Richard sits behind his desk this Wednesday morning reviewing the contract and plans for a large engineering project that his company has won. The peace and quiet is broken by his secretary notifying him by intercom that his eleven o'clock appointment has arrived. Richard reaches over and blindly hits the switch and tells Shannon, "Give me a minute then escort them in." Shannon answers, "very well."
Shannon opens the door and introduces Cleopatra Jackson from the 'Tell It Straight' podcast and online live stream show on YouTube. Richard quickly looks her up and down as he extends his hand. "Nice to meet you Miss Jackson," he says as he grips her hand gently. Richard thinks to himself, "Damn she's hot! And there's no ring on this attractive black woman's finger? Who is this woman? I'd sure like to get to know her." Richard waves to her to take a seat, as he settles back into his chair.
Richard asks, "So what can I do for you, Miss Jackson?"
Cleopatra answers, "Please Mr. Davis. Call me Cleo."
Richard replies, "Well then call me Richard. So, Cleo, what can I do for you?"
Cleo leans forward, exposing a little cleavage and looks him straight in the eyes, "I'd like to interview you on my live stream show 'Tell It Straight' on YouTube."
Richard watches her eyes dart around his office as if she's getting a mental picture of what he is all about. "Well, Cleo, I very rarely grant interviews and I really don't understand why you'd want to interview me. I'm just a conservative businessman and your audience is very liberal. Dare I say, woke? Why me?"
Cleo smiles and her eyelashes flutter as she fails to sound sincere by using a soft voice in her response. "Richard, I know that my audience will find you very appealing and interesting. You are just the right businessman for my audience to gain helpful insights from."
Richard was intrigued by Cleo and wanted to get to know her personally. He could care less about her show and pod cast. So, Richard asks, "If I agree to this interview, will you join me for drinks afterwards?" Cleo was a little taken aback by his request but she really wanted this interview. So she agreed to it with no intention of actually keeping her end of the agreement. So Richard agrees to the interview, "You may set up the date, time, and location with my secretary. I'll be there."
Cleo is thrilled. Smiling like someone who has just caught a world record marlin on their fishhook and is reeling it in. She stood up quickly, shook Richard's hand, and started towards the door. It was as if she was trying to make a clean escape from a crime scene. Richard followed her to the door and before opening the door for her he said, "I'm sure that this will be an interview your audience will never forget." Cleo smiles sheepishly and replies "I'm sure you're right."
Richard looks over at Shannon and instructs her to set up another appointment for Miss Jackson based on Cleo's availability. "Please do what you can to make it possible for her Shannon." Shannon eagerly smiles, "Yes, Mr. Davis."
Richard starts his day with a walk through each section of the office and talking to his workers individually, taking a keen interest in their part of current design projects and their personal lives. He always asks about their families, kids, or if a loved one is sick, he asks how they are doing. He keeps each employee's private life to himself. Sometimes he wouldn't see an employee for a week or more but when he did see them, he'd always take a genuine interest in what was going on with that employee. Many of the employees enjoyed having a boss who would come over and talk to them one-on-one. Richard made it a point to ask for their opinion on what they thought would make their jobs better and more productive. This was one of the many sides of Richard those reporters never asked or knew about.
On this particular Monday, Shannon greets him and follows him into his office. She briefs him quickly about the day's appointments and reminds him of his interview with Miss Jackson at the historic office building in downtown Philadelphia. Richard groans, "Damn! Ugh! I was hoping that she would have called to cancel that." Shannon looks at him, "Are you serious sir? She's been calling me every week for the past month to ensure that you will be there for this." Richard nods his head, "I did tell her that I'd be there. Did you tell her that I'm also bringing my own film crew along with me to cover this interview?" Shannon replied, "yes sir I informed her."
Richard parks his car in a public city parking lot and walks over to the location. He glances at his watch and sees that he is five minutes early. He rings the buzzer and waits patiently to be let in. "Mr. Davis?" an unknown man asks. "Yes? I'm Richard Davis." "Hi I'm Devon. The production assistant for 'Tell It Straight'. Please follow me." Devon first takes him to a dressing room, gets a mic on Richard, and then the glam team puts a little powder on his face to hide any visible shine on his skin. Devon then takes Richard to a large ornate room with cameras, lights, and boom mics. The lead camera man from Richard's film crew gets his attention to let him know that they are all set up and ready to go.
