Part 5: Epilogue
At least what happened on the bridge
made sense
. There was the realisation that the hurricane had arrived in full force, and then the feeling of the whole structure bucking and swinging underneath the car, throwing them around, and the moment of anger that the damn thing was even worse maintained than everyone said, and the wrenching moment when the car skidded sideways and off, and the cold knowledge that they were both going to die as they both screamed...
But then came the black tunnel, and the car dissolving away from them, and the incomprehensible shapes, and the plunge into unconsciousness. Those made no sense at all, but at least they were quick.
Real insanity turned out to mean quiet and light; a blue sky overhead, cluttered with glittering sunlit shapes, and soft earth and long grass under her back, and looking round to see that Dwight was lying next to her -- naked, far as she could see, and come to that so was she, but that was just a detail.
"Mom? Where the fuck are we?"
Okay, so he was awake too, and just as puzzled. She shook her head, then raised it to look around.
"Darned if I know, Dwight..."
"Over there!"
Okay, so there was someone else around. Ellie twisted up onto hands and knees, hunched protectively in on herself, and looked where the call had come from. It turned out that it was a white guy, late thirties or early forties perhaps, wearing a baggy mid-blue suit -- overalls? pyjamas? -- trotting their way, hands open and empty like he wanted to look harmless. There were a bunch of girls behind him, younger than him, all white, all in long baggy dresses of various colours, all staring; two of them had bundles of some kind in their arms.
"What?" Dwight was beside her, kneeling, staring confused and suspicious.
The guy stopped sharply, ten or fifteen yards from her. "It's okay," he said carefully. "Uh, sorry -- do you speak English?"
"Course I speak English, fella. Who the blazes are you?"
"Thank god for that... Oh, sorry. My name's Simon Evans. I'll... Ah, sorry." He turned away from them slightly, apparently trying to show that he wasn't staring at their nakedness. "Augusta, Jemima, give these two people some clothes."
"But Simon -- they're ni..."
"
Don't say anything!
" The guy shook his head. "Whatever you were about to say, it was probably tactless. We'll sort out about what words aren't going to annoy anyone later, but for now ... look, just give them the clothes, okay?"
The two girls with bundles looked at each other, then stepped forward nervously and proffered what turned out to be white gowns not unlike the dresses they themselves were wearing. Dwight scowled at his, but stood up, turning his back in the process, and pulled it on; Ellie did the same, except that she didn't turn around. The guy was avoiding staring at her, and she didn't want to let him or the girls out of her sight at this point.
"Sorry -- what are you names?" the guy asked.
"I'm Ellie, this is my son Dwight. And you are?"
"Simon."
"You English?" she demanded of him. His accent was pretty unmistakeable, actually, and the girls even more so -- they sounded like something off a PBS costume drama.
"Yeah. You're American, I gather?"
"Yes, I damn well am. So where the hell is this place?" She was slipping, she realised; she tried to keep a decent tongue in her head in front of Dwight. For that matter, she'd let his F-bomb pass.
"That's kind of a long story. Look, I'm sorry, that must sound stupid -- but believe me, if I could give you easy answers, I would. Anyway, look, first thing I've got to ask -- what year do you think this is?"
"What
year
?"
"Yeah. Please, bear with me."
"It's nineteen eighty-seven. Or are you saying we've been out for a while or something?"
"You could say that..."
"Mom?" Dwight sounded as confused as she felt, and when she looked at him, she saw he was staring off to the side. She followed his gaze, and saw why he was puzzled.
"Okay," she said, "what on earth is that?"
"That? Oh, it's a dodo. We've got a few of them wandering around here now."
"Don't treat me like I'm dumb, mister," she snapped. "I know that there ain't any dodos. They're all dead."
"Yes. So should we all be, actually. Look, we've got a lot to talk about, but you may want to eat or something; we've got rooms sorted out for you. Please, come along with us and we'll try and explain when you've got your breath back."
Dwight and Ellie looked at each other and shrugged. This didn't make sense, but the weird English folks didn't seem hostile, and going with them seemed like the only game in town.
