Editor's note: this story contains scenes of non-consensual or reluctant sex.
***
So few people pay close attention to the world around them. To the scent of the roses, the movement of the clouds, the way a camera light isn't lit, the way a shadow is deeper than it should be...
But I'm paying close attention tonight from deep in the shadows. When you walk the guard you're replacing out the front door and lock up, I'm observing the way you fill out the otherwise shapeless uniform through the eye slit in my balaclava. When your rounds take you to the areas off-limits to the public, where exhibits are assembled and torn down, my footsteps are softly matching yours, and you aren't hearing a thing.
I choose my spot carefully, and when I move I'm sure that there is no warning. A hand is suddenly clamped around your mouth while another is grasping at your waist. Still, you react well, twisting to throw me over your shoulder.
Since ending up flat on my back is not any part of my night's planned activities, that can't be allowed. I lower my own hips as you do, denying you the chance to break my balance, and all your attempted throw does is grind your hips back into me. It's a good start, I think, with a predator's grin hidden beneath my mask.
I pull us both backwards and you land on top of me, my legs coming up to trap your arms against the sides of your body, your hair filling my face. The smell of your shampoo is familiar, floral... of course. While you're struggling to free an arm, I've stopped to smell the roses.
Part of choosing this spot was anticipation of our landing on the floor. Rather than the hard wood elsewhere in the museum, we have landed on a pile of a dozen rolled rugs.
Part of the previous month's exhibit of Persian imperial drinkingware, I've already looked the rugs over and concluded that they were cheap, probably second-hand knockoffs the museum had bought to spruce up the display. As we struggle on them, a smell of cinnamon is released from the weave of the rugs, an echo of spilled spices from the Silk Road. Or the display about the Silk Road, anyway.
I've given up the grip I had over your mouth in the fall, and it's with a conjurer's flourish that I make a little ball of soft rubber, a couple inches across, appear in my hand. It slips between your teeth just as your mouth opens fully. You bite instinctively and before you can realize the mistake it's in place and tied on.
I'm well equipped for a break and enter tonight, and I take pride in my tools. The little rubber ball can fit into a hidden pocket and used to quietly stop a door or window from closing fully. The handkerchiefs I carry are perfect for wiping fingerprints clean. Right now, though, I'm more interested wrapping one around to hold the ball in place in your mouth, tying it tight at the nape of your neck.
Another serves for your eyes, though the only light nearby is your dropped flashlight, rolling aimlessly and illuminating a dilapidated stuffed hyena tucked into a corner. With your eyes and mouth handled, it's time for your hands.
I keep it simple, gripping you by the shoulders and sliding my hands down your arms, keeping a controlling grip the entire time, until I'm holding your wrists. A twist of my waist and a heave of my weight flips us over and you're face-down in the piled rugs now, my weight held on my knees as I draw one of the last items I brought.
Doors can be blocked, locks picked, but what if something needs to be held out of the way? You'll want something supple, yet strong. Rope is standard, but as has been mentioned, I take pride in my tools, and it shows in the calfskin leather strip that I wind around and about your wrists, binding them tightly together behind you.
Your determination to be free seems to be undiminished. While I'm hitting the quick release button on your equipment belt, taking out the cuffs and keys and tossing the rest aside, you're still trying to get a leg under you and presumably trying to get back to your feet. I turn around, now sitting just above your hips and facing your feet; your efforts to get a leg under you have pulled the thin fabric of your uniform tight around your ass.
"No, you're going nowhere," I say and land a reproving swat directly between your legs. You give an offended squeak through your nose as your legs snap shut. I reach down to slap your ankles, and when my hands move away, your own cuffs are left behind.
Satisfied that you'll stay put, I stand up and walk over to take your flashlight. I've been checking this place for a while; we're deep enough into the building that nobody will see anything when I turn the lights on. I activate only one of the three banks all the same, leaving a series of spotlights standing tall in the gloom. No reason to tempt fate, after all, and glaring bright light feels wrong for what I have in mind.
Now able to see around me, I quickly find what I'm looking for and return to you. I flip you over onto your back and slap you lightly across the face, not hard enough to hurt, just to establish that you could do nothing about it, including see it coming.
"You're probably wondering just what I've got planned here for you. Well, I realized that for all the time I spent lurking in here, I've never had a proper tour of the place. Seemed boring. But I think you could make it a lot of fun, huh?"
You make wordless sounds of denial and shake your head until I take your chin between my fingers and hold you still. "I had a bit of a look around earlier, found a few interesting things. Like this," I say, and you feel a cold sharpness against your cheek, light as a whisper. "First century Aztec obsidian blade, still as sharp as the day it was made. At least, it says that. Think it's true?" Even if I weren't holding your head still you wouldn't dare move in response.
"I think finding out would be a very educational start," I conclude. My hand tangles in your shirt and pulls it taut, and you can not just hear but feel the slow ripping, sometimes catching for a moment, as I drag knife through fabric. The sleeves take a bit more work with your arms wrapped behind you, but after a couple of turns over I toss the shredded shirt aside and move quickly on to your pants. I work around the cuffs on your ankles until your pants have joined the shirt, leaving you in bra and panties.