It's honestly taking more energy than I'd like not to fire off a barrage of snarky remarks--but hey, I don't believe in wasting good energy on bad decisions. So instead, I'll let Travis Parker say a few words about this story:
"Look, I didn't ask to star in thousands words of romantic chaos and emotional trauma. But the guy who writes me--yeah, the one currently pacing and muttering about certain few who questioned his work--he poured his heart into Melody's Silence. He didn't phone it in. He bled into that story. So if you're wondering why you're not getting another 'Travis and Steve the Judgmental Raccoon Save the World' installment this week? Blame the people who made him question whether his best work was worth the grief. Now if you'll excuse me, I'm late for therapy and a coffee date with Maggie. Steve's probably judging me for both."
_______________________________________
From Part 03.
I nodded. "And if they think Alex can lead them to it, they won't stop coming."
Marisha didn't say anything right away, but the way her hands curled into fists told me she was thinking the same thing I was. This wasn't just a hunt for the truth anymore.
It was a race.
I exhaled sharply, rubbing a hand over my face. "We need to pay Walter Hobbs a visit."
And now Part 04
***************
Safe House
(POV: Alex)
Three weeks have passed since Tanglewood, and my shoulder still aches -- a dull, pulsing reminder that some wounds never quite close. The bullet's gone, but the weight of it lingers. The sling's more of a formality now, but every time I shift the wrong way, it's like the pain reaches back for me. It's not the kind that makes you scream. It's quieter. The kind that waits until the world goes still, then whispers that you'll never outrun it.
The Bureau stashed me here, in a safe house with no name. The walls are a muted gray, like they were designed to forget color ever existed. The air smells like stale coffee and disinfectant. The windows don't creak. Even the floorboards are silent, like they're part of the lie. It's a place where nothing lives, just exists. And somehow, that suits me.
I sleep in shifts, two hours at a time. The nightmares always find me, dragging fragments of the past into the dark. Melody's laughter. The snap of a gunshot. The way her smile fractured before it disappeared. And then the guilt. That part never leaves. Six years, and I still wake up with my hands gripping the sheets like I could've held on to her.
But then there's Marisha.
She comes when she can, slipping through the door like she belongs here. She brings updates, names, theories -- the pieces they're prying loose from the wreckage of this case. I listen. I ask questions I already know the answers to, just to keep her voice in the room a little longer.
She's relentless. Sharp. But when she thinks I'm not looking, there's something else in her eyes. Something I'm afraid to name. It's not pity. It's not obligation. It's like she sees past the headlines and the accusations -- like I'm more than a ghost dragging Melody's memory behind me. I don't know how to respond to that. So I don't. I just let it linger.
I tell myself it's nothing. Trauma bonding. The kind of connection that grows when two people survive the same fire and walk away with the same ash in their lungs. But I know better. I feel it in the way my pulse quickens when she leans against the doorframe, her gaze lingering.
"How's the shoulder?" she asked yesterday.
But I knew what she really meant.
Are you still breaking?
And maybe I was. But her hand brushed my arm as she turned to leave, and I swear -- for a moment -- the breaking stopped. Just for a heartbeat. Then she was gone, and the house folded back in on itself. The silence crawled over me, heavier than before.
Last night, I did something I haven't done in years. I sat at the piano. My fingers hovered over the keys like they were waiting for permission. The first note came hesitant, then another, until a fragile melody unraveled beneath my hands. But it wasn't Melody's song.
It was something else.
The notes were softer, slower -- like shadows chasing light. It carried no words, just the weight of what wasn't said. And it sounded like her. Marisha. Not in the music itself, but in the spaces between the notes. The pauses that held more than sound.
She's in the silence.
I stopped halfway through. My hands trembled against the keys, the weight of it all crashing down. For six years, I've been trapped in a soundless void, believing music had abandoned me. But now the silence is shifting. The melody is returning. And somehow, impossibly, it's carrying her name.
I don't know what comes next. The investigation is still circling, tightening. Dexter's right -- it'll get worse before it gets better. The weight of the conspiracy presses down like a storm, and I'm still standing in its eye. But for the first time in six years, I'm not reaching for the nearest escape.
I'm waiting.
For answers. For justice. Maybe even for something as reckless and impossible as hope.
And somewhere tangled in all that, I keep thinking about the way Marisha's hand lingered on mine. The warmth that stayed long after she was gone. She hasn't walked away. Not yet.
That has to mean something. Doesn't it?
***************
Boston FBI Field Office (Conference Room)
(POV: Dexter)