Despite the way the story starts, which is brief, this is not a stroke story.
After my last, I think this is my last.
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I looked down on the long and tangled red hair that was bobbing between my legs, my fingers from both hands tangling her hair even further, pulling her mouth harder against my clit that she was working furiously with her tongue and lips. I was on my back with my legs opened wide, one foot on the floor, the other on the back of the couch. I groaned as my impending climax built, I was right on the edge. She managed to look up at me and when her eyes met mine in the dim light, she smiled before diving her mouth back down hard onto my sex again. I was so glad I chose this one to seduce and was able to talk her along for the ride.
This young woman was good. I won't admit to just how young (I'm not stupid, I checked her ID before letting her on the RV), but she had incredible skill at what she was doing to me. She had kept me right on the edge, but I was going to further soak her face until the vehicle we were in swerved hard, almost knocking us off the couch.
I looked back over my shoulder and yelled at the driver of my RV, "Keep your eyes on the road, asshole." He lowered the iPhone that he had in selfie mode over his shoulder to watch us from the driver's seat. I'd deal with that jerk later.
My cute redheaded friend looked up at me again with another smile, shrugged, and then brought me right back to where I was before, on the brink of climax. I felt the first tremors of orgasm wave through my body, and I arched my back off the couch. I started to whimper, "I'm cum . . ."
I didn't get to finish because the world turned upside down. Literally. To this day I can still remember that nanosecond frozen in my brain. There was my redheaded lover floating midair, shock and surprise registered on her face. I too was weightless, no longer in contact with the couch. Then noise, then pain, then darkness.
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I awoke in a hospital room. I actually woke several times before I could piece together where I was and why I was connected to a bunch of unfriendly machines. The first coherent thought that I registered though was the first thing that I put eyes on when I was able to sustain awareness. The ugly face of Billy, my bass player.
I mean he wasn't ugly ugly, but he was not handsome by any means. He had an enormous nose, I mean really huge, clearly broken at one time, and the rest of his features couldn't overcome that honker. His typical expression was one of being totally lost, so to me, he just looked stupid all the time. Next was his dirty brown hair that curled enough to be unruly, no matter how much he washed and combed it. He was tall, with broad shoulders, but now he was slumped in a chair next to my hospital bed looking tired. And staring at me with worry.
I tried to ask him why he was here. Why I was here, more importantly. Nothing came out of my mouth, not even a squeak. I wasn't even able to open my mouth. Then I felt pain, temporarily blinding me. I realized that everything hurt. All of me.
It was almost a year before I put the whole story together, and even then, I had some missing gaps. The driver of the RV was so intent on watching me getting head that he wandered onto the soft shoulder of the road and the RV went sideways before rolling several times. The accident killed the redhead and the driver, but I somehow survived, though I wished I hadn't.
Billy was driving the equipment truck at the time, following the RV while the rest of the band were in a van following Billy. If I hadn't bought the van and just let the members of my band tour in my crappy used RV, the accident would surely not have happened, but at the time, my lifestyle was way more important than my band. I didn't know them very well anyway. By design.
It was Billy, I found out much later, who went in and saved me. In all of my naked and bloody glory. Billy never told me all that he did for me, he refuses to talk about the details even to this day, but he managed to get my breathing in order after my windpipe was crushed. Since we were in the boonies somewhere east of Dallas and near the Arkansas border, he kept me alive in the van while my keyboardist drove as fast as possible for what was normally an hour-long drive back to Dallas to find a hospital.
I was out of it for several days, but my "husband" stayed by my side in that hospital room the whole time. He lied about who he was so he could be with me. Not knowing that he had saved me, I started to resent him right there in the hospital. I didn't want to hire him in the first place, but the conditions were such that I didn't have any choice.
The nurses and doctors seemed to like Billy, but I just couldn't. I really didn't like him. It could be because he was the one that delivered the news. The accident damaged some nerves around my larynx, and I would be unable to speak. Unable to sing. Billy should have let me die.
Various broken ribs, contusions and sprains, I couldn't give a shit about. All of those would heal, but it was most likely that my ability to communicate with my voice never would. I spent another week in the hospital, Billy only left my side to get himself coffee or occasionally something from the vending machines. I wasn't able to eat anything solid, nor would I for some time.
