I think The Kingston Trio said it first. But then Frank Sinatra said it more eloquently. It was Frank who moved it from the major key to the minor key. Brilliant.
'When I was twenty one, it was a very good year.
A very good year for city girls who lived up the stairs.'
And, yes, not only did the city girls live up the stairs, but - as Frank observed - they also had 'perfumed hair'. (Hairspray, I presume.) And it did come undone - the hair, that is - when I was 21. But we'll get to that in a moment or two.
Vanessa was a petite blonde, with small breasts and a boyish waist. Alison was taller, bustier, with dark, wavy hair. They were both senior lecturers - assistant professors, I guess we'd call them these days - at University College. And they were my upstairs neighbours.
My flat was the garden flat - which is estate agents' speak for 'basement flat'. Somehow, calling it 'the garden flat' made it sound less like a gloomy, potentially damp area tucked away below street level. But at least I got a small outdoor space with it. Not an actual garden. But a paved courtyard, big enough for a small table, a couple of chairs, and a few neglected pot plants. (I wasn't much of a gardener when I was 21.)
The girls' flat took up most of the ground floor and a large part of the first floor. Beside and above them, there was another large flat which the owner apparently kept as his 'London townhouse' - although, in the whole time that I lived in the Cramer Street building, I never actually saw him. Not once.
I first met Vanessa on the day I moved in. 'Hi, I'm Vanessa,' she said. 'I'm your upstairs neighbour.' She was with a lanky chap whom she introduced as Jack. I later found out that Jack was John Erskine, the composer of film scores. If you've ever seen 'Too Many Mondays', he's the guy who wrote the music that makes the opening river scene so haunting. 'We'll have to have you up,' Vanessa said. I assumed that 'we' somehow included lanky Jack.
Alison and I met a couple of days later when we both happened to arrive home at the same time. Alison was just about to put her key in the lock as I reached the gate at the top of the iron steps that led down to my own front door. 'Oh, hello,' she said. 'Vanessa said that we had a new downstairs neighbour. How are you going? Settling in?' And then, almost as an afterthought, she added: 'By the way, I'm Alison. We must get you up for a coffee or a drink or something. Perhaps a cocktail. You'd be a starter for a cocktail, wouldn't you?'
'Umm ... yes. Yes. Thank you,' I said.
Back in those days the southern end of Marylebone was pretty sleepy - well, except for Manchester Square, which had both the EMI building (of Beatles fame) and Hertford House, the home of The Wallace Collection. Back then, even Marylebone High Street was nothing like the bright bustling place that it has since become. But there were at least nine pubs in the vicinity. And one of my early missions was to set about seeing which would become my local.
I started with the pub on the corner of George and Manchester Streets, and then, over two or three weeks, I worked my way up from Marylebone Lane, up the High Street, and then zig-zagged my way across towards Baker Street. I seem to recall that The Barley Mow was about eighth on my list of possibles.
Vanessa was standing at the bar, talking to a stocky, balding chap with bushy eyebrows. Or, to be more precise, he was talking to her. Vanessa spotted me as soon as I walked in the door. She waved out. I didn't intend to crash her party, but the only space at the bar was right next to her, and the barman was looking at me expectantly.
'Hello,' Vanessa said. 'Sam, this is Henry. Henry also teaches at UCL.'
I held out my hand, but Henry ignored it. 'Look, are we going to go and do it?' he said, somewhat impatiently.
Vanessa smiled but shook her head. 'No,' she said softly.
'No? But I thought you wanted to.'
'You have a wife waiting. Remember?'
'Oh well, I may as well push off then. I'll see you on, umm, Friday.'
'Possibly,' Vanessa said. 'Depends.'
'On what?'
Vanessa just shrugged her shoulders.
'Sorry. I didn't mean to interrupt,' I said, as Henry departed.
Vanessa smiled and shook her head.
'Can I get you a drink?' I asked.
She frowned briefly, but then smiled again and said that she'd love a dry vermouth. On ice. I ordered a dry vermouth for Vanessa and a pint of best bitter for me. 'So, is this the local, then?' I said.
'I guess so,' Vanessa replied. 'There's no shortage of pubs around here, but this is probably the best of the bunch.'
For the next half an hour or so we sipped and chatted, and discovered that we shared a liking for the poetry of Roger McGough and Adrian Henri, the prose of JP Donleavy, and the music of Miles Davis, Gerry Mulligan, and Thelonius Monk. Not a bad start.
'Another drink?' I suggested. But Vanessa smiled, shook her head, and said that it was probably time that I walked her home. And so I did. And, being the gentleman that I was, I walked her right to her front door and waited while she found her key.
'I assume you're coming in,' she said.
'Am I?'
'Oh, yes, I think so. You don't have to be anywhere else, do you?'
