Thomas Dean: Pictures at an Exhibition
It was a chilly night. I was working the parking lot and grounds which surrounded the six-story glass and steel monument, a pleasant reserve in the midst of suburban sprawl -- o -- polis. I knew that I'd soon receive this call. Did I dread it? Should I have?
The Shower sirens in the security shower used to chant that in National Service, you get beaten in, and beaten out. "Women inducted, enter with nothin," the security gals in the shower would sing, "Cold, stripped naked to bare skin and women redux - ed returned bare ass naked once again." Tonight, however, I didn't mind the invitation out of the cold into the Rogue's Gallery in the first-floor atrium as much as I should have.
Oh, though I preferred to work alone "out in the field" what we called the parking lot, many times I had been called inside, to sit among the host activity's webcast's audience in a formal gown, to fill up gaps in the audience if attendance was unexpectedly low or sometimes to watch the audience if it were unexpectedly large. I was called inside to sit in the audience often enough I could recite the Emcee's opening script in my sleep.
Up front, an Emcee would jump onto the stage to begin the introduction. "Welcome to the Puzzle Palace. For those of you unfamiliar with the webcast, under the grid, above the stage," he pointed to a large computer board, "is the puzzle. Under each square, concealing the puzzle, is an item of a contestant's clothing. ..."
Tonight, the crowds were gone. I'm sure even my fit appearance in uniform might not save me from the wrath of the webcast audience. What reaction would I face from my immediate boss?
Entering the host activity, glass and steel tower, I found myself in the atrium which reached up two stories above the security check point. Busy checking the night crew in, Agnes the freckle faced security officer on duty gave me the nod to proceed to the right. "Roger's waiting," Agnes warned me. Was that evil smile on her face as she directed me to enter schadenfreude?
As I entered the Rogue's Gallery, the gallery lights clicked on and on came a mellow symphonic tune. I passed from darkness into light. I found myself in a forest of rotating blocks ten feet high, each bearing a promo photo for inspection of the patrons on their way to enter the grand auditorium to view the filming of host activity's signature webcast as part of a live studio audience.
Finding Roger in the gallery among strategically placed promotional pictures on rotating vertical beams was a pleasant relief from work outside patrolling the frigid parking lot and checking in the host activity's laundry and maintenance people on the night crew.
When among the forest of rotating pillars I located strapping Roger, his shock of blond hair sticking up from a bullet GI cut, men in security wore, his blue eyes were rivetted on a picture I was featured in, Roger smiled when I joined him.
"Enchanting tune," I commented on the subdued fanfare of French horns playing in the symphony in the background.
"`The Promenade' I heard the tune called by patron of the webcast. It's about," Roger replied, "a stroll through an art gallery, I'm told. I'm surprised the researchers never included questions about the tune in the quiz show.
"Lives up to our audiences pretenses that such a sophisticated tune would be adopted by our Rogue's Gallery," I declared.
Pointing me out in the poster he studied, Roger commented, "You and your friend Joe came here to the tenant activity as college test subjects participating in a psychological experiment. Yet, you seem to have gotten featured on many if not most pillars in the Rogue's gallery. How did your face end up on all these publicity photos in our Rogue's Gallery?"
"Just a pretty face, long legs and a cute round butt, all the qualifications to fit the bill for a recruiting poster," I replied as Roger and I stood in front of a photograph of me among other college girls, test subjects in the experiment presented in stage in the shimmering silver robe of starlets in the host activity's webcast. I repressed a chuckle. Host activity? Recruiting poster? Military terms had so infiltrated Puzzle Palace security lingo that even I thought in those terms.
"My first few moments of fleeting acclaim presented on stage for participating in the Mission to Mars gave" I exclaimed as I recalled my debut on the webcast camera for an interview, "a giddy teenager following her boyfriend a feeling of a high adventure."
Snorting at the word adventure, Roger snickered, "Adventure --huh--you mean to say masturbate -- physically as well as intellectually, no doubt "
"The concept of an interplanetary mission sounded noble, glamorous even," I rationalized my initial enthusiasm for the isolation experiment, "When it turned out to be locked in a room for six months with little to do but take college courses, exercise, or ..."
"Yet you signed on for a second tour?" Roger my security chief suggested.
