Thanks to Chloe Tzang and the
The 2021 "Hammered: an Ode to Mickey Spillane" Author Challenge
for inspiring me to send Pete Spector out for another go with the bad guys. Pete lacks Mike Hammer's feral masculinity and comes up short in the body count, but then I'm a mere shadow of Mickey Spillane. I hope Pete's story meets Chloe's intent. It's in Loving Wives because that's where the first Pete Spector story was.
The P.I. Who Came in From the Cold
— §§ —
SQUATTING IN A cardboard box used to deliver a refrigerator was a lousy way to spend a cloudy morning in LA. But there I was, on a fire escape outside a vacant Rosslyn Hotel room. The box gave me cover so I could watch the back door of the hotel kitchen across the access drive between hotel wings.
The hotel was paying me to watch the door because expensive cuts of meat seemed to be walking out of the cooler—more were missing than they were serving. Hotels don't take kindly to those kind of losses. The hotel's manager of food services, Denny Searle, was my contact. He'd arranged for the vacant room behind the cardboard box.
Searle and I disliked each other from the get-go. He tried to look the part of Manager with his Hart Schaffner Marx suit, but his jowls, greasy tie, and saggy belly shouted Food Services. It was obvious that as far as he was concerned, I was nothing but an overpaid snoop. As far as I was concerned he was ten pounds of shit in a five-pound bag. About the third time he tried to tell me how to do my job I wanted to tell him to shove it, but the hotel was paying me well enough to put up with him.
This was my second day in the box. Nothing out of the ordinary happened the day before. I was glad the room behind me was vacant. I could crawl in the window every few hours and dump the coffee can I was using to get rid of the coffee and Coke I drank to stay awake and grab a few drags of a Lucky. Moving around also seemed to help the bellyache that started last night.
It's almost impossible to describe the day-to-day excitement a of a P.I.'s life.
A pre-war Leica was slung around my neck in case I saw anything worth remembering. I couldn't afford such a good camera, but the client who claimed he couldn't pay me for finding his wife in bed with her boss couldn't wait to give the Leica to me when I explained—in great detail— why my home-grown collection agency was so successful.
A little before 10:00, an old Ford pickup with two guys in it pulled up outside the kitchen's back door and honked twice. A minute later, the door opened and a guy in cook's whites backed out carrying a hunk of meat under each arm (found out later it was two whole prime ribs). As he turned and walked down the steps toward the pickup, a milk truck turned into the alleyway.
I picked up the Leica to start shooting and watched the whole thing unravel through the viewfinder. The cook and the milk truck got to the pickup about the same time. The milk truck stopped just past the pickup and two guys in cheap suits jumped out. Each carried a sawed-off shotgun.
Shooting so fast they must have been slamfiring, they pumped two rounds into the cook and four into the pickup, then jumped back in the milk truck and took off. Six shots. Must've been amateurs, they didn't even take the plugs out.
I shoved the Leica in my jacket pocket and ran down the fire escape to the truck. Six rounds of double-aught buck at that range were plenty. It was hard to tell the prime rib from what was left of the cook, the pickup cab was filled with bloody chunks and pieces. I took a few more pics, then went inside the kitchen to call Lt. Dan Wilkes at LAPD.
Searle stormed into the kitchen while I was dialing. "What the hell happened out there? I thought I heard shots!"
"No shit, Sherlock, they weren't backfires. Your cook and a couple of his buddies got turned into hamburger while he was trying to give them a couple of hunks of beef." Somebody answered the phone at the cop shop just as Searle started to say some more. I held up my hand for him to be quiet. He didn't like that and I didn't care.
"Yeah, this is Pete Spector. I'm a Private Investigator. There's been a shooting at the Rosslyn Hotel, three guys are dead. I need to speak to Lt. Dan Wilkes."
I had to argue with the desk sergeant (or whoever answered the phone) for a couple of minutes before they transferred the call to Wilkes. I needed to tell him what happened, not just any old cop, because we went way back. I wouldn't have to convince Wilkes that I was just a professional observer, and he wouldn't have to convince me to tell him everything as truthfully and accurately as possible.
Wilkes came on the line, but before I had a chance to say anything Searle's temper got the best of him. "I don't give a good goddam about Burge or his pals. He's queer as a three-dollar bill, but he's a helluva good line cook so I keep him on. The cops can try to catch whoever knocked off those guys, but we don't need you anymore. Now gimme the fucking phone."
When he tried to grab the phone, I slammed his hand down on the stainless-steel counter and smashed the back with the handset as hard as I could. Doing it felt so good I bashed it again and heard some of the bones crack. He screeched and squealed like a pig caught by a hind leg.
"Be with you in a minute, Wilkes, gotta take care of a little matter here." I didn't bother to put my hand over the phone.
"Next time you try to grab something from me, Mac, I'll break your goddamn arm. Maybe both of 'em. Get smart for a change and go somewhere else until I finish talking with the cops. Or maybe you want I should lose my temper?" He tried to stare me down, then walked away cursing and holding his wrecked hand. I'd made an enemy and I still didn't care.
"Yeah, Wilkes, we got a situation down here at the Rosslyn. Three guys shot up with double-aught buck. Don't need an ambulance, just the meat wagon and a bunch of gunny sacks." I told him about being hired to watch the kitchen back door, where I'd staked it out, and how the shooting happened. Until I finished, his only response was to ask me once to slow down so he could take notes. That and a couple of wise-ass cracks about how I probably whiled away the hours in the refrigerator box. I told him to shove it, there's no hair on the palm of my hands.
"You know the drill, Spector. Stick around 'til I get there with the crime scene boys and the ME." He showed up with the ever-present chewed-up, unlit cigar jammed in the corner of his mouth. I went through the scenario again in more detail, this time pointing to visual aids. After we finished, I wound the film back in the cassette and gave it to him.
"Those'll give you a good idea of how it came down, but don't think they'll help much. Had to be a stolen milk truck. I was a good hundred feet away and no telephoto lens, so their faces'll be pretty small." Wilkes was still happy to take the film, and agreed to give me a set of prints and ID the dead cook as soon as he knew. He didn't even bother to tell me not to leave town.