June 1929, Tokyo, Japan
I was straining for him to start. I ran my hands down his hard-muscled back from the shoulder blades to his buttocks, pushing his trousers down further on his buttocks and clutching at the orbs, willing him to start the stroking. He was inside me deep and I was panting hard for him.
He spoke from the hollow of my throat. "I . . . we need a favor of you."
A favor? What in the hell was this? He had me on the floor of his hotel room, my legs spread and bent, him lying on top of me between them. My trousers and briefs off, my shirt open to the work of his lips and teeth on my nipples. He was inside me, goddamnit. Why wasn't he fucking me? Why was he picking a time like this to speak of a favor?
"Fuck me," I murmured. "Give me your cum."
He continued, as if he didn't hear me. "A prince, a professor at Tokyo University. We need his permission to get into the private art collection in Kyoto."
Private art collection. He was speaking of the homoerotic art he wanted to see during this university study tour to Japan. This whole study tour was probably because he wanted to get into that collection of homoerotic art in Kyoto. That was what Professor Tyndale did on the side himself—sketches of men fucking. And Tyndale was good at it. He had shown me his art that first time, that old "Come up and see my etchings" ploy, and it had aroused me so well that I'd laid down and opened my legs to him then—and whenever he wanted me to since then.
"Fuck me," I whined. The professor was old—maybe in his late forties—and gaunt and ugly. But he had a good cock. I wanted his cock now. Not just inside me. Stroking. To pump me deep. To fuck me. to blast me with his cum. To make me come too.
"He wants me to come to tea with him. To bring a young student with me. A willing young student. He says he likes young blond men."
"Please do it; do me now," I whimpered.
Tyndale cupped the side of my head, ran his fingers into my blond curls and kissed me on the lips. Coming out of the kiss, he gave me three slow, deep, long strokes. I buried my fingernails in his butt cheeks, arched my back, and, through pants, cried out, "Yes, yes, fuck me!"
But he held there. "I would be there too. He wants sketches done. Will you do us this favor? The study group needs to see this collection."
"Fuck me and I'll do anything you want."
He began to stroke, establishing a steady, deep beat. Lost to him, I arched my back, as his lips went to my nipples, and ran my hand up and down his back from his shoulder blades to his buttocks, digging my claws in at the down thrust. I panted and set my pelvis in motion in a counterthrust, writhing under him, no thoughts in my mind of anything but that staff working my passage.
He tensed, held, and ejaculated in two bursts, holding for three after spurts, creaming me deep inside as I purred and sighed and ran my fingers up into his hair, pulling his face to mine for a deep kiss.
Tyndale went up on his knees between my thighs and looked down into my eyes.
"We meet him at the Meiji Shrine tomorrow at 3:00 and he'll take us to wherever he wants to perform the tea ceremony," he said, adding, "You haven't come yet. Masturbate yourself for me, please. I want to see you come."
Dutifully, I encased my own hard cock in my hand and began to stroke it. He slipped his hand under my buttocks, and I felt one, and then two, fingers enter my ass, search for, and finding, the prostate.
My eyes went to his now-slick cock, slick with his own cum. The best feature of him. It had only gone half flaccid and was thickening again as he watched me masturbate and he fingered my ass. I knew he was going to fuck me again. That knowledge drove my arousal, and minutes later I tensed, arched my back, and shot my load. Immediately, he was lowering his body to mine again, entering me, grabbing my knees in his hands, rowing my legs, moving them back and forth—pushing them wide apart as he thrust in, pulling them together as he drew back.
In ecstasy, I arched my back, threw my head back, and in a panting voice of total surrender, whispered to the ceiling, "Yes, yes, fuck me," as the pumping of his cock picked up speed.
* * * *
The first indication I had that the man we were meeting was anyone of importance, even though Professor Tyndale had said he was a prince, was when our car was let through in front of the shrine when all others were being kept back. There were three black Duisenberg limousines lined up in front of the Torii—the ceremonial gate—of the shrine, and burly Japanese men in black suits cordoning off the area.
