Cursed Gift 2: Taken
copyright 2008 Patricia Osmundsen
Author's Note: If you haven't read Cursed Gift, you might want to, before you read this. This is a sequel, after all, and rather than recap events and explanations, I've simply carried on from the first story. If you did read Cursed Gift ... well, I edited it, added a scene or two, and a bit more information. Give it a quick perusal if you like. No matter what you decide, I hope you enjoy spending more time with Alex and Wade. I certainly did.
A few words of caution. This tale traveled some dark and twisted paths, much to my surprise. Please understand that what's depicted in some of the scenes has nothing to do with consensual bondage or pain play. In fact, it has little to do with sex, and more to do with power and rage. So please, don't consider this a diatribe against bdsm. It isn't. It's simply a story, with aspects of cruelty that are all too common in real life. If I'm guilty of anything, it's portraying the bad, as well as the good, of which we humans are capable. Mea culpa.
My thanks to Michael Buble for his wonderful rendition of "I'm Your Man" and my apologies to Leonard Cohen for changing one little word in his beautiful lyrics. Both of these gentlemen provided the inspiration for the first nightclub scene.
Further thanks to two friends, who helped with the editing of this piece. Kathi, as always ... you da best. And Carizabeth ... thanks immensely. For the stuff I got right, thank them. For the goofs, blame me.
pebo
**********
"All you have to do is sit front and center for the last number," Alison said. She was standing at the bar, a club soda in her hand, her gray eyes steady on Wade.
He lifted an eyebrow. "I seldom sit anywhere when the club's open. I walk around, make sure all the wheel's are turning properly." He looked over the floor. "I don't even have a table up there."
"Well, move one over, and sit. It took me weeks to get Alex to agree to this."
"How'd you get him to join the band in the first place? He doesn't seem the type."
"I nagged and harassed until he gave in. He's got a great voice, he plays half a dozen instruments, and he writes music and lyrics to die for." She took a large swallow of soda and shrugged. "Besides, if not for this, he'd be a complete recluse. You really don't know how it is with him, do you?"
"Well...." He didn't want to admit that he hadn't asked Alex. They hadn't been together long enough for him to feel comfortable digging for information.
"Thought not." She smiled. "You're good for him. You bring him out of himself, even more than I can. Don't worry. When he's ready, he'll open up to you. It's difficult for him. He's lived with ridicule and disbelief most of his life."
"Because he's a psychic?"
"His ability manifested when he was thirteen. School was torture, because he couldn't avoid touching people and things. He was bombarded with knowledge and feelings he didn't seek or want, but couldn't escape. Our parents were worthless. They told him he was crazy, threatened to have him committed. Keith's mom and dad paid them to butt out and took over as guardians for us. They pulled him from school and hired a private tutor. He stayed with them until he was eighteen, when our grandfather's trust fund became available to us."
"I knew he wasn't on good terms with his folks, but he never said why."
"They don't even know where he lives. He tried to keep them in his life. God knows why. When he was fifteen, he told them he was gay, and they tried to have him sent away again, this time to doctor who said he could 'cure' him, make him straight. After high school, we moved out here. Keith and Caitlin followed six months later, and we met David shortly after that." She smiled. "Keith's mom and dad moved to Flagstaff, just to be closer to all of us. So things got a lot better for Alex, but it's still tough."
"You two had it rough as kids." He thought of his parents and silently thanked them for being the gems they were.
"We managed." The house lights flickered, a sign that her break was nearly over. "I've run my mouth long enough. Just make sure you have the best seat in the house, okay?" She waved slender fingers and ran to the dressing room.
**********
"I can't do it, I'm a wreck, I'll fall on my ass." Alex paced back and forth in the dressing room, sliding the brim of a gray fedora through his fingers. Alison had picked the color to match his eyes, and he knew it looked good on him. Right now, he didn't care about that. "What if I forget the lyrics?"
Alison sighed. "You're such a drama queen. You've got the routine solid in your muscle memory." Alison snatched the hat from him and set it on his head. "You won't miss a step, and you never flub a lyric."
"I can't," he said, as he automatically moved the hat to sit slightly off-center, and tipped forward.
Alison adjusted the y-suspenders over his tank top and made sure the shirt was tucked smoothly into the tailored slacks. "Damn, bro, you're gonna raise the temp out there. Among other things. Sexy as sin, you are." She cradled his face between her hands and smiled at him. "Just remember you're performing for an audience of one." The rest of the band was already set up, waiting for Alex to take the stage.
"Brat," he muttered. "Okay, all right, I can do this. Is the chair ready? The mat?" The chair had to be carefully positioned on a nonslip rubber mat, or he'd wind up falling into an audience member's lap.
"Everything's ready. Go sit down. I'll intro you in one minute."
**********
Wade was seated directly in front of the stage. He wondered what was so special about this song. The club was dark until a soft, baby spot lit the front of the stage. Alison's silky voice, carried through the room by the sound system, stilled the low buzz of conversation.
"Tonight, we'd like to send you home with something a little different. A wonderful song by Leonard Cohen called
I'm Your Man
. And here to sing it for you is my brother, Alex Nightingale."
The spotlight moved and grew brighter, illuminating what it had previously hidden. A simple, armless chair, its back facing the audience. Alex, legs straddling the seat, arms draped over the back, his head lowered so only the top of a gray fedora showed. His long fingers were curled around a microphone.
The band, unlit and unseen, played the intro, soft brass and jazzy drums. Without lifting his head, Alex began to sing. He softened his clear baritone, as if singing to himself. A little bluesy, a tiny bit jazzy, and incredibly intimate.
If you want a lover, I'll do anything you ask me to.
And if you want another kind of love, I'll wear a mask for you.