There are special places in Moscow, and in Kiev -- where it is almost always too too cold outside -- vast huge places with ceilings more than thirty metres high. Foam rubber pits, sprung floors, large weave nylon mesh and competition trampolines, balance beams, roman rings... These places I'm talking about no one from the public or even from the normal State 'spartakiad' programs ever gets to go to. There is high security protecting against unauthorised entry. Today's Russia, and its nearby, aligned neighbours are societies containing rich and powerful oligarchic people, secretively extending their influence and ties of power to many groups and individuals who are sometimes quite far removed from the actual social power-central base of the oligarchs themselves. Peasant-class women, rural boys, also the urban struggling classes... Some of these they take for themselves, to have as pleasure providers. And to train. To make them be able to do whatever they want of them.
Philosophers say the overriding theme of all decadent societies is boredom.
But Russia is distinguished from other societies of the modern world because during the years of Communism such a very high emphasis was placed on an elite and high-brow, if impractical, education for all -- so that the momentum of all of that, means the people are even now still self-aware about the evils of decadence. And the ultimate beneficial consequence, is that even the oligarchs are self-aware about their headlong tumble towards decadence, and what it means - and so by luck, chance and a previously sophisticated education, they still in fact possess the necessary intelligence and intellectual tools required to be able to modify or modulate, what is otherwise and everywhere likely to merely be or to have become, destructive 'social decadence.'
*
...I go to a place that I have been invited to go to. Generously, someone has commendingly observed some table conversation or other of mine. Even now I realize it was indeed probably this: likely as not or even very probably, during some recent recreational interlude I was making in snow-season Seefeld - I suspect... I had a sixth sense about it even then at the time. I should have been attending a huge international business conference there, but in fact I wasn't; as in the case of course that I had been having far too many extremely late nights out on apfelschnapps, in order to have been able to have done very much of anything by way of 'conferencing' during the days!
By now though, I have since been given every bona fide including photographs of the client/subject -- as well as money. Which generally tends to sway the argument.
All the same, it is bitterly cold outside here where I am now and even the expensive and well-protected limousine must have its heaters on 'full' to cut the freeze down to something liveable within.
I am myself of course certainly not personally poor in any case, and I have my own upscale North Face eiderdown jacket on to provide some comfort on top of layered cashmere pullover and IonX compression inner vest. But it's still cold!
The limo stops right outside the brushed steel security gate in the expanded metal circumference fence. It's no more than three or four steps to walk from the car door to the digital lock-pad. Sarcastically, the code key to get in is '1151.' This is supposed by Chechnyen religious extremist militants to represent 'Allah...!'
But there will be no Chechnyens inside here.
There will be a Russian Orthodox female, or perhaps even a neo-Marxist atheist, female.
It's so cold I am literally shuddering within seconds. Briefly I even worry about whether I will be able to enter the security code. I sideways glance back at the limousine, which hasn't left. But I manage to enter the simple code and the blue LED glows and the steel door opens for me. I run forward without looking back to the limousine, to the front door of the big industrial building, and again thankfully here the handle turns readily and I pull open a hissing accessway through to a small tunnel with vague lighting strips overhead hinting towards another door, this one with slices of very bright light spilling out through the translucent nylon-coated partial-seal edges that ran around its outsides.
What an amazing sight inside. Gleaming juniper root designer linings everywhere, birchwood balance beams, aircraft-grade aluminium equipment and steel-framed competition trampolines, beautiful bright new gymnastics floormats, vast wall mirrors against some parts partnering high-varnish sprung wood dance floors. And very bright lights.
And there right in the middle, in the centre of the whole place, was what was known as a 'Nawch Vyead' -- a night fairy. Dressed dramatically in jet black leotard, lithe and trim body standing with one hand on curvy hip, hair of gold and eyes of Arctic wolf grey-blue. Cameltoe in shadow of black but with long, strong and powerful defined muscled thighs bracketing the entrance-way to paradise.
"Janosz. How good of you to come." Her voice was not too deep but it had theatrical stage timbre. And resonated in short tight echoes across the empty gymnasium space. "My name is Tekla." She said, without appearing or sounding very friendly.
I walked unhurriedly forwards, looking around me at the amazing training hall. She turned away from me to one side and casually herself began walking towards one of the large trampolines.
Fluently lifting herself up onto the equipment piece in one smooth motion she turned back again to directly face me once more but was now moving her legs to get some frequency into the trampoline websprings. One, one, one -- toes pointing at the top of the pistoning, legs straightening for the drop like a falling knife -- she quickly gathered momentum and was soon springing up and down simply, but at least ten metres into the air.
And then arms diving out to the sides and then coming back in again and then stretching positively out again, she gained enormous height presently and seemed to be almost floating in space at the top end of the piston and then suddenly executed a perfect front double summersault to a perfect and assured one-bounce landing, and then slowly half-step bounced back to the trampoline middle. 'Plastique' of course, was not only a word that meant a kind of explosive, but to Russian gymnasts and dancers it meant the fluent extension and movements that the top performers had.
Eventually she came to the edge and sat down, legs dangling over it.
"Hello," I said, and then said her name: "Tekla."
At last she flashed a sudden smile, which seemed at once sad and yet also filled with a self-possession that was unnerving. I noticed she had a truly great body: viciously curvy arse which swelled out flatter laterally now that she was sitting on it on the edge of the trampoline.