At the top of the steps up into the first shrine hall stood a small-stature, mousy-looking Japanese man, graying hair, wearing wire-rim eyeglasses and a black, tailored suit, complete with vest and top hat.
Professor Tyndale leaned over and whispered, "Prince Satsuma," in my ear.
It was obvious to me then that the man was of some import because a crowd had gathered behind the imaginary line the black-suited guards had set and were bowing their heads in the prince's direction. This was a chore for them, because as soon as Tyndale and I stepped out of our car, I became another focus of attention, and those in the crowds were doing what they could to look at me too. I had grown used to the attention in Tokyo, because, with the exception of a contingent of jackbooted Nazi Party Germans roaming the streets of Tokyo during what later proved to be secret pact talks between the Japanese and Germans, blond young men were few and far between in Tokyo in the later years of the 1920s. And it was supposedly good luck to touch blond hair. So, I was getting a lot of furtive attention during this university art class study tour to Japan, the last, we were told what probably would occur in a while, as the flames of war were building in Asia.
So, this little man was going to fuck me in order for Professor Tyndale to have access to a collection of homoerotic art in Kyoto, I thought. Piece of cake; he was such a runt, I thought. He was all mousy diffidence and refinement as he showed the two of us through the shrine, with his guards clearing the spaces so that we had a private tour. During the tour I had to reassess my impression that he was a weak runt. He led me from space to space with a grip of steel on my arm that belied his looks and his weak, tinny-voice precise English that showed him to be a professor type as well as a prince.
As we stood in front of a massive reclining Buddha in polished wood, he stood close behind me. With one hand he pointed my attention to the
fundoshi
—the loin cloth—the statue was wearing and the subtle peeking out at one side of the bulb of a cock. He moved his other hand around my belly and down and was fondling my package. He also was holding me close into his body from behind.
I look sharply to the side to catch Professor Tyndale's attention to what was happening, and he just smiled, shrugged slightly, and gave me a furtive palms-down signal. Obviously the permission to view the art collection wasn't a done deal. There was a checking out of the goods phase. I stood there, dutifully, in front of the Buddha of the Peeking Penis, while the short and wiry Japanese prince felt up my body from my throat to my knees with strong, searching hands. Tyndale and the bodyguards stood, pretending not to be watching, as if nothing untoward was happening.
Satsuma grunted and turned, and we were making our way back to car park, the prince and Tyndale in front of me. I heard Tyndale lean over and ask, "Satisfactory?" and the prince answer, "Quite satisfactory indeed."
* * * *
We were sitting on eight-inch-deep, silk-covered cushions with a low tea table between us. Professor Tyndale was sitting across from the prince and me, his sketch book and charcoals at his side. The prince was sitting very close beside me.
In addition to two ceramic tea pots and three cups for tea sitting on the table between us, other objects, one of which had me hyperventilating, were set off to the side. There was a bowl of fragrant oil, a six-inch strand of ivory beads with a tiny eyehook at one end—and a clear-glass knobbly dildo, very definitely a dildo, as it was slightly curved up with a vein on the underside running across the knobs and the head on the end undoubtedly was in the form of a penis bulb.
Nothing was said about the added implements. The conversation was quite refined, with the prince providing a step-by-step explanation of the tea ceremony. The surroundings were sparse, but richly appointed, the setting definitely Japanese, with shoji screens and niches with Ikebana—flower—arrangements in them. There were few pieces of art on the walls; what was there was homoerotic and was lit. A Roman-like bronze sculpture was in one corner of the room. It was of two torsos, rather than the usual one, armless and legless, accentuating the muscularity of the torsos. The torso in front was in erection, the bronze plate of this hanging low from the bottom of the torso plate. The torso in front was slightly turned so the root of the cock of the one behind could be seen buried in the ass of the one in front.
Nothing was being hidden about the reality that this was the house of a man who fucked other men and that I was going to be fucked.