Cleo walks in dressed in an emerald-green silk button-up blouse. Her full breasts strained against the buttons that were trying to hold them in, revealing her beautiful cleavage. A classic black pencil skirt that fit tight and showed off her hips and ass. Richard took a deep breath while enjoying the view both coming and going. Richard extends his hand to Cleo to greet her. After shaking his hand, she escorts him to the area where the two chairs are facing each other.
Cleo is proud because she feels like she has a prize marlin on a fishhook, and it is time to reel it in. As she takes a seat, her skirt slides up her thighs. The arm of the chair hides this from the camera's view. She planned it that way because she believes that straight men are suckers for a good sneak pussy sighting. As Richard took his seat across from Cleo, he could see that she wasn't wearing any panties and that he had a full view of her black pussy. He smirks as he enjoys the view.
Cleo starts the interview by introducing Richard and giving a summary of his multi-million-dollar engineering firm. She begins with a few simple easy questions to try to put Richard at ease.
"Richard, did you grow up in an affluent household?" Cleo shifts her legs to flash her wet pussy lips.
Richard calmly responds, "My family weren't the richest in town. We were pretty average socioeconomically."
Cleo didn't get the response that she wanted. She quickly snaps back, "So there were other families who were less fortunate than yours? They didn't have all the privileges you had?"
Richard replied, "Everyone shared with each other in my community growing up. So, everyone had."
The more Cleo asked questions the more irritated she became because she believed that Richard wasn't answering the questions truthfully. Cleo finally had enough of his dancing around and asked him, "So where exactly did you grow up?"
Richard smiled and replied, "Kentucky in the Appalachian Mountains. My father was a coal miner and we lived in a small town named Putney in a two-bedroom shack."
Richard started to tell how he never had a bed to himself until he went to college, but Cleo quickly cut him off. She had to get control of the conversation because she wasn't going to let this white man who has obviously profited from his white privilege get away with a sob story while young black men struggle every day. Cleo remembered seeing his engineering diploma on the wall from MIT. So she switched gears to focus on his education because obviously his white privilege got him into that school. What other explanation could there be to explain why a white man from a coal mining town in Kentucky, got into MIT.
She just knew that she had him on this one and was ready to show her audience his white privilege. She started the questioning very calmly.
"Richard, when I was in your office to arrange this interview, I noticed that you have a diploma from MIT in engineering. That is a very prestigious school and costly too. I take it you must have received multiple scholarships or maybe qualified for legacy admission or something like that, to attend that school?"
Richard smiled, "I did receive five scholarships, but the total monies received wasn't much. In fact, I had to take out a student loan to pay my tuition."
Cleo's eyes sparkled hearing this for she knew that a four-year tuition to MIT would cost in the range of 60,000 dollars a year, which meant that he took out a $240,000-dollar loan. A loan amount that very few individuals and very wealthy blacks could qualify for. Her legs parted to try to distract Richard and keep his thoughts off where she was headed with this line of questioning. Her pussy lips swollen and wet from the aphrodisiac of being in a power position.
"Richard? So, you took out a very large student loan to attend MIT. A loan that very few black men working today could qualify for. You must have found the right bank or you're just the right color to get such a large loan to pay for your tuition?"
Richard is enjoying the view of Cleo's wet pussy and her full breasts but is not distracted by them. He responds, "the loan wasn't that hard for me to get. I filled out the paperwork and within a week I was approved. I doubt my color had anything to do with the loan being approved."
Cleo smirks as she recalls that her degree cost her nearly $78,000 dollars and how she qualified for multiple scholarships due to her excellent grades in high school. But she still had to take out substantial student loans that for her and other black people that she knows, were difficult to qualify for. She just knew that she had Richard right where she wanted him, and she was about to expose how white privilege got a coal miners son into a very prestigious college. A college that only the top five percent of students can qualify for and then the cost of tuition. So, Cleo begins to toy with Richard like a cat with a mouse.