Dear readers, a cast of characters for this episodic may be found in my bio. Please feel free to ask questions if my descriptions are confusing. Your comments, questions, and reviews will help me improve my storytelling craft.
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Previously:
We met Evanescent, the Princess's Witch, who is learning about the Crown's Concern virus. We met Maisie and Piper who have been imprisoned for lesbianism by Divinica, the Holy Mother of Joppa. They have been left as the playthings of the evil Doctor Norost. We learned how Ileana is able to see in the darkness and that she can be gentle and compassionate... at times. We met Aife and learned of her allegiance to the Princess as she investigates Karma's disappearance.
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0 - 0 - 0 - 20:24 - Evanescent
Evanescent wandered through the lab of the Queen's Witch, Morgana. She found her in a back corner kneeling before a life-sized statue of Ivankara, the Mother of Quies, the field of magic generally practiced in the Kingdom of Cowen. The statue stood upon a high plinth overlooking the entire lab, her features carved in striking detail. This was certainly a museum quality piece. Evanescent had always been awed by the expressiveness captured in the statue's eyes. Particularly, when contrasted with the blank, steel covering Ivankara's lower face - the Gag of Complicites.
Supposedly, in the distant past, the patriarchy of the land decided to steal the voices of all women. Ivankara was a powerful witch who the warlocks of the time tricked into donning the Gag of Complicites which infused itself into the very structure of the bones of her face, silencing her voice forever. Even worse, the Gag was designed to speak for her causing her to go about issuing decrees that were in direct opposition to the best interests of herself (and women in general). And due to her trusted influence, the general status of women as first class citizens tipped into decline.
Fortunately, Ivankara was able to combat the powers that had taken possession of her words. By developing a new train of magical thought, not grounded in the chants and intonations of spells, but rather through motion and silence. She was able to block the words which before had spewn from her gagged mouth and re-establish a degree of feminine influence in the power structure of the land. She was credited for establishing the tradition of pairing a royal family member with their own dedicated witch. A tradition now practiced in many of the regional kingdoms, including here in Cowen, and Joppa-by-the-Sea, too.
She was the reason that Evanescent and Morgana had any influence today as the Princess' Witch and the Queen's witch respectively.
Evanescent quickly bowed to the statue, rendered so beautifully in stone and its shining metal face plate.
Upon her arrival and out of tradition, Morgana said, "The story of the Mother Witch teaches us to not rely on the possession of all our faculties but the rather to study the power of each and choose the path which provides the greatest result with the minimum of display."
To which Evanescent, the younger of the two, replied as prescribed by tradition: "Yes, Mother. And within the meekest amongst the subjected shall coalesce the greatest of Magics."
After a moment's silence, Evanescent stood and held out a steadying hand for Morgana to rise.
"And so, the Princess is off on her journey to Joppa?" Morgana asked.
"Yes, they set off just a few hours ago," Evanescent replied.
"And Pet has been properly installed within her carriage?"
"Yes, the Princess is aware that Pet is now the replacement carrier of the Crown's Concern Infection in lieu of Slave Karma, P-346."
"Excellent!" Morgana said and with a sweeping gesture of her robes directed Evanescent's attention to a table draped in animal skins prepared with the highest of quality. "Come and see."
Evanescent looked at the skins and found full scale images of Karma's naked body from various angles hand drawn in exacting detail. The contours of her body and hair were presented in black lines and shaded with grays. Meanwhile, the constellation of Karma's body jewelry was depicted with an extreme degree of precision in three colors: blue, purple and red. An intricate series of marks bordered the drawings measured out in regular repeated patterns. The depictions could have passed for architectural drawings were it not that a naked woman was the subject matter.
"Impressive detail," Evanescent said as she looked over the drawings.
"Yes. It must be very precise," Morgana said as she ambled towards another table. "And here is the design that you will need to maintain."
Evanescent walked over to the second table and found another set of drawings. This time the model was Pet, her naked body depicted in the same array of angles and positions as the drawings of Karma. The image of Pet currently included no depictions of piercings, although it did show her Pleasure Slave tattoo in exacting detail. Up the in top left corner, Evanescent noticed that the array of symbols that Morgana had recorded from the machine used to infect Pet had been recently added to the drawings. The ink bottle was still on the table and the ink used in creating the symbols looked a little darker than the rest of the drawing as though it was still wet.
(Did Morgana create this entire depiction of Pet since Karma disappeared?)
"This is where you will need to both document and, as well, guide the infection," Morgana explained. "The infection may be controlled if you can somehow focus its attack on a victim. If the progress of the infection is left unregulated, it will advance randomly and unpredictably and with extremely... shocking results." Morgana pointed her finger at the drawing. "Nothing but the utmost precision is required."
0 - 0 - 0 - 21:42 - Ileana
As soon as Ileana passed into the human woman's sarcophagus, she knew that her ward was going to be an annoyance. There seemed to be phases that those that have been buried alive go through. She'd seen all this before.
"Oh, thank the Goddess you are back!" the woman cried - a certain degree of mania in her voice. "I was really worried that you were gone."
"No. Not gone," Ileana sighed as she slid her way forward, replenishing the air-refreshing sedgeling weeds as she moved.
"I've been thinking that I just can't lie here and wait to be saved. I need to do things to help prepare for my rescue or perhaps even take on tasks that could precipitate my escape."
"What do you want me to do?" Ileana said with the utmost lack of enthusiasm possible.
"Well..." the woman began, "since you can see in this darkness, I was hoping that you would look at the cuffs on my wrists and ankles. See if you can find a keyhole. I think the first thing that I should do is get out of these shackles so I can move around a little."
"I told you last time," Ileana replied, "that I see heat. These shackles are cold and dead. They don't give off heat. I can see where they have bound your limbs only by the absence of the exposure of your flesh."
"Ok, yeah, well, maybe you could feel around for the keyhole..." the human woman suggested.
"Right. You want me to look for a keyhole." Ileana levered herself further into the grave, following the woman's outstretched arm to where her wrist was captured by the shackle. "I suppose that this is when you are going to ask me to pick the lock somehow..."
"Well, if you could just examine the locking mechanism..."
"I can only see things that give off heat," Ileana said.
"Yes, but maybe you could feel around..."
"And what? Use a fingernail to pick the lock?" Ileana asked sarcastically.
"Yes! Maybe it's not very complicated."
Ileana let out a dramatic sigh, but, still, began to feel around the woman's wrist cuff for the keyhole. She was able to lift the woman's arm only a little, the chains had been pulled so tautly. Her investigation even surprised Ileana, herself. "Hmm..."
"Did you find something?" the woman asked hopefully.
"No," Ileana said.