~ Yesterday's News ~
He was relegated to the back page of section B in the local newspaper, overshadowed by an advertisement for the Disabled American Veterans.
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BOARD DENIES PAROLE FOR MEREDITH
BY ANDREA CASPER * STATESMAN JOURNAL * SEPTEMBER 21, 2009
SALEM, OREGON -- The Oregon Parole Board has denied the release petition of convicted felon David Meredith. Meredith, originally from Klamath Falls, had served less than half of a seventy-five month sentence for vehicular homicide, said Sharon Lowry, communication director for the Oregon Department of Corrections.
On May 12, 2006, Meredith lost control of his pickup truck after a night of drinking and collided head-on with a minivan driven by Lisa Ann Albright, from Corvallis. The collision occurred on US Highway 20, approximately eight miles west of Eddyville. Albright, age 38, remained in a coma for five days before her family terminated life support.
David Meredith pled guilty to manslaughter II in a court approved agreement. He began serving his sentence in November of 2006.
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Awkwardly clutching the scissors, Pamela clipped the article for her scrapbook. The reporter's words screamed inside her head. Her headache had returned, this time strong enough to affect her vision. The symptoms concerned her, but she wasn't going to let their mind control beams stop her. Her mission was too important.
"There you are. They tried to hide you from me, but I found you. Come along, Davy. I've got a place all ready for you here in the book. See? It's right next to their other lies and fabrications. They took you from me, but I'll make them pay. In the willow trees. Jon Albright is a damned liar. He said you killed his wife, but he's wrong. She's still alive; I have seen her. Crayons under glass."
She pasted the article next to the ones about David's trial and sentencing. On the opposite page, she had saved Lisa's obituary and a human interest article about Jon. Pamela's tears splattered onto the parchment paper.
*
~ Down On The Farm ~
"Dammit, that sucker is heavy." A grimace twisted Jon's face.
Hauling the sixty-five pound amplifier down from the Dakota had strained his back. It now sat at his feet, looking up at him, mocking his lack of Rock 'n Roll fortitude. He fully understood why Marla chose the Mesa Boogie for gigging. Nothing could approach the sound of a Fender Twin Reverb, however, and today, he would need all eight-five watts to keep up with the Flaming Roses.
"I'll be back for you." Jon pointed his finger in defiance and grabbed the case of beer.
Weaving his way through the maze of vehicles in Josie's yard, he eventually found the barn. Off to the side, a smoking barbecue pit exuded the aroma of ribs and brisket, giving him strength.
"Jon-boy! Over here," Leslie yelled, waving from the water trough.
"Hey Leslie. Is this where the beer goes?"
"Yeah, sure. There's plenty of ice in there, just dump it in. What happened to your hair?"
"It was an unfortunate lawn mower accident."
She hugged him from behind as he iced down the beer in the trough. Her big boobs pressed into his back as she wrapped him up in a bear hug. Jon marveled at how good they felt on his sore muscles.
"Well, be more careful. You've got Marla all addicted to love now, so you better stick around." She grabbed his ass and fished a cold beer from the trough.
"Her lights are on, but she's not home?" he laughed, opening a beer for himself.
"She might as well face it," Leslie giggled in agreement. "Hey, I'm really happy for you guys. She seems pretty contented."
"Me too."
Returning to face his nemesis, Jon prevailed and entered the barn with his gear. One corner of the barn was set up as a musical stage, so he put his guitar and amplifier down behind Marla's Booger. She was standing with Josie, talking quietly.
"Ladies," he said, walking over to them.
"Hey babe. I'm glad you're here," Marla said, taking his hand and pulling him over. "Josie's bass amp is acting up. I'm sure you can figure out what's wrong."
Josie squinted at him, her expression more suspicious than welcoming. Jon felt a little uncomfortable standing next to her.
"Hey Josie. Thanks for invite. You have a real nice setup."
"You're welcome," Josie said. "My bass guitar cuts out sometimes. I've tried several cables, but the problem seems to be here at the amp."
She demonstrated by wiggling the cable input on the amplifier.
"Oh, I see the problem. The input jack has come loose and the nut is missing. I've got a spare in my truck. I can fix you up in five minutes."
"Thanks," Josie said, turning and marching away.
"I don't know what's up with her," Marla whispered. "She's upset about something."
"Is she mad about me being here?"
"No, I don't think it has anything to do with you. I'll ask Shannon what's going on. Hey, I'm glad you're here. I've been missing you."
Marla gave him a hug and reached up to kiss his cheek. Jon wrapped his arms around her and made sure his lips got in the way.
