The two fundamental laws that govern sympathetic magic are the Law of Similarity and the Law of Contact. Put informally, the Law of Similarity dictates that two objects which resemble each other will remain in a natural magical correspondence; the Law of Contact maintains that things which came in physical contact will continue to act on each other even after that contact had ceased. The most widely practised implication of these laws is that a magician can affect a person by acting on an effigy or a belonging of that person.
A magician may also project their senses out of their own body, as was the case with Marquess Gera's famous spying glass eyes.
Principles of Sympathetic Magic, Auring University Press, 7
th
ed.
*
All great ideas seem totally obvious in retrospect. This is why Diane would later wonder why she only got this one so late into the class.
In my opinion, it's not really surprising. Sympathetic Magic is a demanding course, and effigymaking is its worst part. It requires all of your attention, and keeps your mind from wandering into risky grounds.
Before you try it, it sounds really simple. You put your hand in a box filled with claylike sludge. When it sets you pour mineral resin into this mould, and thus make a cast. As that is congealing, you establish a sympathetic link. It's a bit like telekinesis -- you seek the cast out and feel it with your mind, but instead of trying to shift it, you instead weave your awareness into the thing.
It is, in fact, not simple. It's a nightmare. It's a bitch and a half. It requires the precision of an alchemist and the inspiration of a mystic. Even in controlled lab environment, the students' casts often end up feeling numb, or barely responsive at all -- most are grateful to just get a passing grade. And to think that on the old days, all those woods witches and warlocks had to make it work with poppets made of twigs and rags. Insane stuff.
But Diane was not an average student. Again she pondered the cast on her desk -- a black and rubbery likeness of her left hand. Again she gave it a light stab with her pen. The prickling sensation on her actual skin was clear and exact. This was a final exam-grade work, and only mid-way through the trimester. She folded her hands and leaned back in her chair.
The second-floor laboratory was several times larger than an ordinary classroom, but somewhat dingy -- as was the entire building. The Department of Chemistry and Alchemy was separated from the main complex of the Vallnord Academy by a broad lawn, still apparently distrusted, despite only suffering three major fires in the previous twenty years. The day was overcast, and even though the gas lamps were on, the lab was dim. Diane's eyes wandered.
The shelves and counters by the walls were packed with vials, beakers, flasks, and test-tube racks. A massive, wide apothecary's cabinet walled off a storage area in the back of the room. A cast-iron industrial stove was audibly working right in the middle. Bare pipes ran through the ceiling towards the front of the lab, where the Archduke's portrait stared stern from above the door. The other students, seated in fours around the square tables, were all at work -- sticking their hands into the moulding forms or pouring the foaming mineral resin into them. Two tables over, bent down so that his brown hair hung over his eyes, sat Niko.
Like all public institutions in the country, the Vallnord Academy was expected to be a bastion of decorum and high moral standards. Having secret lovers here was exciting to be sure, but it was so difficult to actually get some quality time alone. You had to watch them furtively, picture their naked bodies underneath those black velvet uniforms, and suffer them to go unfucked for days, weeks even. Niko straightened up; his pretty lips pouted. Diane realized that she'd been staring, and that her own lips were slightly parted, and that she was licking her teeth. She quickly glanced around, and lowered her gaze to the table. She absent-mindedly ran her fingers through her cast, the touch relayed exactly to her hand. Once cooled, the resin was smooth, actually skin-like in touch.
And this, exactly then, was when she got the idea.
All the students were focused on their casts. The professor and her assistant were both near the front of the lab, giving advice and discussing the results. Diane hesitated for just a few seconds.
A standard moulding kit is a hinged wooden box with a missing top wall. She took a tin scoop and filled hers with the grey powder. She got up and walked to a sink by the window. She poured in water, and stirred until all the lumps disappeared and that thick, clayish sludge resulted. Nobody paid her any attention.
She did not go back to her table. She headed to the back of the room, where that great cabinet took up all its width except for a passage left off on one side. Behind it, additional perpendicular shelves created a small labyrinth of nooks, a genuine library for alchemical supplies. This late into the class there was nobody there.
She leaned against the cabinet's side and looked at Niko's back. He was fiddling with his cast. By his hand lay a pen. Quite a small object quite far away, but nothing that a survivor of Professor Ter Dekke's famous telekinesis course couldn't handle. She took a deep breath and sought it out with her mind. Steely nib, wooden holder, ink residue. She squinted. A little awkwardly, it lifted itself from the table, and poked Niko in the wrist.
He looked around, turned, and saw her. She gave him a quick little nod and disappeared into the backroom.
He made sure that nobody saw this and waited a full minute before he followed. The cabinet walled this place off from the windows, and so it was even dimmer here; a distant shadow of the sun aided by two gas lamps' worth of mellow light. Her blond hair was a rare bright spot in all this.
She was standing all the way back in the furthest corner, arms crossed. She smiled as he approached, one of her slight, mysterious smiles, and seized him up with those blue eyes. His heart rate picked up.
"How are your casts?" she asked. "Do they conduct well?"
"They're kinda good actually, yeah." He gave his words a nonchalant tone. She was obviously very talented, and comparing your results with hers was always a good way to make you really insecure about your magic. But his casts
were
kinda good. It was so nice to have no reason to be cowed by her. Yep, two very competent students casually discussing magic here.
"Good." She lifted up the moulding kit. "Will you make me a cast of your cock?"
Just... two competent students discussing magic.
"What."
"I miss your touch, Niko. If I can't have you whenever we want, I could at least have fun with your... likeness. And if you could feel me play with it, I think it would cheer you up as well."
The idea was definitely intriguing. Of course, casts imbued with sympathetic magic didn't last long -- the mental link would deteriorate after a day or so, and then the resin itself would crumble from the thaumaturgic stress -- but it could serve for one fun evening. Still, there was one little problem with the plan.
"Right here? Now?"
"Where else would you get the equipment? Besides," she dragged him by the elbow behind the furthest shelf, "in the unlikely event someone does come here, you will have time to pull up your pants." She shoved the moulding kit into his hands -- which meant that he couldn't prevent her from seizing his belt buckle.