Everyday when I see Lynn I think of that wonderful quip by Walker Percy in The Moviegoer, "Her bottom is so beautiful that once as she crossed the room to the cooler I felt my eyes smart with gratitude." Lynn is a co-worker of mine in the university advancement department. What is so amazing about her is that she is 62 years old, but she is proportioned like a 32 year-old. A size four, she could be a double for Shirley Jones. Her tummy is flat. Her slender waist curves out to a luscious behind that is wonderfully framed whenever she wears a pair of tight jeans. Almost perfect proportion. Lynn always dresses modestly but classy. She does have a tight black pair of slacks that mold her eye-catching curves, but she is really unconscious to the effect they have on me.
I've known Lynn for eight years. Over that span of time we grew to be good friends. When her husband came down with a rare, strange illness, I would drive them to Baltimore when he felt uncomfortable flying. He was involved in some sort of experimental protocol at John Hopkins Medical School. During the seven-hour drive, we found out that we share a lot of the same passions such as art and literature. Yet we are truly different. I'm a transplanted Yankee and she a Tennessee "hillbilly." As our relationship grew we shared more of our hearts and our struggles. I found Lynn to be a strong woman who hardly ever complained about her circumstances. There was depth of character as well as outward beauty. Her face is youthful yet it has the lines of wisdom and depth.
There are times when I can't keep my eyes off her and I have told her so. She calls me incorrigible. I guess I am. I've never been so attracted to a woman other than my wife. And there is the rub. We are married. When I am traveling for the university I find myself missing her. A connection between us happened one propitious afternoon. Both of us wanted to see the Andrew Wyeth exhibit of his Helga paintings. We took off work early to visit the museum where the paintings were being displayed. Wyeth created over two hundred and forty individual works of his neighbor Helga Testorf over a fifteen-year period without telling a single person, including his wife. Helga had never modeled before but agreed to become his subject. What started out as an acquaintance evolved into a long-time friendship. Helga became so comfortable with Weyth that often she would lie sleeping while he painted her. He painted her clothed and nude.
Lynn and I together were able to view and delight in Wyeth's beautiful nude paintings of Helga without embarrassment, shame or awkwardness. She told me that she didn't think she could appreciate these paintings with anyone else. The afternoon was electric, at least for me. I didn't want it to end. If people thought we were a couple, I would have been proud to be her partner even though she is twelve years older than me.
Leaving the museum and walking toward our car, I wanted to kiss her. And not just a little peck. I wanted to bestow a long, deep, soulful kiss on her full lips. I yearned to taste her. Self-control won the day, fortunately. Any advancement toward her would certainly alter the dynamics of our friendship; maybe even destroy what we enjoy. Lynn wasn't just a friend anymore. I had no clue how she felt about me. I knew I was her "buddy," that was all. Looking back, that afternoon was a foreshadowing of things to come.
There is a loose paraphrase of a Biblical proverb that goes like this: