2. Summer
The young woman stood and smoothed down the light cotton dress across her thighs. The guard had made his announcement and the train had begun to slow. Soon the train would be gliding through the darkness of the tunnel to the station waiting on the other side.
Outside the carriage windows, the landscape had the soft glow of an early summer's evening. A sort of Maxfield Parrish look to it. The warm golden brown of the harvest ready fields, the blue of the sky, the quiet of the landscape after a scorching day. It was a warm, even hot evening and the woman wiped a hint perspiration from her brow with a little blue cotton handkerchief.
The woman reached across to the seat next to her and picked up a straw hat. A sensible hat for a summer's day, wide brimmed. She put it on. It was then she saw him. She had not seen him since that winter's night, so many months before. Had watched for him on the train, been very wary which carriage she sat in but he had not been there. Not until now.
Harris had been pleased to see the light cotton dress, white with large blue flowers, waisted and dropping to just above her bare knees. Not sleeveless but with only short pieces of material covering her upper arms and leaving most of her arms free. Summery wear for a hot summer's day. A gold chain around her neck and strappy, high heeled, tan coloured, sandal like shoes on her feet. Her chestnut brown hair tied neatly behind her in a pony tail. It was tied with a blue ribbon.
Harris too stood, as if readying himself for the station and the carriage door. He smiled his thin smile in recognitionānot that he had missed her presence earlier.
She was not smiling.
The train entered the tunnel.
The lights had not been working in the carriageāthere was no need in the bright sunlightābut as the carriage entered the tunnel the light became dimmer as the tunnel's mouth was left behind and the other end was still far away. The train seemed to be losing way, gently slowing within the tunnel, as the light dimmed further, until the train was at rest and the carriage completely dark. Not in the station but seemingly still in the depths of the tunnel, the dark tunnel. There was no sound. It was strangely quiet.
"No, no, please not again." The woman spoke but was already moving up the carriage in the dark away from Harris feeling her way from seat to seat. A hint of panic in her voice.
There was no movement and even the air conditioning in the carriageānot good for the whole journeyāseemed to fail as the air became warmer almost as if they were no longer in the carriage but already on the platform.
The woman's hands no longer found the seats but thought she could see light moving towards her. Was it, she wondered, the light at the end of the tunnel? Yet her feet no longer seemed on flattened carpet but the softness of grass and, with the brightening of light around her getting stronger by the second, she could see not the familiar walls of the carriage but trees and stone walls and green meadows basking in the warm sunshine of a summer's day. The birds were singing.
Slowly she turned back to Harris. The man, standing in a cream linen suit and leaning on a cane, was looking at her. His tie was just the same blue as the flowers on her dress.
"No," she cried and began running across the field following the path across the hay meadow. Harris watched her go, watched the pretty sight of a woman running, her dress flowing, her brown limbs workingāa vision of grace. It is not easy running in high heels; it was no surprise when the woman pulled them off, one after another, and threw them away as she ran, faster and easier over the land. Harris watched her climb a stile and disappear. Lifting his panama hat he mopped his head with a bright blue spotted handkerchief and set off after the woman, walking easily as he swung his cane. It was very warm in the valley, not a breath of wind. A beautiful day but really a little bit too hot for walking: let alone running.
The woman was running a little downhill following a path, a hand clutched to her straw hat to ensure it did not come off. Glancing back she saw she was well away from the man and she slowed, panting in the heat. There was sweat on her brow and already her dress was damp in places from her exertion. Half way across the next field she stopped and simply flopped down in the middle of it, down on the grass.
Harris did not hurry. With his cane swinging he came steadily towards the woman, looking surprisingly cool in the summer heat. Perhaps it was the linen and panama which gave the appearance of freshness without necessarily the substance. The woman was watching him.
"And where are we now?"
It was not exactly a greeting.
"I would suggest if you were thinking of resting the shade of the old oak ahead might be a better place to sit."
He offered his hand to help the woman up. She did not take it. Getting to her feet she smoothed down her dress and adjusted her hat.
"It's a very fine day." Harris stating the obvious.
"Where does this lead?"
"The sea."
"How do you know? Have you been here before?"
Harris smiled his thin smile but did not answer.
The woman paused in the shade of the oak. It was certainly cooler but still very warm. Harris looked a picture of cool elegance: the woman perspiring and damp. Her run had not helped her comfort. The oak was old, its roots, erupting from the soil, were thick and winding over the ground. The woman sat on one. Harris stood regarding her. She did not look at all cool.
"I wish we had some water."
Harris shrugged, "unfortunately..."
"How far is the sea?"
As if by coincidence there was the sound of seagulls.
"Not far."
It was not. Climbing the next stile brought a view down to the blue, blue sea. The woman paused and regarded the scene. It was picture postcard perfect. Beyond, the path began to drop more steeply as it moved from the green of hay fields into rough grazing and then gorse. The path changing from grass track to sand. They made their way downwards.
"Easier on my feet."
Harris looked at her bare feet and legs beneath her dress.
She said, "I've always liked sand between my toes. Why are we walking?"
"To get to the sea, I suppose. You came this way."
"What was the other way?"
"Fields and hills, did you not look?"
He was not helpful. The girl frowned.
Down they came onto the sand proper. A bay stretching away to right and left; ahead sun dried sand giving way to the flat wet sand where the tide had come.
The sand was hot on the girl's feet.
"It's so hot. My dress is wringing."
They walked onto the open sands.
"That's better," said the girl as her feet touched the wet sand. "Doesn't the sea look lovely?"
And it did. The waves breaking at the edge were small giving the sound of gentle lapping water. No crash of breakers: just the small sound of the sea. The girl ran to the water's edge and then was splashing happily, catching the hem of her dress in each hand and lifting it to keep it from being wetted. Harris lent on his cane and watched.
Are children ever happier than on those perfect days down by the sea building sandcastles or just running, for the joy of it, through the surf? There is something about the sea which does not leave in adulthood, whether walking along the seashore listening to the sea or doing just the same things as when children. Are not childhood memories at their happiest when by the sea, do we not smile in happy reminiscence of endless days in the sunshine by the sea? The reality may not have been quite so perfect but children do not notice the grey skies and the disappointing lack of sunādo not care! They are by the sea.
The girl seemed to dance along the boundary between sea and sand, splashing a little and sending droplets to hang shining momentarily in the hot sunshine. A happy sight on a perfect blue skied day. What could be prettier than a young girl lifting her dress a little and dancing through the water?