Six
Nick was prepared to devote the whole of Friday morning to Pete Collins though, anxious to avoid a repeat of Wednesday, the venue would be the house, coffee and tea the only stimulants on offer. As Jan and Liz departed for lunch in town and Nick awaited the writer's arrival, a head popped around the door. 'Hi,' smiled Kelly, rolling her shoulders. 'Hot today, isn't it? Shame you haven't got a pool.'
Nick snorted. 'Who do you think I am, Richey Bloody Osgood?'
Kelly raised her eyebrows. 'Well you can hardly complain β it's not a bad place you have here.'
'You think so? This is a shed compared to Richey's.'
'Hmmm, still not a bad place all the same.'
Nick rubbed at his chin. Perhaps there was worse.
'Anyhow,' sighed Kelly, 'I'm off outside to soak up some sun. Seeing as you can't provide me a pool, any chance of a sponge down with some cold water later?'
Nick felt his teeth grind.
Ten minutes elapsed before Pete showed up. Keen to get on, Nick brought him up to date with the story, returning to the summer of 1982, with the Battle of the Bands a week away.
* * *
The band's rehearsal room was a garage on the front of Vaughn and Kirk's parents' house on the outskirts of Broad Arch. With a layer of soundproofing and extra power points added to accommodate the battalion of equipment, the family car had long since been expelled to the driveway. Rat-tat-tatting with his fist, Nick watched as the metal front tilted upwards to accommodate his entry, ducking inside to survey the familiar scene: Kirk plucking idle notes on the bass, Vaughn twiddling a drumstick through his fingers and Richey scribbling furiously. 'Nice of you to join us,' the singer said with a scowl.
'Sorry guys, I got a little, um, sidetracked.'
'You'll go blind,' observed Vaughn with a throaty chuckle.
Nick grinned. If only they realised what a pleasant turn his love life had taken. 'Unlike you two, huh, you pair of Casanovas, huh. So who ended up with Cass and who got Liz?'
Vaughn exhaled. 'We wish. Put it this way, Nick, you got a lift home; we got taken for a ride. Two quid each to get in, one fifty a pint and not so much as a goodnight kiss.'
As Nick offered his sympathy, Vaughn observed: 'You did all right though, I hear.'
Nick looked back perplexed, before falling in. 'Oh with Susie, you mean?'
'All over him like a rash, she was,' interjected Richey. 'For some reason she thinks he's cute.'
Nick felt his cheeks blush.
'And you too, Richey,' added Vaughn, 'with that Jan bird.'
Richey played dumb, prompting Nick to slant his eyes. 'Now that would be telling.'
Nick plugged in, trying to dismiss the hollow boast.
As if to signal the start of the session, Vaughn crashed the cymbals. 'Okay, we have to decide the running order,' announced Richey. 'We should start and end with the best songs.'
They agreed unilaterally that Nick's 'The Outsider' and Richey's 'No Place To Hide' were the best two songs but that was where the concord ended. The singer wanted to open with 'The Outsider', whilst Nick preferred it to be last, the grand finale. However, Richey was insistent. Distracted by thoughts of Jan and a newfound mellowness, after a token representation Nick finally acceded to his friend's wish. But more bad news was to follow as Richey issued a stark warning. 'We've only twenty-minutes, so easy on the solos.'
All of a sudden Nick was shot out of the infatuation coma: twenty minutes to showcase eight songs? 'Edge Of Town' alone was pushing five, whilst 'Dark Secret' and 'Brainstorm' around four minutes apiece. Something had to give and by the sound of it, his brief moments of guitar glory were for the chop. 'We can't cut the solos,' he pleaded.
'So what do you suggest then, Einstein?'
'I dunno...why don't we cut out a couple of the weaker songs? I've never liked 'Machines'.'
'We can't drop 'Machines',' snorted Richey indignantly.
The singer's take on the future, 'Machines' was the first song he'd penned as a starstruck teenager and meant as much to him as the acoustic guitar that accompanied its master everywhere. 'Why don't we just drop 'The Outsider'?' Richey retorted.
They squared up to each other like at their first meeting in Our Price, though familiarity had unearthed in Nick a previously dormant boldness. Holding his ground, Richey's stubbornness and volatile temper induced a standoff. 'Boys, boys,' called Vaughn, ever the voice of reason.
Both turned to survey the drummer as if they'd done nothing wrong. 'Not the solos,' begged Nick.
'Twenty minutes, we can't overrun or...'
Nick smiled inwardly. If they did run out of time Richey would be distraught. Not being able to play his best song would shatter him. 'Okay,' backtracked Nick, 'we agree on 'The Outsider' to start, then 'Machines'...' he continued. 'And 'Edge Of Town' third?'