A flick of the wrist on both sides of the battlefield to cast back the cuffs of our sleeves, and the duel begins.
As expected, my opponent is brash and bold. She advances rapidly with a quick step of her feet across the stone and pushes towards my comfort zone. Her gilded red robes have the dual appearance of an exotic dancer and of a martial knight, wrapped across her chocolate skin in interlacing layers of strict firmness and fluttering showiness. Her clothing has trailing red sleeves and a flowing red skirt that catch the eye and demand attention, and the billowing silk is kept in relative order by the solid bracing of a silvery breastplate over her chest, a thick, black belt around her waist and wide bracers with gold filigree on her upper arms. I spy rings and bracelets on her fingers and wrists as she splays out her hand towards me. And from between her thumb and forefinger, she lays her chestnut eyes on me with a fiendish, predatory grin. Her bob of black hair, dyed at its tips into a fiery orange, makes a halo about her head as she pushes for first blood.
"
Between light and shadow, a spark of ember calls my name...!!
"
It's the opening line of the Crimson Overture, and her sharp, sulphuric tones confirm my suspicion that she is a Capital-trained mage. As if her flashy outfit didn't give that away sufficiently. The name she used to briefly introduce herself before laying into me was not a familiar one. But this Magna of the Eighth is typical of urban mages I have met in the past. The Academia Capitula is the cultural centre of human magical research, so they want their students to show off as much as possible. As the first licks of flame are manifested at her palm, called to life by her mana and the words of the song, I ready my defence.
"
O Olympus, illuminated curtains of moonlight...
"
My boots send up a clatter of scree below me as I slide one foot around in a semicircle and bring an arm about to shield my face from the coming flame. I hear the sound of distant waves in my ears as the mana in my blood attunes to the gravitational influence of the moon. The cold and dark domain of the persona Olympus will be sufficient to counteract my opponent's fire for now. And the moon is a rocky and barren place, just like this cliffside campsite of mine near the peak of Mt Gekuro. Summoning the power of Olympus is simple when his domain matches my surroundings.
Ethereal darkness rises wave-like from the little rocks below my feet and roars upwards into a shielding curtain of twilight. I step back on my worn boots and let the strands of arcane black ripple around my leather workman's trousers and about the waist of my tan jacket. The wind ruffles my hair and the green of my cotton cloak as I take a lengthy backward stride. I've dressed for climbing and study today, not for a theatrical stage like this Magna has. I almost wonder how she knew that I was a mage at all.
But I can't spare the time to wonder right now, not when I'm trying to avoid being caught on the back foot. The fiery Magna spins about onto her other leg in a striding pirouette and lets her red robes flow about her as her lips continue to recite the second stanza of the Crimson Overture. She will burn away my protective shadows if she is allowed to conclude the chorus. I have to return her aggression with some of my own if I want to stop her in her tracks.
"
Harken the pull of the void!
" I shout with a lunge sideways towards the mountainside. "
What binds thee? Naught but age! Stagnate not in the restive seat of the earth!
"
"
Wildfires unchecked screech a battlecry!!
"
Our voices clash and tangle like wyrms of sound in the air between us. I notice that Magna is scowling as she aims her volley of song-conjured flame in pursuit of my steps. She will not have heard Shintao's Conceit of the Eclipse before, the words that I am using to defend against her. I myself only learned the lyrics and movements thanks to my time living in the far east where mountain worship is rife. They do not teach such things in the Capital. She will not be able to anticipate what this incantation will do, and that is making her careful. As such, it does not surprise me when her next blast of flame is aimed downwards instead of straight ahead, creating a searing explosion of heat directly in front of her. She is using an aggressive spell defensively so that she can continue the Overture without leaving herself open. And rightly so, as a wave of loose stones rises suddenly from beneath her feet and batters at the undersides of her arms and legs. The woman's recitation takes on a frustrated hissing quality as the bouncing rocks cascade upwards around her. And then again as they scatter down on her head.
"
And I am left in the quiet...
" I whisper.
The sibilance of the Conceit chains neatly into any of the Elven language incantations that I have memorised, and I choose The Silent Chamber. The meditative pumping of my blood as the background magic takes effect, metronomic in its consistency, will allow me to focus on preparing something bigger and more active to immobilise her. I simply hope that I can do so before she reaches her crescendo. The final lines of the Crimson Overture are legendary for their destructive power. I need to throw her off before she gets that far.
"Gekuro, can you hear me?" I utter under my breath. It's not an incantation, just a simple plea to the mountain that I have been studying for weeks. "Lend me your weight."
Before me, my red-garbed aggressor has one hand raised to prepare a ball of flame above her head. Her other hand is tucked tightly behind her back.
"
Sol's strength is mine own!
" Magna growls out her recitation from between her painted lips. "
And her heat...!!
"
"
We are dust, drawn ever downwards!
" I counter. I'm sweating from the vicious flames and the effort of all my leaping about. "
Come, O children, to thine place of genesis!