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Copyright Oggbashan December 2009
The author asserts the moral right to be identified as the author of this
work.
This is a work of fiction. The events described here are imaginary;
the settings and characters are fictitious and are not intended to
represent specific places or living persons.
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Chapter 1
Square Dance
I blame my little niece Molly. She wanted someone to drive her and her friend to a square dance. She'd exhausted all her usual sources of transport, so in desperation she asked her "aged" Uncle Alan. I wasn't keen. The idea of a square dance in the 1990s seemed like the enthusiastically promoted church youth club dances that I had endured in the 1960s.
I should have suspected that it might be another matchmaking idea from my sister-in-law Karen. Ever since my wife May had died ten years ago, Karen had been trying to get me married again. She kept telling me that I "was too good a man to waste". I was fond of Karen and thought that my younger brother Ralph was a lucky man but I wish she'd leave me alone. I didn't suspect Karen this time. I was just happy to help Molly. Like her mother, she could charm birds out of trees so I agreed without finding out the details.
On the evening I drove up to their house in my 9 seat MPV. I thought that Molly would have more than "a" friend for me to transport. I was right. I was greeted by a gaggle of young ladies dressed in full-petticoated dresses looking the female chorus from a production of Oklahoma. They had mid-calf hems on their brightly coloured satin skirts. They made me wish I was 20 years younger. They were an attractive bunch and full of life.
The rustle of silk, taffeta and net reminded me of the dresses girls wore when I was young. Looking back to check that they were all seated I saw a sea of petticoats billowing around them. Each was wearing so many flounced slips that the car's seats and most of the windows were covered. They had left the front passenger seat free.
Molly leant over from the back. Her ballooning skirt tickled the back of my neck.
"Uncle Alan, could you drive to Station Road, number 73, please? We need to collect Fiona."
"OK" I replied, thinking that Fiona was another one of Molly's troupe. She wasn't. She was an attractive lady about five years younger than I. I'd vaguely seen her around the town at various functions but we'd never met.
As I pulled up, Fiona came out of her bungalow dressed almost like the others but her hemline was ankle length. She was carrying a briefcase but limping with an arm crutch. I hopped out to take her case and let her in the passenger door. I had to help her in to the front seat and she leaned heavily on me. She was as tall as I am and slightly taller on her heels. Her royal blue satin skirt fluffed up over the dashboard and spread sideways. I had to stuff it in to shut the door. I wondered why she was going fully dressed to the dance when she had such obvious difficulty. Molly explained before I asked.
"Fiona, this is my Uncle Alan. He's our driver for this evening. Uncle Alan, this is Fiona Owens. She's the pianist who will be accompanying some of the dances. She sprained her ankle on Thursday otherwise she'd have driven herself."
I was slightly embarrassed because I had to push Fiona's skirt aside every time that I changed gear. It didn't seem to bother her. She and I exchanged light conversation as best we could above the hubbub from Molly and her friends. I found out that Karen had persuaded Fiona to help at the dance and warning bells began to ring. Was this another of Karen's plots?
At the barn - it actually was a barn, shades of my youth, but restored and improved to be a village hall - Molly and her friends rushed off heedlessly, leaving me to assist Fiona. She was in pain and I half-carried her, bundling her skirt around her legs. I sat her down at a table and went to get cups of tea for us. This seemed even more like a re-run of the 1950s. I intercepted Molly.
"No alcohol? Tea, coffee or soft drinks? What sort of event is this?"
"You should know, Uncle Alan. It's a 1950s evening. We've tried to re-create the sort of dance that would have been held here then."
"You've done very well. It's much as I remembered it except for the musical equipment."
"It is! That's great!"
What I didn't say was that the girls' skirts had too many petticoats. The skirts stood out far more than those I recalled.
I got a kiss suitable for an "elderly" uncle as Molly rushed off. Fiona seemed amused.
"Molly treats you as if you are very old." she said.
"I suppose to her I am. When I was her age my uncles seemed impossibly ancient. I don't think they were any older than I am now but they were battered. Perhaps it might have been the effect of fighting in the war."
"And the way people dressed then didn't help," Fiona added, "Women seemed to go into 'old-lady' clothes in their late 30s. They wouldn't have dared dress like this."
She shook her skirts and petticoats. The sound brought back memories of youthful affairs. Was it more fun when girls dressed like girls? I was drifting away in reverie when Fiona brought me back to the present.
"I'm going to have a problem with getting to that piano. The only way to the stage is up the steps and I haven't climbed a step since Thursday."
I shifted my chair to beside Fiona so that we both had a clear view of the stage.
"We get you up there somehow. There are a lot of healthy young men around. Even Molly and her friends are fit enough to lift you. If I were younger..."
"I'm sure you still can. You're not exactly decrepit. I dare you!"
"Dare me do what?"
"Carry me on to the stage. I'm sure you can do it."
"And what if I accept your dare?"
"I'll give you a reward." Fiona's eyes twinkled at me.
"You're on. When you want to, I'll carry you on to the stage, and off again afterwards."
"Thank you, Alan."
She leant over and kissed me. Not an aged uncle kiss - this kiss was from an attractive and mature woman who knew exactly what she was doing.
That kiss woke feelings in me that I thought long dormant. I wished to dance with Fiona. She couldn't, so we watched the youngsters. The girls were twirling to show off their skirts and petticoats but overall the dances were too laboured and mechanical as they tried hard to follow the caller's instructions. Then Molly came over.
"Dance with me, uncle, please?" I looked at Fiona.
"Go on, Alan! Show them how it's done."
Molly and I took the floor and joined a set. I knew that Molly could dance so we let ourselves go. We upstaged the other pair shamelessly. I threw Molly around and she twirled around me as if we were in a competition. At the end of the dance Molly caught my arm and dragged me off to the caller.
"Can we do a solo, please?" she asked him.
"I don't see why not. You, sir, know how to dance."
He bowed to me. I bowed back.
We took the centre of the floor and then ... I admit it. I showed off! I threw Molly around, swung her, twirled her, lifted her up in the air -I did all the fancy moves I knew. Everyone had a good view of her swirling petticoats - but no more. She was wearing so many that it would have been impossible to tell what she was wearing underneath. She could have been wearing tights or stockings and panties or stockings and nothing.
Even if I had turned her upside down the petticoats were so tightly stuffed under her skirt that I think it would have stayed in place. That was the error that I had noticed earlier. Of course I didn't turn her upside down. An uncle has responsibilities to his nieces!
The man's part in this sort of dancing is to enhance his partner. That I did. The whole place stopped to watch Molly. We ended with her cradled in my arms and her head on my shoulder. I carried her off the floor to a storm of applause. When we got back to Fiona, Molly kissed me hard.
"Mum told me you were a good dancer, but that was wonderful!"
I murmured something about a mis-spent youth but Molly and Fiona agreed that I should dance more. Molly kissed me again and rushed off to receive the congratulations of her friends.
I sat down and Fiona squeezed my hand. Then she held it gently.
"You know that you've made her evening?"