I'm retired now, but I spent most of my life working as a professor of English at a small New England college. There were six people in the English department, but the one I was closest to—literally—was Paul Baker, whose office was next to mind and with whom I shared an adjoining door.
I had been at the college considerably longer than Baker—about 25 years—and was considerably older than him in age, 55, versus 35. But we had a lot in common and often used to talk. It did not take long for us both to discover that we had a mutual interest which was made possible by being a professor in a college. And that mutual interest was: enjoying the pleasures of young pussy.
We both were careful not to get into the dangerous position of a grades-for-sex exchange, which will inevitably get you into trouble. But we both were looking for pretty and willing young maidens. Since I was no longer married, and Paul was young and good-looking—although with a wife and two kids—I guess we made a somewhat attractive alternative to horny and rude college boys. Also, I suspected I attracted the girls who were looking for a father figure. I provided them with compassion, understanding...and hot sex.
And we were careful not to get too greedy. We took on no more than one girl at a time, so that jealousy would not rear its ugly head. Consequently, we usually went after seniors, who would be graduating at the end of the year. But still, perhaps because of my age, I often could not resist an innocent young freshman. The only problem was: I was risking being stuck with her for another three years. So usually, I would try to convince her that she was "too good for us" and that she should try to transfer after the first year.
As an English professor, I also was responsible for producing and directing four plays a year, one of them Shakespeare. A tall and well-built young black man from Alabama had enrolled in the school. While he looked like a football quarterback, he also was an excellent scholar, so I considered staging "Othello" that year and asking him to be in it.
He said he would love to. The only matter now was assembling the rest of the cast, including the critical role of Desdemona. One of the young ladies in my class, Ashley Wilkins, was a combination English and Drama major, so I was not surprised when she told me after class one day that she wanted to try out for the part of Desdemona.
Even though she came from a small town in Kansas and was very innocent, she also looked just right for the role: blond, blue-eyed, about five-eight, and a figure that other girls would die for. I began to wonder how I might enjoy that figure—and then I came up with a plan.
In addition to teaching, Baker and I often used to amuse ourselves with silly bets as to who could do what, so this seemed to be the perfect time to suggest such a bet.
I asked him to come over to my office.
"You have Ashley Wilkins in one of your classes, right?"
"Yes, beautiful young girl."
"She seems so innocent...."
"Yeah, I think she's from Virginville, Kansas. "
"I would love to see her naked."
"Who wouldn't?"
"I'll tell you what. I'll bet you I could bring her into my office and within a half hour have her stark naked."
"Stark naked?"
"Right."
"You're on. But who's going to verify this?"
"You of course."
"Then you're really on."
"And I'll bet you another fifty that within a half hour after that, I have her performing a sex act with me. It may not be intercourse, but it will be a sex act."
"You're kidding me."
"Put up or shut up."
"I'm in."
"Okay. Be in your office next Tuesday afternoon. I'll call you when I want you as a witness."
"It's a deal."
I motioned Ashley over to me at the end of a class. "The audition for Othello is next Wednesday," I said, "But I would like to talk to you about the play before you make up your mind to audition for it. Can you stop in at my office around three on Tuesday?"
"Okay," she replied.
And she was right on time. "Sit down, Ashley," I said, and she did so. "Before you audition for this, I need to let you know that this play was recently revived in London and in Paris. In Shakespeare's time, female parts were of course played by boys, but that is naturally no longer true. As a result, in the revived version, they had an important nude scene in the last act—and that's the version I'm going to do."
She looked at me questioningly.
"So before you audition, you need to know that if you get the part, you will be required to do a nude scene in the fifth act. Do you think you could handle that?"
"Yes," she replied quietly.
"Have you ever done anything like that before?"
"No."
"Then I think we'd better determine if you CAN do it. Let's set the stage here in my office. In this scene, Othello is awake and troubled. His wife, Desmona, who has been sleeping, comes to him in her dressing gown. She can see he is troubled, but she does not know why. She says: 'What vex thee, my lord?' And he replies 'It is the cause, my soul, it is the cause.' Then, knowing how her sexual attraction is a powerful force with him and wishing to make him feel better, she loosens her gown and lets it fall. She is naked, with her back to the audience. And the scene goes on from there to the point where he kills her. I keep all of the costumes in my office for security reasons. If you still think you can handle this, why don't you take the white dressing gown from the rack back there, go into the bathroom, taken all of your clothes off, and put the dressing gown on."
She nodded. Then she got up, walked over to the rack, got the white cotton dressing gown, and went into the bathroom. My fifty was as good as won. I called Paul on the intercom.
"Can you come over for a little while? And bring fifty dollars in cash or check with you."
"Sure, right."
Paul entered through our connecting door. "So where is this beautiful naked person?" he asked, looking around.