I prefer to write in first person narrative. But then it's hard to write about what's going on in the other character's head. Here, I attempt write both characters' perspectives, switching back and forth. Each perspective overlaps the other so we can see how each character experiences the same scene, just a little differently, and the spoken dialog is necessarily the same. Yes, that's repeating part of the story. But then, don't we always like to rewind and replay the good parts?
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Jack:
"Son of a bitch!" I yell, at no one in particular. Then I notice the short, young woman on the dock with a backpack nearly as big as her, and a shocked look on her face. "Excusez moi mademoiselle. J'Γ©tais impoli."
"Not at all," comes her reply. "I'm just surprised to hear someone swearing in English."
"Oh, you're American."
"Canadian actually."
This exchange is taking place at a marina in Cannes on the south coast of France.
"Really, I'm truly sorry. I'm readying the boat to sail, my grandson was supposed to crew with me, but just texted that he's met some girl and he's following her off to Spain. I can manage solo, but it's nice to have extra hands when things go south. What do you know about sailing?" I'm really just joking.
"My dad's got a Tayana 42," she replies. Then, pointing to the lines in the cleats, "Main halyard, jib halyard, reef, outhaul, boom vang, ..."
Well maybe I've got my crew after all. I look her over. Seems to be in her 20s. Dressed casually, and simply - shorts, sneakers, and a baggy t-shirt. Short hair, no discernable makeup, fingernails short. All good, 'cause high maintenance women and sailing don't mix. "You're hired. It doesn't pay much. Just room and board."
"I didn't know I was applying for a job. But you've got a nice boat here."
"It's not mine. I'm just moving it for a client from here to Sicily."
She hesitantly looks back up the dock toward downtown, then back to me. "I was actually just killing time before catching my next train. But I'd love to go to Sicily. And this would beat the hell out of youth hostels and train couchettes."
"Welcome aboard!" I say, extending my hand, both in greeting and to help her step across to the gunwale. "I'm Jack. Jack Farrow. Kind of like the pirate. And you are?"
"Ooh, a real Captain Jack!" and taking my hand, "First Mate Clara, reporting for duty, sir."
Standing in the boat's cockpit, she's a foot shorter than me. Her hand is small and soft, and I hold onto it longer than necessary, suddenly reminded of how long it's been since I've had some female companionship. But no, I've got to be older than her father. I could probably be HIS father!
"It's not as big as your dad's boat. You'll have to settle for the single berth in the salon. It's too short for me, so the private V-berth up front is all mine."
"That'll be fine," she says. "You may have noticed I'm small."
Indeed I have! I like my women small. Then I can toss 'em around in bed.
"We need to walk up to the market to pick up some food and other provisions, maybe some fish for tonight, as it may be our last fresh protein for a few days. I hear they're catching a lot of squid right now."
"And some wine or beer, I hope," she adds.
"Of course, my dear. But we hit the hay early tonight to get a good start in the morning."
"Aye aye, Captain Jack!"
Clara:
I didn't plan on this. I was going to take the train to Italy anyway. But sailing! The Mediterranean! To Sicily! Adventure! Robert Frost's road less travelled!
I look back at -- damn, I don't even know his name, much less anything else about him -- he doesn't seem too threatening. Old. Wise. Hair is silvery white. Facial stubble to match. And he does have a gentle twinkle in his eye.
"I was actually just killing time before catching my next train. But I'd love to go to Sicily. And this would beat the hell out of youth hostels and train couchettes."
"Welcome aboard!" he says, extending his hand. "I'm Jack. Jack Farrow. Kind of like the pirate. And you are?"
"Ooh, a real Captain Jack!" And taking his hand, "First Mate Clara, reporting for duty, sir."
"It's not as big as your dad's boat. You'll have to settle for the single berth in the salon. It's too short for me, so the private V-berth up front is all mine."
"That'll be fine," I respond. "You may have noticed I'm small."
I take off my backpack and drop it at my feet, then descend the steps into the boat's salon. I turn to grab my backpack and Jack's already handing it too me.
"We need to walk up to the market to pick up some food and other provisions, maybe some fish for tonight, as it may be our last fresh protein for a few days. I hear they're catching a lot of squid right now."
"And some wine or beer, I hope," I add.
"Of course, my dear. But we hit the hay early tonight to get a good start in the morning."
"Aye aye, Captain Jack!"
I drop my pack on my berth to unpack later. First gotta get to the markets before they close up.
Later, at the markets, as Jack said, lots of fresh squid. "I can make a pretty mean calamari scampi." Jack smiles at that. We also grab some produce along with some canned and dry goods. And several bottles of wine. Gotta have wine with scampi!
Back at the boat, I start cooking while Jack ties up a few more loose ends. Then we settle down to a sunset dinner in the cockpit.
"Where in the U.S. are you from?" I ask Jack.
"Seattle."
"Really! I'm from Vancouver."
"Well, we're practically neighbors."
Noting a wedding ring on his finger, I tease, "So, Jack, what'll your wife think about you sailing around the Mediterranean with a hot, young thing like me?"