"Why don't you go ahead and fix her input jack, before you forget," she continued.
"I'd like to examine your input jack," he smirked.
"Oh, behave. We've got all night for preventive maintenance." Marla playfully slapped his hand.
It took Jon less than five minutes to replace the missing nut on Josie's amp. He was setting up his own gear when she returned to the barn.
"All fixed," he said. "When the jack comes loose like that, it loses electrical contact."
"That was fast. You're pretty damned good, aren't you?" She was squinting again.
"Um, I guess so. I mean, I know how to fix amplifiers pretty well. Is there something wrong?"
Josie stepped into Jon's personal space and planted her finger into his chest.
"If I ever hear about you beating Marla, there will be fucking hell to pay," she hissed. "You do not want me pissed at you, lover boy. Are we clear?"
"I did not hit her. She got into a fight with Angel, in Seattle. You know that. What makes you think that I'd abuse her?"
"I'm just sayin'." Josie spun and stomped away.
Jon felt a flush of anger from the false accusation. He was ready to pack up his gear and go home, at least until he saw Shannon sitting in the corner. She had her finger against her lips, requesting his silence. She stood and followed Josie into the house, placing her hand on his shoulder as she passed by.
*
~ Shooting Star ~
By six o'clock, a sizable crowd had gathered in the barn. Leslie's iPod was playing through the PA system and people were already dancing. Jon sat on a folding chair, tuning his Telecaster.
"Are you ready to play some music?" Marla asked, slinging her guitar over her shoulder.
"As ready as I'm gonna be. What are we playing?"
"Just watch what I do and follow my chord changes. So, this is lesson number one: playing rhythm guitar. The sound you want is chunky during the verses and ringing power chords for the chorus. It's just as important knowing what notes not to play as getting the right ones. Use the palm of your right hand to mute the strings you're not picking. See? Like this."
Jon's Telecaster triggered a satisfying thump from the Twin Reverb. His brand new Ibanez distortion pedal put just the right edge on the sonic blast.
"What stomp box are you using?" Marla asked.
"I picked up this Turbo Tube Screamer yesterday. It was a hundred bucks, but I liked the sound. I've got the gain turned down to medium."
"It sounds great with the Fender. Can I try it out later?"
"Of course."
Band practice began with their first set song list. Jon stood next to Marla, watching her hands and playing along. Before long, he was feeling the music, listening to the other instruments, and making eye contact with the musicians. For a brief moment, he actually felt like one of the Flaming Roses.
Josie's guests cheered after their performance of 'Zombie', mostly because Leslie was honing her yodel, trying to match that unique quality of Dolores O'Riordan's voice. Jon fantasized it was the thick guitars riffs he and Marla had laid down, standing toe-to-toe. He hadn't even made a mistake.
"Damn. Marla and Jon, you guys really rocked me," Leslie squealed. "OK, Jon, it's your turn. You got a tune?"
"A tune?"
"We take turns calling out songs to play," Marla said. "It breaks up the monotony, keeps things interesting. Do you know any?"
"Um, I know this one."
He started playing the introduction to 'All Apologies', a classic Nirvana favorite. Someone in the crowd screamed her approval. Right on cue, Shannon joined in with the kick and snare drums, and Josie followed with the bass line. More guests screamed and crowded around the makeshift stage.
Jon focused on his playing and the clean tone he was coaxing from his amplifier. Oblivious to his surroundings, he finally looked up after finishing the intro for the third time. Everybody was staring at him.
"I think this song has words, too. Are you going to sing them?" Leslie razzed him.
"It's part of the deal," Marla added. "The caller has to sing."
"Sorry, I got a little carried away," he said. "I think I remember the words."
With Marla backing him up on rhythm guitar, Jon stepped up to her microphone and sang. He knew all of the words; this was one of his favorite songs. His voice was finer than Kurt's, lacking that gravelly quality forged through years of alcohol and drug abuse. He sang his heart out, and the guests responded in kind.
"That was outstanding," Leslie shouted, after the song was over.
Marla stood silently behind him, shaking her head. Finally, she said, "Amazing. I had no idea you could sing like that."
"I need a beer," Jon croaked.
*
~ It's Your Decision ~
Jon put down his guitar and made his way through the crowd. For the moment, he was the center of that universe; he felt their eyes watching him. He was unaccustomed to the attention, but enjoyed all of the well wishes he was receiving. Mercifully, the band started practicing a new AC/DC song, redirecting their focus back to the stage.