When I was feeling a little better, I communicated here and there with Billy by writing things down for him to read. It was mostly short sentences, things like, "Go away" or "Leave me alone." In between bouts of crying, I gave him the dirtiest looks I could, but then I tried not to look at his ugly face, or at least as little as possible.
I was discharged with an order to see a specialist for my vocal cords when I got home. Home. Ironic because with the RV wrecked, I was homeless. Billy wheeled me out of the hospital on a wheelchair, and then loaded me up into the cab of the equipment truck. The van, Billy told me, was taken back to Los Angeles by the rest of the band. They hadn't even waited to see if I would survive the accident before they hightailed it out of there to look for new jobs.
I didn't give Billy much of a fight about him taking me back to L.A., but I didn't have much choice. The RV was a total loss, the only insurance I had on it was liability. I had no family, no real friends, no money, and no place to live. I had released my apartment before the tour started and every penny to my name was used to buy the vehicles and the band equipment. I had a pittance of royalties from my first two albums, paid out four times a year, but without my voice, I was essentially ruined.
Like a machine, Billy drove 21 straight hours. Each of those hours, when I wasn't crying or sleeping, I thought about my life and what I was going to do. It brought me deeper into despair and self-loathing.
With the inability still to eat solid food, Billy managed to get me nutrition by way of fruit smoothies, protein shakes, or soup broth, feeding me at regular intervals that only he had scheduled along the way, but I really didn't want to eat. I didn't give a shit.
What was there even to give a shit about? I had so much ambition and such a promising future ahead of me, I can't believe it was so fully ripped from my grasp. At 32 years old, I had worked tirelessly at writing music and singing my own material, and it had finally started to pay off. My first album had a top 40 track, and now with my second album, my latest release having a top 20. Because of that, I was offered to be opening act for the domestic portion of Sarah Strange's tour, a pop star with four straight platinum albums and a completely sold out 45-city concert reaching from coast to coast and back.
Because I was able to play a variety of instruments, I recorded both albums myself, all except for the drums that is. For the drums, I synthesized using a Mac. All I needed for the tour was to hire a band for the duration of the schedule. I filled the slots easily once it was known that I was touring with Sarah Strange, but with only one spot open, the bass player position, it was Sarah that recommended I take on Billy. Actually, it was more of an order than a request. I didn't even hear him play before he was signed on at bass.
We got four weeks for the band to learn the songs and rehearse. I drove them hard, didn't soften any blows when they missed a beat or didn't play up to my standards. It was my reputation at stake here, not theirs, so I worked them until their fingers were raw. I didn't make friends out of any of them, but in the end, the Jenna Faircort Band was made ready.
We were only eight cities into the tour when the accident happened. Things had been really going well too. Sarah had been encouraging and thought that I would be headlining my own tour with one more good album, so I had been writing all along the way. That is when I wasn't fucking a groupie that I brought back from the concert to the hotel or RV
Billy didn't turn out to be too bad of a bass player, though I had to nearly drag him into playing it the way I wanted him to, the way I rolled down the tracks when I recorded them. He started out wanting to play it in a style that was oddly familiar to me, but it turns out the bass wasn't his strongest instrument, it just happened to be the only open spot at the time Sarah came and forced him on me. It was ultimately a condition for the tour.
At times along the tour, Sarah would come see Billy backstage and pull him away for private conversation. I was a little star struck every time Sarah would talk to me, but she didn't seem to have any effect on Billy. Weird, but it almost seemed the other way around. He was perfectly calm around this international superstar, yet she hung all over him, listening to his every word as if he was the most interesting man in the world. Who knows what they went on about, I really didn't give a shit. Thinking back, it might have been my jealousy for Sarah's attention that made me dislike Billy and not just his nose and stupid face.
I was shocked and surprised when we pulled up to his home, a beautiful mid-century modern style home in none other but Laurel Canyon, an iconic neighborhood for the A-listers in the history of rock and roll. Not being anywhere close to affordable for a session musician. The only explanation I could think of was that he must have inherited it and had a trust fund to pay the annual property taxes as it had to be worth a couple million, California real estate being what it is.