Ava was well-versed in utilizing creative resourcefulness to accommodate her peculiar sexual proclivities. She was sorely lacking, however, in the crucial areas of discretion and caution; chagrined, Ava berated herself as she straightened her skirt, silenced the radio, and wished she had tinted windows. She should have turned off the radio before things had escalated, but she hadn't had the willpower. Ava
loved
that song.
The green truck had parked beside her just as she was finishing, and Ava knew that the truck's elevation over her sedan had afforded the driver an eyeful. She could feel him watching still; he was sitting in his truck, blatantly staring, making no move to enter the convenience store they were parked outside of.
Mortified and avoiding eye contact, Ava exited the lot quickly, her panties in a crumpled ball at her feet. As she bypassed the truck, she noticed the Nevada plates; she hoped the driver was a traveler passing through town, rather than a neighbor she might encounter at the supermarket. She monitored the rear view for at least a mile, to be sure the creep in the truck hadn't decided to follow her. Of course, she could hardly fault him for staring; she had been masturbating in her car in a gas station parking lot, in broad daylight.
Ava possessed an unusual paraphilia known as Melolagnia: sexual arousal caused by music; specifically, sexual attraction to music or auditory stimulus itself. She had long ago abandoned any attempts at explaining her predilections; most people simply didn't understand.
Everyone had music they enjoyed, related to, and associated with mood and memories. The right music could so easily boost the romance and seduction potential of any setting. The impact of music on romantic and sexual experiences was undeniable.
But Ava's association with music had a different dynamic. Rather than accentuating a sensual encounter, for Ava, the music
was
the encounter. Certain songs, melodies, rhythms, even the sound of certain instruments appealed to her on a visceral level; she could feel the music as much as hear it, and her body responded as though caressed by a lover. The response varied depending on the song, ranging from barely discernible, like an innocuous shiver, a subconscious parting of the knees or licking of the lips, to more evident, insistent symptoms.
A great song would make Ava's nipples harden and her eyes darken, and would elicit a deep pull of yearning low in her belly. Songs Ava loved would render her intoxicated, swollen with desire, throbbing with urgent need for release. Which was how she ended up in the shamefully awkward scenario she had just escaped.
Ava only listened to talk radio when driving, having learned through experience the dangers of music in the car; she had enforced the regime before she inadvertently caused an accident. But her car had just been serviced, and the mechanic must have changed the station, because when she drove away from the garage, music was playing.
She hadn't registered the music at first. Songs were like human lovers in one respect: not all were created equal. A song Ava didn't respond to was just a song, and listening had no extraordinary effect on her.
However, the radio was a musical roulette. Ava couldn't predict what might play next, when a sneak attack might be launched by a soulful vocalist or titillating guitar riff. Which was exactly what happened, a mile from the garage. The benign, unnoticed song that was playing ended, making way for one of Ava's favorites.
The instant the sound filled her ears, she was hypnotized, lust pulsating in every cell of her body. She had pulled the car over at the first opportunity, and parked behind the gas station. Hidden behind the car wash, with no other cars nearby, Ava had thought she was reasonably safe. With the volume turned up and her eyes closed, Ava had been oblivious to everything but the music and her desperate need for release.
Skirt hitched up and panties discarded, Ava had stroked and rubbed herself, moaning with intense pleasure. She had strummed the bass line on her rock-hard clit, and matched the slow and steady drum beats with her first two fingers. She was copiously wet, her pussy open and eager as she slid her fingers in and out, in and out, exactly in time so it seemed the music truly was fucking her, the song itself filling her. Her pleasure built as the music built; when the song crescendoed, so did Ava, exploding in an orgasm so powerful it momentarily eradicated everything but the music rippling out of her body.
Ava returned to reality, still breathless from coming her brains out in her car, between the car wash and the dumpster of the HanDStop, to discover she had an audience.
She hadn't made this sort of slip up in a while, and Ava supposed she should count herself extremely lucky that it hadn't been a police car beside her. She was a bank manager, forty, single, and didn't need a reputation for being some kind of kinky exhibitionist.
Most of Ava's vacation time and discretionary income went toward music festivals and concerts, preferably out of town or in another state. The distance ensured anonymity, a great comfort to Ava when she found herself mindlessly fucking a complete stranger behind the portable toilets, then walking away without another word when the song ended. Gratification without accountability was liberating, and along with other provisions, enabled Ava to manage her situation.