Steamy bath water robbed their bodies of all urgencies. Paz Duarte nestled against Ian Abercrombie. He formed a bulky cushion between her and the tub. His lap the plinth which erased their height disparity. When she didn't slump Paz could turn and level her hazel eyes with his.
When she straightened up, Paz' ass pushed his waist, allowing her to play with his dick much as if that flesh were her own appendage. In Paz' curious hands she made it a quite responsive toy.
Paz had bound her shoulder-length auburn hair in a scrunchie, leaving her neck and lobes vulnerable to his lips. Abercrombie's heavily muscled arms coiled loosely around her midriff; his wide chest almost a winged chair for Paz' back. Sometimes when she shifted her shoulder blades tugged whole swaths of his chest hair.
Hot water, bath aromatics mixing with her own scent, stirred him nearly as much as their contact. Of course the bath oil was some flowery concoction marketed to women. For his sole use Abercrombie would've found such a bouquet off-putting. She was the ingredient which lent the sweet smelling stuff its persuasive lure.
During the evening, Paz remarked how he sniffed, nipped and pawed her like an animal. She admitted finding strange favor in his feral attentions. A feeling their watery languor prevented her from explaining.
They lazed in her tub. After once or twice at his place Paz declared "no more!" She felt his residence too masculine and would never be at ease there.
Since this was her cauldron, Paz had set out candles. The unscented kind thankfully. These ochre flickers complemented the wine, light and fruity on the tongue, as well as the chamber music playing on the CD player.
Abercrombie forgave her the wine, but the aural needed more careful selection. Her compositions were too tidy. He thought now the right time for bass-heavy/falsetto-reaching 1970s soul tunes.
Or as he said to perplex her, "the songs you were conceived to."
No go. Paz' place. Her picks.
Theirs was a celebratory loll. Six months of permanent residence. Hers.
Having arrived as a child, becoming American in ways perceptible and instinctive, then routinely jumping backwards through procedural hoops, some little men in nameless offices relented and let the facts match the paperwork. At least that's how it seemed to Abercrombie, who admittedly had something of an emotional investment in Paz. Considerable as her own frustrations were, his exceeded hers.
If his predecessors hadn't started killing Indians in the 1600s, Abercrombie saw himself as one bad immigrant. Patience and education aside, American entitlement failed preparing him for the process behind gaining what he received by birth.
The most confounding part about Paz' acceptance into the fold was who enabled it. The director of the school where she taught art, Monsieur Ghisalbert. Without his facilitation she still would've been rolling sixes, if not a candidate for administrative deportation.
Yet M. Ghisalbert knew people who had means. Right words in the right ears, proper papers shuffled, and back scratching abounded. Last but not least, Paz originated from Spain, not Mexico.
Naturally there was a fee. Sex was part of the bargain. The naΓ―ve might've regarded such an exchange as exploitive. Paz, though, knew it the cost of business. She behaved accordingly.
M. Ghisalbert's depravations should've angered a man other than Abercrombie. However, "the victim" herself refused embracing her victimization. Since Paz saw nothing wrong, why should he? Despite nearly being twice her age, she showed far more understanding of this way of the world.
Besides, her telling him how lousy a lay M. Ghisalbert was greatly mollified any unjust outrage.
Well-endowed as she acknowledged M. Ghisalbert, his foreplay and love-making bordered on rude. He left Paz sore, never satisfied. His detachment disappointed her and surprised Abercrombie.
M. Ghisalbert was Abercrombie's senior by 10-12 years. The younger man assumed her gentleman would look upon any time bouncing on Paz as a joyous confirmation of continued vitality. Instead, having met M. Ghisalbert Abercrombie realized the Frenchman merely saw such sweet favors as his due.
Ramrod-straight, lean, balding, M. Ghisalbert saw the world though gimlet eyes. His manner was relentlessly imperious. Abercrombie comprehended how he might frighten timid women and intimidate weak men.
"His balls hang lower than yours," Paz once told Abercrombie.
"Now there's a sight," he replied. "Another guy's apple bag."
Apparently it was a privilege of M. Ghisalbert's to acquire young female protΓ©gΓ©s. Take them under his harshly protective and coldly instructive iron wing. He'd mentor them in ruthlessness, they'd pay through compliance. Never the stupid nor naΓ―ve because such novices always failed the interviews. Prospective candidates needed to show they possessed maturity and discretion as well as elan.
Yet even as cool a customer as M. Ghisalbert must've paused upon first evaluating Paz Duarte. While life had steeled her core, she retained a sultry exterior. The fine-bone figure, perky breasts, eyes a man could swim in, and a pliant, though not servile, attitude probably made a hard case like him double-clutch.
Better, Paz had scant innocence to left to steal. "Innocence" in the American sense. By the time M. Ghisalbert crossed her path, she'd even lost her youthful intense adult gaze. Why absorb when the lesson's already been learned?
Once she gained residency Paz didn't know how matters might conclude between administrator and teacher. No longer beholden would he become spiteful? No. He soothed and released her in a very civil manner.
After one last unforgiving fuck, their post-coital chat (these always less frosty than the run-ups and acts themselves) had the tenor of a successful exit interview. He didn't grade with warmth but did skitter around gratitude. Paz thought his esteem of her increased when she offered simple thanks for efforts towards legalizing her status.
She knew he preferred his women distant. An overt emotional display surely would've questioned his judgment. Since then the two never behaved as if Paz gritted her teeth while M. Ghisalbert vengefully rammed her sweet ass.
"Pain like memory fades," Paz said. She often cited this to Abercrombie. After that refrain, when possible, she tried snuggling closer as if his stolidity mitigated both aspects.
Unsavory as well as ultimately rewarding as her exchanges with M. Ghisalbert had been, Paz professed no shame. The pair hadn't even entered any kind of agreement. M. Ghisalbert implied; Paz inferred.
Deep into their sexual comfort, or after Paz took Abercrombie into her trust, he told her about another woman he knew who also placed propriety in its correct context then used her wiles and tools to advance. Marianne Witmershaus. Although their circumstances were night and day, they shared similar aspirations: higher rungs on the ladder.
Despite initially excising snippets or whole swaths of Marianne's rise, the German nonetheless intrigued Paz. She found favor in another woman knowing her travails. It wasn't the sort of information one imposed on family or friends. Guiltless sexuality unnerved many people. Their squeamishness could force painful personal reevaluations.
Marianne lacked no compunction about opening herself to Paz. Did she reciprocate to make it easier for the younger woman? Or did Abercrombie just present a same-sex sounding board upon which she might unburden herself? Who knew or cared?
Moreover, how he and Marianne relayed items captivated Paz. The two actually still posted letters! She found this mode "wonderfully archaic!"