Amanda Cornwell was thirteen and had a Maltesers ice cream; her friend Jodie Burton was twelve and had a strawberry Cornetto; and Safira Khan, who at only ten was entitled to a lemon ice-lolly out of Mrs Cornwell's generosity, was not so much a friend as a confidante and follower invited along to powwows when big news or plans were discussed. Amanda accepted a bite from the far side of the Cornetto and proffered her own in momentary exchange to Jodie. Then she looked round and ensured they were unobserved here on the brick fence in the sun.
'My mother's going mad,' she announced.
'How do you know?' asked Jodie, who rather thought her own mother was mad too but wasn't sure of the clinical signs that would convince outsiders.
'Talks to plants,' Amanda stated.
'My dad's mad too,' said Safira, swinging her legs. 'He talks to computers and cars and things. Even tools.'
Amanda began to sob with wracking tears. 'I'm sorry, Mr Nicholls, I haven't had time to do my homework, because my mother's gone mad and we have to tie her down and comfort her.'
'You wouldn't have to though, cos she'd be locked up somewhere. A
loony bin
,' Jodie added emphatically.
'No she wouldn't, they have Care in the Community now,' Amanda said happily. 'It'd be
perfect
.'
'I hope she still buys us lollies though,' said Safira, with a lugubrious lick at her vanishing remnant of one.
Safely out of earshot in the next street, Mrs Cornwell glanced over the headlines: the health minister had resigned, another missile attack on Hamas, shake-up of the judiciary, and sadness at the death of Gregory Peck, tempered a moment later when she realized she was conflating him with Cary Grant. Was he still alive? And it was him in
Bringing Up Baby
, wasn't it? It was too difficult to take in much more as she walked back home, unless she too sat on a brick fence and watched the world go by. She did this a few doors down from her own house, at the house with the most luxuriant garden.
Crimson and purple vervain in hanging baskets, tomato plants in slit compost bags on the window sills, rectangular terra cotta pots with geraniums of an acid hyper-carmine so intense that it would give bees sick headaches, and a big sprawling old-fashioned rose with fuzzy leaves (hirsute? glabrous? she wondered) and fretty edges and a few perfect white blooms. Beyond that a solitary large plant she thought was called agapanthus emerged from the soil like a metallic sculpture, an Anthony Gormley cloud of interlocking spikelets.
Near her shoulder were foxgloves, tall and erect, the leaves sharp and stiffly jutting outward. The way they stood was very masculine, she thought, and in remarkable contrast to how feminine the flowers were inside: magenta, maculate and enveloping. She tried to picture a fox wearing a pair but the erotic image overweighed it, and she imagined trying on two vaginas and going to an elegant party with them exuding secretly for her.
Jennie Cornwell found a reason to return home, out of the balm of the sunshine and into a cool private room. Too often lately she had fallen to fantasizing about women: seldom anyone specific, but fetishistically about body parts, kissing the back of a faceless woman's knees, being blindfolded in 69, vulvas encompassing her breasts. With luck Amanda would stay outdoors or go to Jodie's till teatime.
Jennie plucked a solitary glove and ferried it gently home like a recuperating butterfly in her hand. She tossed the newspaper onto the living-room table and laid the foxglove gently on her bedside table, in the expanse of white. To try to get the unwanted fantasy driven away before she aroused herself, she went and washed the newsagent's change off her hands, warmed up the oven and put a chicken in it, and connected to the Internet.
She looked up Cary Grant on Everything2 and found he died in 1986. She discarded some spam with barely a moment's curiosity over what effect penis enlargement offers would have on whatever the plural of clitoris was. She steeled herself not to go over and look up the dictionary. She found herself imagining a woman with two clitorises, and her own mouth trying to decide how to pleasure them both together. With a sigh rather drawn out, she recalled herself to foxgloves and Googled to see if she could find an Arthur Rackham illustration, interested whether he had made them female or male.
A modern artist had posted a picture calling her 'a sullen little faerie', but she didn't think he captured the character of the foxglove. No Rackham, but someone with monogram CMB in the 1930s, whose style she thought she ought to recognize but couldn’t place a CMB, had shown him as a magenta-legged imp with spotted short trousers. Or could it be a
her
? Another look at the search results identified the monogram as CMG: Christina Gordon.