The two of us were together at a casting call, filling out our information by hand because this rather small-time gig wasn't guaranteeing they'd give back our headshots. I don't know how bad Liz wanted the job, but I was giving up hope as I saw the mob of amateurs swarming in. I hate wide-open calls. Almost all of the "actors" you're competing against don't know what they're doing, no clue whatsoever, and in most cases, it's a good indication that the producers don't' know what they're doing either. I looked at Liz and we both gave our fake audition smiles, like it was practice, but it was really just a code between us, saying, "Doesn't this suck?"
I glanced down and noticed Liz putting down her list of works: "'Time of No Reply' (Play), 'Crimes of the Heart' (Play), 'The Music Man' (Play)," etc. Most of them I knew and I imagined almost all of them were from college productions. Then I noticed something I had never seen before: A film.
"What the hell is
Bare Hunt
?"
Liz put a hand over her application and gave me another smile. This one was the rare "you're invading my privacy" smile. In fact, that was probably the first time I'd seen it. We'd known each other for a little more than a year, since she had transferred to Gates College here in Chicago, but we were closer than just about any other couple in the Theater Department, at least any couple that wasn't hooking up.
"What? Not a fair question?"
"Just a little bit of b.s.," she whispered, then smiled again. I bought it, for just a few seconds, went back to filling out my form; after all, I had an audition coming up, and even though I didn't expect much from the results, I had a certain mindset about the whole thing--I was good enough at it that I was the faculty member everybody came to see when they wanted audition help. Then I looked back at her, investigating, until she turned back and asked, annoyed, "What?"
"That's not a made-up title," I said, smirking. "I've bluffed my way through before. There are a hundred titles that would work for that.
Love Sick
?
Danger Zone
? Those are the kinds of titles people give as a fake movie they were in. Nobody would ever track it down." These were in the early days of the IMDB, back when we were still fascinated by it and before all the indies were hooked up with it. Liz just studied me, took a breath through her nostrils, and groaned.
"It's not a made-up movie. I'm just not in it."
"Ah," I said, then I laughed and resumed filling out my application. "Should be easy enough to find."
"What does that mean?"
I shook my head. "Just going to check it out. See why you picked that one, out of all--"
"Don't," she said. I glanced at her, expecting she was going to find it just as funny as I did, but she was halfway serious. "Mike, for real... don't."
"That bad?"
"It's... yeah, it's about the worst," she admitted. "Sorry, it's just really embarrassing. I knew the guy who was making the movie and he knew I was an actress, so he gave me this small part. I was just starting in theater, I thought it would be something for my resume... but really, I only ever list it when we're going out for film work. It's not even on my regular resume, you know that. I'm terrible in it. If I thought I anybody would be able to watch it, I'd never list it. But it's not even in print."
"Okay."
"I'm serious, don't tell anybody at Gates about it," she said, and she was practically begging. "I'm not proud of it. Awful, first-role stuff."
"What did you do that was so bad?"
She took another breath as she thought about it, then said, "I'm just pretty flat. I'm the neighbor. I knock on the guy's door and complain that I smell something dead. The guy's a serial killer, so... you get how that goes. I'm just there to create tension. The audience thinks I'm about to get killed or something. That's it. And it's the worst thing I ever did."
"Hey, we all got to start somewhere. You should be able to laugh at it."
"I've never even seen it," said Liz, then she returned to her application with speed to make up for the interruption. "Don't want to see it."
Okay, she was in a bad mood. I picked up on that easy enough. We were both in pretty bad moods, feeling like the audition was going to take up most of our day and give us nothing in return--we were right, the roles went to a few pretty kids with no acting experience whatsoever. The best thing I got out of the day was that information about Liz's movie. I looked it up online and couldn't find anything about it, which was unusual, but I knew IMDB wasn't always 100% complete. A few days later I tried again, remembering that the spelling had been "B-A-R-E." Nothing on IMDB still, but I did find a website selling it--they were sold out, and it looked like the website hadn't been updated in a couple of years. It did look awful, too--a skinny guy with blood streaks on his face, laughing that goofy Joker laugh. I'm sure they were going for
American Psycho
, the timing was about right.
I noticed that Elizabeth Sanderson was third on the cast list. That might have been order of appearance, who could tell from the back of the box. That was one of Liz's stage names, I know, one she had talked about having given up before returning to her real name, Elizabeth Sachs, which I had always told her was better.
I probably would have let it die except for the fact that Liz had embarrassed me back in November, when we were doing auditions for the last production of the year, which was the second one I had helmed since getting a faculty position at Gates. We were doing a little show called
Save it For a Rainy Day
and I had printed up some scenes of dialogue for actors to audition with, but of course allowed people to bring in their own work, too. Liz had talked about eight students into auditioning with the same piece--a monologue from a really awful play I had shared with her not long before that. I had sworn her to secrecy and she had gone and typed it up for all of the actors to put on for me just because she thought it was funny. So yes, I thought I was justified in digging up her old bad movie performance to show the Theater Department. In my mind, I imagined it happening in one of her grad classes, or even better, if I could get it to start playing in a room where she was teaching Acting For Non-Majors.
This may make it sound like we weren't friends. Liz was actually my best friend, even more so than my girlfriend, Emily, which I wasn't about to tell Emily, but she kind of suspected, I think. There was nothing romantic going on between me and Liz, but it wasn't because we wouldn't have worked--the timing was just screwed up. Emily had been a student in my first class at Gates, also Acting For Non-Majors, back when I was a grad student. We got along so well and she enjoyed it so much that she decided to spend a lot more time in the Theater Department, taking classes with all the other instructors, usually the ones I recommended. I don't think Emily really took acting as seriously as the rest of us, but she was making a stab at an acting career in her spare time after graduating from Gates, though most of her money came from working at her mom's law firm. I think even she knew she'd break down and go back law school when the acting bug wore off. Anyone would look at how easily Liz and I got along and assume Emily walked around jealous all the time. Not so. She loved Liz almost as much as I did.
Before Liz arrived, Emily and I were really good friends, just like me and Liz, and although I had my reservations, it was pretty clear to me that Emily was one of the hottest girls that I had ever had a chance with--the fact she was so into me almost made it kind of weird, like I was looking for what was wrong with her. But I overcame my worries and gave us a chance. Not long after we started dating, Liz transferred to Gates from Rose University in San Francisco. We were just naturally simpatico. She didn't warm up to everyone easily, this skinny girl with a classically beautiful face but these arty kind of glasses, shaggy dark hair, turtlenecks and khakis all the time--that and the fact she seldom smiled made people assume she was a snob, bursting with pretension.
It's hard to say how much I liked Liz. It was bizarre how fast we became friends. I had just started as an assistant professor at Gates and the senior faculty pawned off duties like guiding the grad students to me, so I worked closer with Liz than almost anybody. We liked all the same bands, early R.E.M. and later Tom Waits and a strangely intense fondness for Suzanne Vega that maybe no one else in the world shared. She had never seen
Waking Life
, but took an instant liking to it when I loaned her my DVD. She turned me on to
Mr. Show With Bob and David
, which I had somehow missed as an undergraduate. I took her to see