I always thought there must be something wrong with John's relationship with Heather, he was so guarded when talking about her. I mean, always.
"We have a wonderful relationship. I love her very much." That's what he'd always say.
Now, John wasn't very social-- well, that's just a state of affairs, isn't it? I mean if you don't go out very much, you're not very 'social.' You could have a paucity of acquaintances, living in a new place or something. But he wasn't sociable either; he seemed to positively resent the idea somebody might want him to come out and have fun with them.
I invited him-- the two of them-- over several times. Invited him to bring the two of them over, that is. I've never met Heather.
"Ehhh!" he'd say, this little dismissive buzz of a sound, like he's swatting some slow-hovering dragonfly. "We're not very social people."
"Heather isn't sociable either?" I'd ask, equivocating.
"Well, she likes people, more than I do anyway. But as a couple, we're very happy to keep to ourselves."
*****
"I did something weird today," he complained to me after I sat him down with a mug of hot tea. I'd summoned him for a study session which, since he needs to actually study even less than I do, was pleasantly evolving into an afternoon chit-chat, or so I hoped.
"Ooooh," I said, hoping at last for some juicy confessional. "Is this some weird sexual thing with you and Heather?"
He looked at me with distantly amiable disgust. "I don't know why you'd think-- why you have some kind of preoccupation with Heather and I doing something 'sexually weird', Molly."
"Well, I don't," I said defensively. "But you said you did something weird today, and since apparently you spend most days goofing around listening to Mozart's Symphony No. 9 or something, somebody might think it has to be sexual for you to think it's weird."
He stared crossly at me for a long bit. "You know, you don't know what you're talking about."
I grinned reflexively. "You're supposed to say 'do you' at the end. Like, 'you don't know what you're talking about, do you?' It's supposed to be a rhetorical question when you say something like that."
"Ah, no. You really just don't know what the hell you're talking about. There's nothing ambiguous about it at all. You just--don't--know."
"Okay, well, so you did something weird today, did you?"
He took a nice swig of his tea, like we were friends and my being a scatterbrain (by his imputation) was no biggie. "So, like, I went in to Staples Max this morning, I wanted to get some index cards and maybe some pens. And I get my index cards-- I got them in four different shades, I wanted to try something out with them--"
"You wanted to try out index cards?"
"It's like for different ideas and stuff. I use a poster board. Anyway-- so, I went and searched the pens for a long time, I kinda wanted some of these Univision-- wait, is that it? Uniball?-- anyway, these pens that I like and I found the ones that I wanted and I was walking around with them, moving to the register to check out, and all of a sudden I was like-- well, do you really need them right now? I mean, I've got five or six ballpoints I like pretty well, what's the point of getting these? It's an indulgence. I mean, I'm sure I'll get them eventually but why not just work through a couple of ball points in the meantime? I mean, it's wasteful, so--"
"Yeah, I mean you don't want to overindulge on ink pens. That's like, what the kings of France did wrong."
"Hey, extravagance is extravagance. I mean, there's just no point in having fifty ink pens sitting around doing nothing. I could just wait till Christmas, they can be like a little treat for me."
"Maybe Heather will stuff your stocking with some," I suggested.
"That's a thought."
"Then you can stuff her stocking in return."
"Uh-hmm."
"But not with a pen, I mean."
He looked at me blankly. He said, "Why are you leering at me?"
"I'm not leering at you. God, you're so smug sometimes. I'm just-- leering in general, is all."
He shook his head like he was trying to avoid some noxious fume. "So--so I decided to put them back. Waste not want not. And I felt pretty good about it. I mean, good call, you know? So I'm heading back again to the register with my index cards and all of a sudden I notice this clearance stuff at the top of the aisle, these, like, composition notebooks?"
"Mm-hmm."
"And I thought, oh, a buck-sixty, that's not bad. But like, I don't need composition books either, I've got four I'm working on right now. But,, maybe it was this kind of wild euphoria, like I'd just avoided losing ten bucks on the ink pens, now I could afford to be a bit indulgent with something else?"
"Like you'd just won the lottery," I chimed in. "Like, just go crazy and shit."
"People go crazy like that," he said, nodding sagely. "And next thing you know, I pick up two of them and I went and bought them."
"Wow."
"But here's where it gets all O. Henry on me. I check out and I'm almost back home when it suddenly hits me-- I paid full price for those things."
"Oh-- my-- God."
"Yeah! They were like, three-sixty a pop."
"Three-sixty for a composition book? What've they got, hidden Velcro pockets or something?"
He swiveled his eyes warily. "They were what you'd call, erm, fashion notebooks, I guess."
"Wait, you mean like girl's composition books?"
He glared at me coolly. "I don't know how something can be called a 'girl's' composition book. If you want to talk about critiquing essentialism from a feminist perspective, that's just in--"
"Did they have, like, glossy neon peace signs on them, by any chance?" I asked insinuatingly.