The "Impact" series began as a collaboration with ButteredCrumpet who posted our original versions* as "Impact of Collision".
For those who pay attention to such things: When Sarah is alone the story is in the past tense. When Claire and Sarah are together the story is in present tense.
Special thanks to HaltWhoGoesThere for proof reading this chapter - repeatedly.
Impact of Fascits
The alarm is a clarion call.
I shoot out of bed in a frantic rush to untangle myself from Claire and silence it. We are both naked. I remember flashes of the night before as I rush for the bathroom. I want to lock myself in, to gather my wits, but Claire is right at my heels, babbling and laughing. And just like the dance floor, my body again follows her lead, laughing and joining the babble.
I try to tell Claire, as she doesn't have to go to work until later, that she is welcome to stay in bed and let herself out. But she races to get dressed with me, so we can leave together.
We clatter down my steps laughing and talking over each other, Claire in her party heels, me in flats for work.
We reminisce about the successful opening night as we walk up my block, her excited, me guilty and nervous. Merging with and dodging through the crowds heading to work up and down the avenue we move crosstown past men unloading boxes, smokers, and an impassive meter maid being harangued by an asshole in a giant red pickup truck. Claire is laughing again, as she reminds me of the older couple who propositioned us.
"...but perhaps they
actually did
want us to go back to their place to see their collection?" Claire asks sarcastically.
"I'm still drunk," I whine, the walk feeling like Zeno's paradox, that no matter how far we walk we'll never actually get anywhere.
"Thank goodness Sophie saved us: 'These two are mine!'," she laughs, imitating Sophie's accent. "I wonder if she told Paula you called her a boss bitch?"
"Ohmygod..." I groan, remembering, "That was awful, but at least she took it well?"
I can feel myself flushing with embarrassment again thinking about the night.
Hangovers are always hard for me, I don't mean the illness and headaches - although those can be terrible - but I suffer from anxiety after I drink. I slowly remember things I said or did and feel mortified. I am famous for calling friends the next day to apologize. This one is epic. I want to beg Claire's forgiveness, even with all her laughter and glee, I'm sure it's papering over her own mortification and embarrassment, that everything is ruined.
When I woke up, we were embracing each other, naked, my hand between her legs. What happened the night before was still a blurry fog. Walking together I am setting a staccato pace, making a conscious effort not to think about it, to
not
remember.
I feel myself blushing again, the shame of it all threatening to overwhelm me. But Claire is holding my hand and going on about the dinner as if nothing had happened, as if nothing is wrong.
Looking at her, I think of our faces pressed together, her hand still cradling my cheek, her other hand... her wet fingers running over my wet fingers, lacing between them until they touched my shaved skin.
"Oh Sarah," she'd breathed in my ear, her fingertips stroking between mine, "t'es très belle."
"...but I had heard that Cindy Sherman broke up with him because he liked to call her 'mommy' while they fucked," Claire is explaining. We are standing on line for coffee and I've entirely lost the thread.
"Who?" I ask, making Claire narrow her eyes at me suspiciously.
"Steve Martin. Have you not heard a word I was saying?" she teases, smiling at me in mock outrage.
"I'm trying to keep up," I mumble as we move towards the counter.
"Next!" calls the young barista, her cheery high pitched voice slicing through my skull.
"I'll have a caramel macchiato and?" turning to Claire.
"Double-shot espresso. Please."
I pay for both coffees and we move to the side to wait for our order.
"Have you got much on today?" Claire asks. She is studying me. It feels like there is more left hanging behind her question.
"We have a deadline next week, hopefully not too bad today though. You?"
"Today is going to be mad and there's a function tonight at MoMA if you are up to it..." her voice is filled with anticipation and hesitation.
"I don't know how you do it," I tell her. "I'll be lucky to make it to 5. I think I need a quiet night in after last night," I tell her.
"Yes, well," she hems, sounding slightly downhearted. "...Sophie is here until Wednesday, so I not only have to work through the weekend, but I'm going to be on call until she leaves."
"I guess I won't see you much this weekend then?" I reply.
Her face drops, I can see I'm disappointing her and hate the thought of making her sad.
'What are we doing?' I wonder, wishing I could run and hide. 'What am
I
doing?'
"I guess not..." Claire agrees halfheartedly, before perking up. "But you can always come to MoMA with me tonight!"
"SaNah?!" The barista calls. We look at each other and share an eye roll.
We get our coffees and she walks with me to work, giving me a kiss on each cheek. I watch her walk away. In her little cocktail dress and heels, her hair a mess but pulled back as neatly as she could muster, Claire is a textbook example of a walk of shame. I turn to go in.
It was, I think, the longest Friday in the history of the five-day work week. When I turned around to go into work Keith was standing there holding the door for me, sporting artfully raised eyebrows.
"That wasn't Ms. No One, was it?" he asked wryly.
"She's my friend," I mumbled into my coffee as we walked to the elevators. "We went out last night. She works at a gallery, we went to the opening of their latest show."
Sitting on the toilet that morning, Claire washing her face in the sink, I'd sniffed my fingers. They'd smelled like pussy. Pressing into the elevator with Keith I wondered for the thousandth time if it was hers or mine or both.
"What was the show?" Keith asked.
I thought of Claire staring at me, holding my face in her hand, our bodies pushed against each other, touching ourselves.
"Sarah?" Keith asked.
I looked up from my coffee blankly.
"What show?" he said.
"Sophie Calle?" I shot back.
"Oh wow, she's great!" he said, leaving it at that. Maybe he was letting me off the hook. I hoped so, but can't stop myself from going on.
"I had no idea who she was until last week, but yeah, the show was fantastic, really great," I told him nervously. "You should definitely go see it."
I thought of telling him about meeting "Sophie" and Paul Auster. Of how Auster had stared at my boobs until Sophie laughed and told him I had lovely eyes as well. That Lou Reed and Laurie Anderson were fans of our interactive map... That Lou was a gentleman and surprisingly soft spoken. But in the end I held my tongue, deciding to quit while I was still ahead.
Instead, I closed my eyes, as the elevator began to rise and my stomach dropped. I was sweating mescal; certain Keith could smell it on me, that everyone in the elevator must have smelled it on me. I realized I was holding my fingers to my nose, sniffing them. I dropped my hand and looked around guilty hoping work would be quiet. I really didn't think I could have been useful at anything important. I kept thinking about Claire and remembering little flashes of things, her thumb in my mouth.
I made a bee-line toward my desk to start my day and was still watching my computer start up when Kathy from Style came by asking for help. Both Keith and Ben were suddenly too absorbed in whatever they were doing to notice.
'Motherfuckers,' I thought to myself.
"Please Sarah, can you take care of..." Kathy started in on me.
What little attention I had for her is broken by the recollection of Claire's wet lips whispering, "take care of yourself..."
I could feel myself flushing, thinking of her hand cradling my cheek pulled our faces even closer.
"Please Sarah," she had begged. "Do this with me."
I was snapped back to reality, when Kathy started tapping her foot.
Kathy was standing there staring at me. "Sarah, are you with me?"
"Uh, Sorry, it's just PowerPoint isn't really what we do?"