Β© Andyhm. 2018
The author asserts the moral right to be identified as the author of this work.
This story is a work of fiction. The events described here are imaginary; the settings and characters are fictitious and are not intended to represent specific places or living persons. All characters engaging in sexual relationships or activities are 18 years old or older.
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Alisha: A dark Romance. Ch 1
It's a tale as old as time, of love, found, lost and found again. It's the oldest plot in literature.
This is my take on this tale. It concentrates on the 'found again' part, and looks at the difficulties people have in rebuilding a relationship, and for one, regaining trust after it has been lost. Is it a loving wife's tale or a Romance? I started out writing a lost love romance but as it progressed it became darker and darker until it seems to me to have slipped into the LW category.
This is the first part (of 5). All are finished, and I'll be submitting them on consecutive days. it is not a BTB tale - if that's what you are looking for then I'd suggest you stop reading now! I've left voting and comments on. I will delete any non-constructive or abusive comments.
Review and editing was by the wonderful Blackrandl1958. All of the remaining mistakes are mine as I can't resist that final tweak.
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Alisha Ch 1.
Prelude:
It was a hot day in early August. The water of the canal in the south of France reflected the bright afternoon sunlight into sharp points. The cloudless sky was azure blue, and I was beginning to doubt my sanity seriously. I knew it was the wrong time of the year to be doing this. The place was heaving with tourists. It was almost possible to walk across the width of the canal without getting wet as there were so many hire boats jostling about on the water. The dreaded plastic 'Noddy boats' of the Canal du Midi had become my waking nightmare.
I surveyed the long line of boats moored against the left bank of the canal, waiting in front of the closed gates of the
ecluse
(lock) and put the
'Never Again's
engine into neutral and she slowly lost headway. The
'Never Again'
was a 20-year-old steel hulled Branson designed Dutch barge, and she had been my part-time home for the past eight years.
I was a one book wonder of an author, and I'd bought the boat with the proceeds of my first and so far, the only book. Fortunately, it was still a best-seller, and with the money the film adaptation had brought me, I was never going to need to work again.
I was 36 and still looking for that next book. It was a bittersweet prospect, as the inspiration for the first was my own life, and I never wanted to go through that painful experience again. They had given the film a far happier ending than that of the book.
"Ben," called Alwyn; he was a student, the nephew of a Dutch friend. I'd offered to pay him to help me on the trip. "The lock keeper is waving us up."
Well, that wasn't going to make us popular with the tourists. Larger boats go in first, is the rule. At 22 meters, we were twice the length of some of the craft waiting, but few, if any of the people on them would be aware of the rule. It would look like I was queue-jumping to them. I pushed the throttle forward and reveled in the silence.
'Never,'
as she was known, had just come from the boatyard at Agde, where I'd spent a small fortune replacing her old Diesel engine with state of the art hybrid electric power plant. The rudder and prop shaft had gone, to be replaced with a swiveling pod, housing a big electric motor that powered the propeller. New solar panels and high capacity batteries were installed, and the backup generator overhauled.
The boatyard had, inevitably, overrun the planned schedule by more than six weeks. That was why I was resigned to battle through the current madness, better known as the South of France in August.
'Never's
permanent mooring was close to the town of Carcassonne. A private mooring next to my land home, a small cottage overlooking the canal, which was normally only two to three days cruise up the canal. This, oh so wasn't normal, I was looking at least four, more likely five days, and it reinforced why I usually spent the month of August as far away from the water as possible.
As I suspected, there were numerous calls of complaint from the waiting boats as we cruised past them towards the open lock gates. Once inside the stone canyon, Alwyn and I tied off the mooring lines and waited until the lock-keeper positioned the first two of the waiting hire boats alongside us. I ignored the stares from their crews and watched the gates closing behind us. Then, with a gush, water began flooding into the lock basin, and the three boats slowly rose, bobbing in the flow.
The locks always seemed to attract a crowd of onlookers in summer. This one was no exception, especially as there was the added attraction of a good restaurant next to the lock. As the roof of the wheelhouse rose above the lip of the lock, there were several small groups of people scattered around, most of them with cameras and phones at the ready.
My eye was drawn to two figures standing back from the other groups. They stood in the shade of a tree close to the restaurant's terrace. I squinted to see them, the shadows making it difficult to make them out. From what I could see from my quick glance, the taller of the two was a woman with a beautiful figure, wearing a mid-thigh length summer dress. Her skin looked tanned, but that could be a trick of the light. A floppy wide-brimmed straw hat completely hid her face, but there was something about her that made me feel uneasy.
The girl holding her hand stood a step closer to me, and I could see her more clearly. She was in that gawky transition between childhood and teenager, possibly twelve years old, at most. Tall for her age, she wore a pair of white shorts and a cropped top that highlighted her budding breasts. She waved and smiled at me. I raised my hand in an awkward acknowledgment of her greeting.
A loud thud on 'Never's hull as one the hire boats bounced off the far side of her, instinctively drew my attention. "Friggin idiot," I muttered, and both the lock keeper and I shouted at the youth holding the offending boat's mooring rope.
When I turned back to look at the couple again,
'Never's'
deck was level with the top of the lock, and the girl was stepping on board. I gave her a startled glance and opened my mouth to speak, closing it rapidly as she said, "Hi Dad, I'm your daughter, Julia."
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The beginning.
I grew up in a small village in Sussex, 10 miles north of Brighton. I was the only son of the village doctor. I'm Benjamin McMichael, although only my parents and grandparents ever called me Benjamin. To the rest of the world, I was Ben. I was tall for my age, six-feet by my 14th birthday, six-one at the end of my schooling. I was fair skinned, red haired and blue eyed, a result of my highland heritage. I was a 'strapping young lad,' my grandmother's words, not mine.
My father and grandfather, both doctors, had long ago mapped out the direction my life was to take. I was to be the third generation of Dr. McMichael, regardless if I wanted to, or not.
And not, was my preferred option, I was only interested in the human body as a subject for my photography. Throughout my school years, I had dutifully studied the courses chosen by my father. My one rebellion, an indulgence supported by my mother, had been art classes, and the after school photography club.
I had been lucky; the art teacher had a passion for film and photography. I had some skill in sketching and painting, but it wasn't until she let me use a camera that I knew I'd found my reason for living. The photography club became a refuge for my embattled soul.
The intricacies of the camera, lens, and film, combining with the added mystical alchemy of film processing, all found a welcome within my young psyche.
I was 18 and had just started my last year of school, year 13. I was working up to the inevitable confrontation that was soon to occur when I informed my father that I wasn't going to be applying to medical school. Instead, I wanted to study art or more specifically photography at the Brighton College of art.
That was the year I first met Alisha. We met through the photography club. Ah, Alisha, how can I describe her and do her any justice? Alisha was nine months younger than I, in the year below, and already her beauty and character shone through. She was destined to become the undisputed star of the drama club. Her mother was Danish, her father Anglo Caribbean, originally from Barbados. She was a delightful mix of both of their best features. She had her mother's Nordic features and height, with a definite hint of her father's skin coloring. A strikingly beautiful face dominated by striking hazel green eyes and long black hair
Her parents had moved into the village over the summer. My family had been in France at my grandfather's farmhouse in Provence, and we didn't get back until a couple of days before school started. I heard the rumors that there was a beautiful new girl at school on the first day of term, but it was a week later before I got met her in person.