Things did quiet down over the next few months, as Patrick and Nina seemed to get into a rhythm that worked well for them—so much so that Patrick gave up his apartment and moved his remaining belongings into Nina's house. (Most of his furniture, which wasn't as nice as Nina's, was sold or given to various charities.) Summer turned into fall, which turned into winter; although Seattle really doesn't have a winter, at least as people in other parts of the country would judge. December was, as usual, cold and rainy, but the comfort that both of them felt in each other's company made the most inclement of weather irrelevant.
It was during a cuddling session on the evening of December 7 that Nina said into Patrick's chest, "Do you know what tomorrow is?"
"No, what?" he said, absently stroking her head.
She looked up at him, seemingly grieved. "You really don't know?"
"I really don't know. I think FDR gave his 'day of infamy' speech, but that's all I can think of."
She made a moue of disappointment. "It's our six-month anniversary!"
"Anniversary?" he said skeptically.
She plopped herself on his body as he lay on his back. "It was six months ago when we first met! Don't you remember?"
"Oh," he said, abashed. "Yes, I guess it was."
"
Now
you remember!" she said sourly.
"Sorry," he said. Then, brightening: "Well, we should celebrate, don't you think?"
"That would be a good idea," she said, her voice heavy with sarcasm.
"How about that French restaurant you like so much near Pike Place Market?"
She smiled at that. "Gee, that's pretty expensive."
"Nothing too good for my girl."
"Is that what I am—your 'girl'?"
"Well, calling you 'my woman' isn't any better."
"No, it's much worse."
"So there you are."
She thought to herself:
There are other things you can call me—maybe in due course of time.
But she said: "Well, that sounds great. It's a date."
"I'll pick you up at seven," he said with lumbering humor.
"You do that," she said tartly.
And so they went to bed.
Work for both of them—it was a Friday—was heavy, and Patrick made sure to make a reservation at the place, which was quite small and likely to get filled up on a night when many couples wanted to go out. The meal was as good as advertised: the restaurant was making a big deal out of offering cassoulet (ironically, a peasant dish, but one that the restaurant charged a pretty penny for), and both of them ordered it and enjoyed it hugely. A shared appetizer of brie and crackers and a dessert of chocolate mousse bracketed that entrée, and Patrick made a point of not looking very closely at the bill as he paid it with a credit card.
But Nina was unwontedly quiet throughout the meal, and Patrick—never a great conversationalist at the best of times—had real difficulty getting her to say more than a few words. Every now and then he caught her watching him with alarm, almost with fear, out of the corner of her eye, and it seemed her breath at times became irregular, if the heaving of her chest was any indication. Was Nina subject to panic attacks? He recognized that she was—or at least could be on occasion—a bundle of nerves, but her behavior at the restaurant was unprecedented.
He didn't feel it prudent to question her about her state of mind until they got home. But, almost as soon as they had taken their coats off, he said softly but emphatically:
"What's the matter, dear?"
She gave him another look of apprehension and only mumbled, "Nothing, darling. Nothing." She started heading toward the kitchen for some unknown errand.
But she stopped short when Patrick said sharply, "Nina, talk to me. Don't run away."
Even from a distance of more than ten feet, and with her back turned to him, he could hear her swallow painfully. With infinitesimal slowness she turned around and shuffled back in his direction, like a scolded schoolgirl. She sat primly on the couch, her hands in her lap.
"Tell me, please," he said, sitting next to her but not touching her. "Something's been bothering you all evening."
She gave him a look so plangently sad that his heart was wrung. He thought she was going to burst into tears. "Nina—" he began.
"Let's get married," she said in a rush.
The blood drained from his face. "Wh-what?" he said weakly.
His response both angered and hurt her. "I want to get married!" she whined. "You say you love me. So prove it by marrying me!"
He leaped up from the couch and started pacing around the room. Nina couldn't help noticing that he eyed the front door anxiously—or perhaps eagerly.
Well, boyo, you've given up your precious apartment—there's nowhere you can fly to!
She was looking up at him, daring him to say something—anything. He was glancing around the room at everything but her, and there were times when Nina thought he might tear out fistfuls of his hair in frustration.
"Patrick, please tell me what you feel," she said.
At last he turned to gaze at her. It pained Nina that his expression was a dreadful mix of fear and anger. But he refused to speak; he opened his mouth a few times, rather like a fish in a tank, but no words came out.
"I know what you're going to say," she said quietly. "You think it's too soon. It's 'premature.' 'We're not ready.' Something like that?"
"Well, it's true, isn't it?" he finally said, almost shouting.
"It's not true," she said in that same quiet tone. "Six months is plenty of time for us to know whether we can make a go of it as husband and wife."
The very utterance of those final words had a grievous effect on Nina. Her face crumpled as if someone had punched her in the stomach, and she said disconsolately, "I want to be your wife. There's nothing I want more in this world than that. It would mean so much to me. Don't you understand that?" She looked up at him, tears now flowing.
Patrick should have rushed to her side to comfort her, but somehow he couldn't bring himself to do that. "Nina—Nina, my God!" Now he really was clutching his head with his hands, as if preparing to tear out his hair. "This is not just something you rush into. It—"
"Is that what you think is happening?" she said accusingly. "You're not going to tell me you've never thought about it."
"Of course I've thought about it."
"I have too. From almost the day we met."
"Oh, you can't be serious!"
"It's true. I let you have my body that first day—practically the first hour after we met."
"But—"
"And don't tell me that was 'just sex'! If it was, then I don't know what we're even doing together. It
wasn't
just sex. I knew—and I think you did too—that we were a couple even then."
"But what
difference
does it make?" he said desperately. "Who cares if we're married or living together? It amounts to the same thing, doesn't it?"
"No, it doesn't," she said patiently, as if explaining an elementary problem in arithmetic to a dull-witted schoolboy. "Maybe you're one of those guys who think that marriage is just 'a piece of paper.' It's
not
that. It's an affirmation to the world that we've committed ourselves to each other—permanently, in an ideal world, but at least for the long term. God, Patrick! You don't need to tell me, of all people, that all marriages don't work out. But there
is
a difference between being a 'wife' and being a 'girlfriend.' And don't tell me I've just been brainwashed by society into thinking that. There's way more to it than that."
Each sentence that Nina uttered seemed to strike Patrick like a blow, and he actually backed up toward a window as if hoping he could jump out of it. Almost to her horror, his face now crumpled in misery as he said, "Nina, I'm scared."
"Scared? Scared of what?"
It was a long time before he said, "Amelia—"
"Amelia?" she said, almost scornfully. "What's this got to do with her?"
Then enlightenment dawned. "Omigod, Patrick, don't tell me you think history's going to repeat itself if you marry me! You're too smart for that. I'm not Amelia—I'm my own person! Am I really like her in any way aside from the brute fact that I'm a woman? Are you
never
going to marry, just out of fear that the marriage will end the way it did before?"
"It's not that."
"Then what is it? That silly old adage 'once bitten, twice shy'?"
"It's not so silly."
"It
is!—
at least, in some contexts. Things aren't going to be the same as it was with you and her. We're different people—
you're
a different person. You're years older, more mature, more tolerant (I hope). We can make it work."
She rose stiffly from the couch and approached him. Patrick, incredibly, fell to his knees before her as she came up to him, and he flung his arms around her waist as he pressed his face into her groin.
"Look, Patrick," she said, stroking his head gently, "I don't want to have an argument about this. I don't want to