My motor coach rocked to a gentle stop with the soft hiss of air brakes. The motion and sound captured my attention and I looked up from my laptop. "We're here?" I asked as I glanced around.
David, my friend, driver, trainer, and stunt coordinator, gestured out of the large windshield. "That's the place."
We'd stopped in front of a slightly tatty warehouse in Folton, Alabama, a small-town straddling I-65 just north of Birmingham. This looked like the type of place we normally played, which wasn't surprising considering what we did. Areas where trucking firms, warehouses, and light industrial congregated were often ghost towns in the evening and on weekends, giving us enough privacy to put on our show without disturbing the neighbors or drawing unwanted attention. That was our life on the road, performing our show in larger, more upscale, titty bars and temporary spaces carved out of underused warehouses.
Sitting near the door of the building was a Champaign colored, fifteen-year-old, Cadillac CTS that had seen better days. The dirty and faded door opened as a sweaty, bald, hugely overweight man labored his way out of the car, the vehicle rocking heavily as he struggled to his feet. Unfortunately, there was nothing unusual about that either.
As David piloted our RV the two hours from Atlanta to Birmingham, the rest of the show following along behind like ducklings following Mother Duck, I'd been reviewing footage from our previous show to determine its suitability for inclusion on our next DVD release. I swiveled my chair around and rose from the passenger seat where I'd been riding, replacing my ass in the chair with the laptop and the lap desk it was sitting on.
"Ready to go see what we can do with this shit hole?" I asked the woman sitting in the small office space behind the driver.
Lisbeth was my lover, business partner, and played the evil Brio Gambrelli, henchwoman of the Gambrelli crime syndicate, in the finale match. She rose from the desk where she was working on our storyline and scripts using her own computer. We toured the entire country, but since we regularly returned to previous venues, we had to update up our act two or three times a year to move the stories along and keep our show fresh, if for no other reason than to drive DVD sales.
"Yeah. Let's go see what we've got to work with."
As we stepped out of the coach, Dirk and Michelle Pickard pulled to a stop in the rig hauling our equipment, with the other RVs of various sizes filing into the parking lot behind them. In about eight hours we'd be doing our only show in this location, and we'd arrived in our RVs so we'd be ready to leave for our next location right after the show.
Since breakdown only took about half as long as setup, when we did a single show, as we were tonight, everyone wanted to do the show, pack our shit, and then hit the road afterwards to put some miles under our belts before trying to sleep. Once the adrenaline from the show wore off, we'd find a Wal-Mart or similar where we could pull off and grab a few hours' sleep before pressing on.
The show was entirely self-contained with everyone living out of RVs. I owned the two largest coaches, the one that Lisbeth and I lived in, along with another one setup to sleep eight. I also owned the semi and trailer emblazed with our characters that served as a rolling advertisement that Dirk and Michelle slept in. When I started Hot Wrestling Entertainment, it hadn't taken me long to realize that living out of a coach was no more expensive than booking a decent motel room every night, and a hell of a lot less hassle. Those that didn't have their own coach paid me monthly rent for the use of my coach unless they wanted to make their own sleeping and travel arrangements. It rarely took anyone long to realize that five hundred a month to rent a birth in my extra coach, and not have to arrange travel, a place to sleep, or pay for their meals, was the way to go.
Today was Saturday. Tuesday we were booked for another single show in Jackson, Mississippi, before we moved on to New Orleans, Louisiana, where we were booked to do three shows on three consecutive nights beginning Thursday. The three back to back shows was going to be tough on Lis, but she was a trooper, and if we needed to, we'd modify the routine for the third night.
Since Birmingham to Jackson was an easy four-hour drive, and New Orleans was only three hours beyond that, we weren't going to have to kill ourselves to make our gigs. Even better, not having to setup or breakdown the show while in New Orleans for three days gave us plenty of time to sight see or relax. We were already booked in a campground right on lake Pontchartrain and I was looking forward to the downtime. Once we were settled into the park, we could unhook our towed vehicles and leave the big, thirsty, RVs parked for a few days while we grabbed some 'R' and 'R.'
The three of us trotted down the steps, standing by our coach and watching as Henry Wheedleman, the fat bastard that'd booked us, wheezed his way toward us.
"One of you Ron?" Hank panted, out of breath after walking no more than a hundred feet, his eyes flicking between me and David.
"I'm Ron Misson," I said extending my hand. Hank clasped it with a tepid grip. "This is Lisbeth Hambrick, my business partner, and David Reynolds, my stunt coordinator," I said, gesturing to each in turn after I released his hand.
I smiled to myself as Hank's eyes roamed over Lis' body. I couldn't blame him. She was a fucking knockout. Fit, with limpid brown eyes and raven black shoulder length hair without a strand of gray, worn in a breezy, messy is sexy style, she looked five to ten years younger than her thirty-five years. She had breasts that'd make a preacher hard and her legs and ass looked like she could crush bricks between her thighs. Like all the stars of the show, male and female, she was athletic and gorgeous.
"Glad you could make it. I was starting to get worried. It's almost one. Are you going to have enough time to setup?" Hank asked.
I forced myself not to roll my eyes. I'd told him to expect us about one. "The show is scheduled to start at nine?" Hank nodded. "Plenty of time. We can be ready to rock and roll in four hours. What's the expected crowd?"
"I got 326 confirmed sales, so I'd figure four, five hundred, minimum."
We could seat 750 if we had the room, and we'd played to a crowd as big as a thousand a couple of times, but four to six hundred was typical for us.
Our standard deal was the promoter set the ticket price, with a fifty dollar a head minimum, and we took eighty-five percent of the box, with a thousand-dollar bonus for every hundred tickets sold after four hundred. We took one hundred percent from our merchandise booth, and the promoter got all the concessions. We normally cleared between twenty and twenty-five grand a show, sometimes more.
I nodded. We got ten thousand just for showing up, but if Hank could put five hundred asses into our seats, this was going to be another good stop. I loved the south. The good ol' boys and southern-fried girls loved their wrestling, and we offered them something that nobody else did. We always made better money south of the Mason-Dixon line than we did north of it.
"Okay," I said. "Let's open the place up and see what we've got."
By the time Hank had the door open, the rest of the show had joined us. Compared to the big, nationally televised shows, HWE was tiny. We had twelve performers, plus another four working behind the scenes in support. Everyone wore several hats, and we worked together as a team to keep the show moving.
We stepped into the large empty space. It was hotter than hell in the building. I asked the question I knew was at the front of everyone's mind. "Is the place air conditioned?"
"No."