage.
I'm not wearing any panties. I part my legs cautiously, the brush of the fabric of my dress directly against my skin a confirmation to my body that, yes, this is happening.
But I could still stop if I wanted to.
I don't want to.
Now comes the tricky part.
I look around again to make sure I'm not observed. I'm not. I lean forward. I reach up behind my back, arm bending. I find the clasp of my bra, easily accessible beneath my light cotton dress. I unhook it, feeling the tension vanish in the straps as everything loosens.
Then comes the ballet, the dance called 'woman removing her bra beneath her top'. A piece of performance all women get the knack of, either from modesty or laziness. Arms slide through fabric, through straps and out again.
I'm midway through this routine when the train pulls into a station.
I freeze, my bra half-pulled out of my dress.
Two passengers get up from their seats.
One ignores me. The other, a man, glances in my direction.
How must I look? A young brunette in a cotton dress and sunglasses, blatantly removing her bra from underneath her dress while sitting in a train carriage.
His brain figures out what his eyes are seeing. He does a perfect double-take. He stares.