'Umm ... no.' I followed her into the flat and hovered while she put away her coat. I must admit that the first kiss was a bit of a surprise. One moment we were just standing there; the next moment she had her mouth all over mine. Not that I was complaining. It was just ... well ... a surprise.
'How old are you?' she asked. 'Twenty four? Twenty five?'
'Something like that,' I said. (I guessed that she was in her mid-30s, so perhaps I needed to be a little older than 21.)
Vanessa smiled. 'Oh well, it's probably time that I tried a younger man. The older ones aren't doing a lot for me.' We kissed again, and then she took me by the hand and led me upstairs to her girly bedroom. And, after that, things just ... well ... happened. I don't even remember there being much foreplay that first time. We just sort of took each other's clothes off - most of them, anyway - and got down to business.
I was pretty inexperienced back then. I'd only had one sexual partner. And, to be honest, that hadn't really been a great success. But with Vanessa everything just seemed to work. We just clicked. Tab A slipped into Slot B as though they had been designed for each other.
Looking back, I realise that the first time was a bit 'wham bam'. But after we had recovered, we did it again - this time with a little more finesse.
We were sitting up in bed following our second session when the bedroom door opened and Alison came in holding up a magazine. 'Have you seen this?' she said. And then she saw me. 'Oh. Sorry,' she said. 'I didn't realise.'
'That's OK,' Vanessa said. 'We're just taking a bit of a breather.'
Alison nodded. 'Oh. Right. So ... how are you, Sam?'
'Yes. Good,' I said. 'Just taking a breather. Apparently.'
Alison smiled. 'Oh well ... good luck. Don't peak too early.'
On Friday night I made another visit to The Barley Mow. The place was heaving. 'Is this place always like this on a Friday?' I asked one of the barmaids.
'Generally not quite this rock 'n' roll,' she said, with more than a hint of an Australian accent. 'I gather the HTC blokes have won something or other. A bank, I think. They've been going since about three o'clock. Not that the boss is complaining.'
'HTC?'
'You know, Harrison Toomey? The advertising agency?'
'Oh, right,' I said. 'Of course. They're just around the corner, aren't they?' Funnily enough, I'd been offered a job at Harrison Toomey. But, in the end, I had decided to go with an offer from CDP - Collett Dickenson Pearce. They just seemed somehow ... well, cooler. Being cool was important when I was 21.
For the next half an hour or so, I sipped my beer and carried on a much-interrupted conversation with the barmaid. It turned out that she was from a little seaside town near Sydney. Her name was Charlene, and she was a student at The Slade. But then her boyfriend arrived.
I toyed with the idea of having another pint, but eventually decided to head off to see if the delicatessen on Marylebone High Street was still open. It had been a long time since breakfast and I quite fancied the idea of a piece of rotisserie-cooked chicken. Happily, the deli was still open. Unhappily, they had sold out of chicken. I was just standing there trying to decide what else might make a satisfactory snack when a voice behind me said: 'Decisions, decisions?' It was Vanessa.
'A bit like that,' I said. 'I had my mind set on some rotisserie-cooked chicken; but it's all gone.'
'Well, you'll just have to come and have a picnic with me then.'
'A picnic?'
Vanessa smiled and ordered three thick-cut slices of Wiltshire ham, some camembert, a baguette, and a pot of coleslaw. 'Yes, that should do it,' she said.
Back at the flat, she placed the camembert at one end of a large platter. Next to it she piled up crusty-edged bread slices cut from the baguette. And next to the bread she piled roughly torn pieces of the ham. Finally, she drained some of the surplus dressing from the coleslaw, and replaced it with the juice of half a lemon and a generous pinch of cayenne pepper.
'Oh. And we'll need something to drink, won't we?' she said. And she took a bottle of cava from the fridge and a couple of tumblers from one of the cupboards. 'Not champagne, I'm afraid. At least not French champagne. But it's a pleasant enough drop. And there are bubbles. You can take the platter. I'll just get a couple of knives and some napkins.'
'And where exactly am I taking the platter?' I asked.
Vanessa frowned slightly. 'The bedroom, of course. Where else would we picnic on a Friday night?'
Where else indeed?
I went up the stairs to Vanessa's bedroom, and I was still standing there, wondering where to put the platter (all available surfaces seemed to be covered with either books or girly stuff), when Vanessa arrived with the wine and the napkins. 'Just pop it on the bed,' she said.
When I was 21, I hadn't had a lot of experience of bedroom picnics with city girls who lived up the stairs. I placed the platter on the bed. And waited for my next ... well ... instruction, I suppose. It was not long in coming.
'Be a good chap and open the wine, will you please, Sam?' Vanessa said, as she kicked off her shoes and slipped out of her Mary Quant-inspired dress.