The limousine pulls up around the circular drive in front of the French embassy. I have to resist the instinct to jump out and go to open the door for my date ... that's the driver's job. I'll get out second, straighten my cuffs, check my cufflinks, and try to appear non-chalant about my surroundings.
I can remember how sophisticated I felt when I *bought* my first tuxedo. Now I own three of them. Tonight I'm wearing the Charles Tyrwhitt. I can't even tell them apart, but I know that I'll be judged tonight by people who can.
Being *charge d'affaires* at an American embassy certainly has a cachet; but it's more so back in the States than it is here among the European diplomats (and their partners) themselves, most of whom are personal friends of heads of state, and/or heirs to the wealth of dukes and barons. *They* realize that I'm a plebian, bourgeois at best; a mere functionary of the bureaucracy. And the *American* bureaucracy at that.
Still, I'm the top plebian at the American embassy, and my employer has nuclear weapons, so I am treated with the kind of politesse that looks like respect to those who don't see it every day. And tonight the respect is genuine, owing to the woman on my arm. Madelaine Elston has been quite the celebrity here in Brussels this fall. Not every visiting professor at the national university gets this treatment, but writing and directing the *Palme d'Or* winning film at the Cannes Film Festival will do that. And being impossibly, elegantly beautiful doesn't hurt.
She is the one, in fact, who got the invitation to this reception. I'm her plus-one, not the other way around. My boss was on the invitation list; and he was surprised and seemingly somewhat envious when I told him I had been invited too; but it was good for the embassy for me to be in attendance, so he readily approved. Honestly, I had been as surprised as my colleagues were, earlier this fall when Madelaine had shown interest in me at the event at our own embassy welcoming her to town. Sure, I knew I was considered attractive and of course I could be charming, that was part of my job description; but she had identified another quality in me of which I wasn't even aware.
As we enter the two-story foyer and wait in a short line to show our credentials, I'm amused to notice that the music I hear filtering out from the ballroom is not a chamber orchestra, but a jazz quartet. So, yeah, I think, they do like a few things about America other than our defense spending.
Then Madelaine pulls me into an alcove and opens her purse. "Be a dear and help me out here," she quickly directs. "I want to switch out necklaces."
I agree, and as she turns her back to me, I undo the clasp on her current jewelry, while admiring her lovely neck and detecting the perfume she has dabbed behind her ears. I reach the two ends around so she can grasp them in a single hand while she gives me the other necklace with her other hand. It was an almost identical silver chain, and I only fumble for a moment before securing the clasp. Only when she turns around do I see what serves as a pendant for her now. It is a tiny silver key. Like the key to the lock on the chastity cage that she had instructed me to wear tonight.
"Ummm..." I stammer, looking around the room.
"It's just 'the key to my heart,' if anyone asks," she assures me, with a smirk.
I roll my eyes at the disingenuous phrase. "No one's going to ask," I reply.
"You're right, they won't," she agrees, her eyes twinkling. "We're in Brussels, not Boise. They're all too discreet." Then, after a pause, "And they already know."
Then she heads off across the terrazzo, and I scurry to catch up. She moves directly into the small group around our host, the French ambassador. He is a typically elegant gentleman, gray at the temples, trim, with that cultivated ability to appear imposing without being tall.
"Ah, *mon cheri*," he says, grandly, bending to place a kiss on her proffered hand. "Thank you for honoring us with your presence."
"*Mais bien sur*," Madelaine responds, then gestures to me. "You know my gentleman friend, Robert Peters, from the American Embassy?"
"Of course," replies the ambassador, giving me a more-than-adequate nod of the head and extending his arm for a firm handshake. "The word from Washington is good these days, I take it?"
"Your Excellency," I greet him. "Yes, thank you. Or shall I say ... it's nice to have *no* news for a change." He laughs, and turns to the stunning young woman at his side, a buxom redhead in an emerald green gown, with stones at her throat to match. "My ... friend, Jacqueline Delacroix." I bow to her as the Ambassador returns his attention to Madelaine. Almost immediately, he takes notice of her necklace, and seems to stumble a bit. I have to chuckle, even if the joke is at my expense. This is a man who is used to going head-to-head with Boris Johnson and Vladimir Putin, but a little show of *dominance* from the woman I am with is setting him on his heels. Perhaps she's right. Perhaps everyone who sees that key *does* know what it means. This isn't Boise.
I glance over at his date. She seems oblivious, or bored. I wonder for a second whether she is one of those multilingual 2500-euro-a-night escorts; but then dismiss the notion. I've met my share of multilingual 2500-euro-a-night escorts at these events, and they all have in common the ability to *not* appear to be bored. Ah well, I think; I'm sure she's good company when it counts.
Eventually, Madelaine and I make a round of the room together. I am delighted to be seen with her, but I also find myself watching nervously to try to determine whether the men and women we chat with are fixing their gaze on the tell-tale key between Madelaine's breasts, and then evaluating me to determine if it means what they think it might ...