Chapter Three: Sparrow, Nightingale, and Lark
Thank you so much to everyone who left supportive comments, favourites and ratings on the previous chapters, I really appreciate it!
For my cub.
Full work summary: Cast out of his village and freezing to death in the snow, Sparrow finds himself rescued by a mysterious and beautiful woman, living in a grand house in the mountains. As he falls under the spell of his strange host, he finds himself brought into a dark world that presents a destiny he never could have imagined. Submission to a vampire is only the beginning.
Previously: Sparrow found himself settling quickly into the manor, awed by its grandeur and the complex of hothouses in the grounds. He met the groundskeeper, Cyrus, and was lured once again into passion by Vestalia, giving into her commands as much as her desire.
Chapter summary: Sparrow is falling easily into a nighttime life of pleasure. Vestalia shows him the wonders of the manor library and indulges in him over and over in the enchanting space. But the arrival of Sandu breaks their bliss. Is Vestalia in danger? Or is she the danger herself?
CW: Description of meat butchery between first and second asterisk. Violence and wound description.
The Latin poem quoted is Catullus 2a, thank you BakedTofu (AO3) for the recommendation!
"Are all vampires evil?"
"Well, Little Bird, what is evil? Vampires cannot go to Heaven, they are abandoned by God, they feast on mortals. But how many gods has mankind abandoned? How many afterlives has he barred himself from? How many creatures does he farm and hunt and eat? The vampire is deadly, yes. But evil? Who's to say? Not me, I'm just a goatherd."
"In Church they say we must love good and hate evil. But if we don't know what is evil, how can we do that?"
"Try not to think of it as hating what is evil. Try instead to think of it as existing in your own world and leaving the vampire in theirs."
"But they live in our world."
"Let me explain, Little Bird. A fish swims in the river. The river is all it knows. The river is its world. Can you imagine if you told a fish that there's a whole other world on land? One it can never be a part of, but swims through everyday? One it can only visit by being caught and killed and eaten, or else kept in a glass prison?"
"Oh, I see."
"Do you?"
"Not really."
*
Cyrus stretched the carcass out on the long, scored table in the back room of his cottage. There was no fire in here, the cold of the fresh, spring day laced the walls, fine veins of dew frosty in the seams between stones. The scent of raw meat permeated the room, mingling with bundles of dried rosemary in the rafters. He tied his apron over his black shirt and swept his mane of wild curls from his eyes. The carcass was lilac-tinged, cold to the touch from being stored out in the snow. He arranged it carefully, the body opened out and the limbs untangled. The organs, head, feet and hands had already been removed, leaving it hollow and smooth. The skinned flesh glistened. There were no windows in this room, but a lantern swung overhead, washing it deep pink.
Cyrus sang melancholically under his breath.
"Passer, deliciae meae puellae quicum
ludere, quem in sinu tenere..."
He picked up the cleaver and drove it into the spine, applying powerful pressure, his face expressionless. When the bone was weakened, he wrapped his thick fingers around the neck and knees and drew them together with a hard clench of his biceps and abdomen. A resounding crack, as the spine broke. He dropped the limp carcass and rolled his shoulders, rumbling back into song. He picked up a long, steel knife and wriggled it under the lean meat along the backbone, strimming it away and leaving the spine clean and glinting. Each slice of meat he freed was laid out on the table, building a red, slick heap.
He pulled the rib cage away and placed the hunk in front of him, exchanging the knife for a saw. His song fell into the rhythm of heaving and squelching, as the saw burrowed through the meat, segmenting the ribs into ruby red, trickling blocks. A metallic, fatty scent spread through the room. Cyrus only half registered it.
"Cum desiderio meo nitenti
carum nescio quid libet iocari..."
The tune rolled out of him softly, like a spell. He sawed under the armpits and over the tops of the thighs, removing the limbs, so the carcass lay dismembered in orderly sections on the table. The lantern swished yellow light back over the cold, keen knife. Meat was cut away in precise slivers. Cyrus worked like an automaton. His body knew the motions as well as his mind, the knife sliding effortlessly along the curves of muscle, glancing the glassy surface of bone, ferreting into joints, severing tendons and ligaments with sharp twangs like guitar strings. The carcass was slowly, surgically demolished, every scrap of flesh lifted away, until the wet bones gleamed under the lantern, as if they'd been retrieved from a lake.
"Et solaciolum sui doloris,
credo, ut tum gravis adquiescat ardor..."
He picked up a bucket and, with a few broad, scooping motions of his arm, swept the littered bones into it, raining onto the metal with a series of loud clangs. The bucket thudded down onto the hard, stone flags. He strode to a basin of water, with a block of herb-speckled soap beside it, and scrubbed his hands. He patted them dry, went to a shelf, and retrieved a chest and a jar the size of his own torso. He hefted them to the table, where they landed heavily. He panted from the weight, but more out of habit than effort. The chest clinked open, empty. The jar popped. The smell of meat was drowned in the stinging scent of salt and black pepper. He poured the preservative powder from the jar into the chest to fill about a fifth. His humming grew in gusto. He laid out a layer of the glistening slices of meat on the bed of salt and pepper, then covered them in more salt. He laid out another layer of meat, and another of salt. He did it again and again, cycling through clockwork motions until all the meat was buried under sparkling crystals. He closed the chest and secured the latch. The salt rubbed into the creases in his palms and fingers and sapped them dry and pruned, so the skin tugged when he flexed them.
"Tecum ludere sicut ipsa possem
et tristis animi levare curas."
The last of his song ghosted over his lips. He picked up the bucket and went outside to burn the bones.
*
"Where are we going?" Sparrow asked playfully, tripping after Vestalia along the blood red carpets of the manor corridors, led like a kite by her gentle hold on his hand.
She threw a glittering look over her shoulder. "You'll see."
Sparrow threaded his fingers into hers and clung on, as her pace quickened, her motions smooth and fluid as molten glass. He couldn't feel a rhythm in her steps. She flowed through the halls, like smoke breathed by the draconic house. Her crimson, Jacquard gown billowed out behind her, the candles catching the shimmering, woven patterns with licks of red light. The gown hugged her torso, shaping her with a complex interlace of ribbon down her strong spine. It left her arms and shoulders completely bare, save for the jungle cascade of her dark hair tipped with tropical red.
She twisted to flash him a smile, her long canines glinting. "Hurry up, Carissime."
He obeyed thoughtlessly, bounding like a fawn, his body full of intrigue and lightness, dancing on the edge of laughter. He felt the eyes of the paintings following them, but they seemed to be watching with affection, the way old couples do young lovers.
They whipped around a sharp corner, rocking a marble plinth bearing a glistening, jet sculpture of Seline cradling the sleeping Endymion. Vestalia pulled Sparrow down a yawning corridor to an arched door, the edges of the wood panels dressed in gold. She finally turned to him, taking both of his hands and bathing him in her scarlet stare. Her smile enveloped him, like sunset. "Close your eyes."
Sparrow pouted. Who could close their eyes when looking at this?
She chuckled, it rumbled through him. "Don't be naughty. Close your eyes."