Copyright Andyhm. 2018
The author asserts the moral right to be identified as the author of this work.
This is a work of fiction. The events described here are imaginary; the settings and characters are fictitious and are not intended to represent specific places or living persons. All characters engaging in sexual relationships or activities are 18 years old or older.
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Alisha: A dark Romance Ch 4.
It's a tale as old as time, of love found, lost and found again. It's the oldest plot in literature.
This is my take on this tale. It concentrates on the 'found again' part, and looks at the difficulties people have in rebuilding a relationship, and for one, regaining trust after it has been lost. Is it a loving wife's tale or a Romance? I started out writing a lost love romance but as it progressed it became darker and darker until it seems to me to have slipped into the LW category.
This is the fourth part (of 5). All are finished, and I'll be submitting them on consecutive days. it is not a BTB tale - if that's what you are looking for then I'd suggest you stop reading now! I've left voting and comments on. I will delete any non-constructive or abusive comments.
Review and editing was by the wonderful Blackrandl1958. All of the remaining mistakes are mine as I can't resist that final tweak.
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Alisha - Chapter 4
The cottage came as a surprise to them, although I don't why. I'd said, in the beginning, that it wasn't a palace. It was small low building, positioned 50 meters from the bank of the canal at the top of a small rise. It was hemmed in on three sides by vineyards. The building was comprised of one long room on the ground floor, and two bedrooms and a bathroom set into the sloping roof. Outside, there was a terrace that ran the whole south side of the building. A small swimming pool was set back from the terrace at the top of the grassy lawn that sloped down to the bank of the canal.
It had been a derelict worker cottage when I'd first stumbled across it. I had decided to moor
Never
close to Pete's farm and walk up through the vineyards to the farmhouse. I had misread the map and had ended up at the edge of Pete's property. Working my way along the border of the vineyard, trying to find the track I knew led from the farm to the canal, I found the old cottage.
That year's royalties had just been deposited into my bank account, and I was feeling fairly flush. I convinced Pete to sell me the run down building and the surrounding ten acres of land on the understanding that I would rent the vineyards back to him.
I employed two brothers from the local village to restore the cottage to my satisfaction; it took them the best part of a year. I also had them extend the power, water and Internet connections down to the bank of the canal where we built a wooden staging so I could moor the boat securely.
Alwyn and I secured
Never
to the bollards set along the staging, and she was finally home again. There was space for a second boat to moor up just behind mine, and Jamal slotted the security team's boat into that space.
The gravel path leading up to the cottage needed weeding, I noted as I walked up to it with Ali and Julia.
"It's so cute and lovely," Julia said as we got close. "And there's pool; can I use it?"
"Of course, only don't dive in, it's not that deep."
After I'd shown them around, Ali looked at me and asked. "How are we going to do this, Ben?"
"Julia gets the guest bedroom; you can share with her or me, your choice."
She gave me an exasperated sigh, "Of course I'm in our room. What I meant was where can Sandy, Jamal and the rest of the security team stay?"
"Oh come on, are you telling me they need to stay?"
"I'm afraid so."
There weren't many options available, not that I was happy with the situation. "I suppose they can keep their boat moored where it is," I offered begrudgingly.
"Can they use the
Never
as well?"
"I don't see why not," although I wondered if I was making a rod for my own back. I still didn't understand why Ali insisted on keeping both Sandy and the security teams nearby. In fact, I'd already decided that if they tried to impose any restrictions or there were any issues I'd ask them to leave.
I had my first clash with Jamal the next afternoon. I got an irate call from Pete.
"What the fuck is going on at your place? Some asshole just told Pierre he can't drive down the track," Pete said indignantly.
"Fuck, I'll deal with it. It'll be one of Ali's goons. Tell Pierre it's okay he can use the track."
"Ali's there with you?"
"Yeah, it's a long story, I'll come up and explain everything later on. Let me sort this out."
I found Jamal talking to Ali and Sandy on the terrace.
"Ali, I'm sorry, but Jamal and his team are gone. Get them off my property. I won't have them pissing off my neighbors."
Ali said, "What are you talking about?"
"One of his idiots just told Pete's father-in-law that he couldn't drive down the track, which by the way Pete owns. This is just fucking ridiculous; I know these people, and I have to live here."
"Look, it's just a mistake," Jamal said. "I'll talk to them and get them to ease off."
"No, the mistake was me agreeing to let this circus ever invade my life."
"But," Ali said.
"No bloody but's. If you want to stay that's fine, but just you and Julia. I didn't buy into your lifestyle; you're the one who came looking for me."
Ali stood there dithering, looking from Jamal to me and back again. I had the impression that nobody had made demands of her recently.
Jamal just made it worse. "Look, Ben... Mr. Mac," he started. Well, that was a red flag to a bull.
"I am not Mr. Mac," I snapped. "My fucking surname is McMichael. Ali apparently doesn't seem to think my name is good enough for her anymore."
There was a gasp from her, and a muttered "sorry," from Jamal.
I continued, my voice still tight with anger. "I need to go and placate Pete. I'll be gone at least a couple of hours. When I get back Ali, this circus needs to be gone."