The weird sort of building they were taken towards was odd enough, but getting there involved a couple of meetings that seemed to prove that this was a crazy place. First, they saw a couple of white-clad figures walking towards them arm in arm from the place they were going, and the English guy said something that sounded like swearing under his breath. The figures turned out to be two more women, one of them another teenager or thereabouts, the other maybe thirty-something. Both were wearing toga sort of dresses, which left both of them showing a breast each. Ellie glanced at Dwight, who goggled and then tried to look like he wasn't looking.
"Jane," said the guy to the older woman, "we have new arrivals, but please, we're dealing..."
"Simon," said the woman, "I have told you -- Jane Halstead is dead, and so is poor young Georgiana."
"As you wish... Jezebel, Bethsheba. But please -- we're taking care of Ellie and Dwight here."
The woman -- Jane or Jezebel or whatever -- turned a gentle but crazy smile on Ellie and Dwight. "Welcome," she said. "You have a new life. I wish you good fortune with it."
"Uh, thanks..." said Ellie as Dwight gawped and tried not to stare at the two women's tits. But at that they just turned and walked away.
"Sorry about them," said Simon. "Different people handle this situation in different ways. I guess they're not as crazy as they seem, really."
Then, outside the building, there were two more odd folks -- men, this time, both in plain white tunics and pants, sitting on the ground and looking like they were happy. One was an older sort of guy, grey-haired, while the second was younger and dark and kind of wiry. Both had wild, unkempt hair and beards, although neither seemed threatening. They looked at Ellie and Dwight for long moments, then fell back into what looked like a slow conversation.
"That's Mr Frake and Michel," said Simon. "They were both sailors -- seems to give them something in common, though they're still learning to talk to each other."
Then he led them indoors, showed them to plain but comfortable rooms, said something about the House adjusting the light and stuff if you just spoke a word, and offered them food. But Ellie sat down on a stool and stared at him.
"Okay," she said, "enough crazy stuff. Start talking."
So Simon talked. It took him a while to finish his explaining. Ellie and Dwight had refused to believe him for a lot of the time, but then came the moment when he shrugged, led them outside again, and said "House, please screen out the sun..." And the sky went dark and crazy, and the shapes up there became clearer, and eventually Ellie and Dwight had to accept what he was saying as some kind of truth.
"So how long you been here? Who else is here?" Dwight asked.
"I've been here a couple of months -- the girls and Frake a bit longer," he replied. "Michel turned up a few days after me. After that, we thought for a while that the ...
superminds,
we call them now, had finished their little project. But these few days, things have started again."
"So who else is here?"
"Two others from the last few days, but we've got both of them -- sedated, I guess you'd say. Neither of them are easy to deal with. Kurt's a pilot from World War Two -- a
German
pilot. Shot down, we assume, but he doesn't speak English. Far as we can make out, he thinks he's a prisoner of war and we're running some kind of mental torture scheme."
"Poor bastard."
"Yeah, quite. He took swings at some of us, so we're having to talk him through things slowly. Then there's Chen. Far as we can tell, he's a medieval Chinese peasant."
"Jeez," said Dwight.
"Quite. God knows where he thinks he is or what we are. I think that the House has persuaded the superminds to focus its grabs on our part of the world and time period again, at least for a while -- we can't handle stuff like that. You've no idea how pleased I was to find that you spoke English."
"Right." Ellie stared at Simon. "So what do we do now?" she asked.
"What the rest of us have done," he said. "Try to fit in, find ways not to go crazy."
***
Four Days Later...
"Ah, shoot, really? Y'know, I keep forgetting that you girls have never been in a car or stuff."
"We have seen a few pictures that the house has -- captured, I suppose -- from your time. But you and Simon talk about so much that is strange." Augusta shook her head sadly. "We must seem terribly ignorant."
"Hey, you're cool, really." Dwight scrabbled for a way to make Augusta smile again. "I mean, I've never ridden a horse."
"Neither have I," said Augusta.
"Really? Oh, no, you have said before. You poor thing," said Jemima.
"No," said Augusta. "My parents would have considered it unladylike."
"My people were farmers, or near enough," Jemima explained to Dwight. "In truth, they sent me to the school that I might become a little more ladylike than I was becoming at home."
"Hey, you girls are more ladies than I've ever met before!"
Augusta and Jemima both giggled. "We
were
ladies," Augusta said, "but it seems we are becoming barbarians and hoydens in this new life."
"How'd you mean?"