"My boyfriend Joe, a big strapping guy, was more afraid of National Service than the petit freckle faced girls like Agnes who used to taunt me in the security shower at change of shift," I recalled.
"Why was your friend Joe afraid?" Roger questioned, "both National Service and the experiment depersonalize the individual and force them to coalesce into a group. How much worse could National Service be?"
"Hard to say. I don't know about the guys," I replied, "reception in National Service for the gals is a bit stark ... so sing the shower sirens like Agnes, `Coming off duty and coming on, they strip you down to bare skin, beat you out and beat you in, enter and leave with nothing.'" I allowed my voice to trail off as I wondered how much exaggeration or bragging entered the tales the veterans spouted off as they squirted soap at each other in the shower.
"Small wonder," Roger commented, "So many on the security staff come out of National Service that our ranks, our uniforms, even our lingo takes a military form. You weren't in National Service. How did you end up in security?"
I admitted having been fortunate. "I was only a week or two into my second tour locked in an isolation booth on the -- humph -- mission to -- eh--Mars, when I was seconded into security."
"The tenant activity must have squawked," Roger interjected, "at losing you."
"When Carla the film director pulled me out of the cage," I recalled, "she, pulling her clothes off to enter the gym, bitched about having to strip naked to ask the CEO for permission to remove me from the tenant activity's program."
"Feigned modesty?" Roger suggested.
"Carla complained of the inconvenience," I described the incident, "as she hobbled on one foot and then the other to pull her boots off, `Get undressed,' Carla ranted as her dungarees and panties followed her boots into a heap at her feet, `to meet the CEO,' Carla's leaned forward to pull her sweatshirt off. Bare but for her frilly bra, Carla paused. `Stripping off to see the CEO is more of an annoyance. And why? A bare assed beauty doesn't make his temperature rise much less maker his projectile come alive. And,' righting herself she griped, `hopefully you'll find your clothes where you left them.' Turning her back to me, she asked, `Steph, unhook my bra for me, will you?' She was so angry her soft white bobbing boobs bled into a crimson red."
"Like the tart Carla is,!" Roger exclaimed. "Carla, our dear film director can be a terrible bitch," Roger supposed, "when she's angry. I guess she expected a fight. Did she intend to assert the host's needs as a priority?"
"The host needed a tall, photogenic, athletic girl to stand for pictures." I recalled. "I was tall, lean, strong. I fit the bill. I would look sharp in the dress blue security uniform. So, I had to be taken before the CEO for approval."
"CEO requires all requesters, be they great or tall, present to him," Roger snickered "in the natural state. Bodies unadorned by the distractions of pride and plumage, says he, fosters equality, honesty and trust. Thus nudity is a must!"
"The CEO, surrounded by bare round butts pleading him for time on camera, was standing with Adrienne, the established star of the web cast gave me the once over. Running her hand over the stubble on my head, Adrienne commented, ` needs a wig but otherwise tall, nice rack, clean bush, passable.' Grabbing my jaw, Adrienne held my face in her grasp as she shot a penetrating glance in my eyes. With the uncomplimentary remark,` no threat from her.' Adrienne recommended approval of the transfer."
"CEO, remarkable guy," Roger declared, "surrounded by beauty -- male and female -- doesn't raise his mercury a millimeter."
"With the star's blessing," I reminisced, "I ended up out of the test subjects' cage with an offer a job in the host activity's security."
On a different pillar, Roger and I inspected a group photograph of representatives of different sections in the host activity. "I admit I looked sharp in that dress blue security uniform," I noted, "I wore the round security cap to cover my head because my hair had been reduced to stubble when I was in -- processed to the tenant activity's program."
"Oh," the security chief reminisced as he admired the photograph, "Part of a recruitment film shown to prospective job applicants to introduce them to work here producing the host activity's webcast."
The still photograph on the pillar in front of us depicted a group hug. A woman from wardrobe dressed in a suit with a measuring tape around her neck stood arm -- in -- arm with a girl from make up in a pink smock over jeans. A female from art and scenery in a grey smock locked arms with a gal from research and scripting in a dungaree jacket over a white blouse with a tie. An orderly in scrubs stood with a tall lean nurse magnificent in her starched whites. A member of the camera crew in sweatshirts and jeans hugged a maintenance person wearing the utility uniform."
"And here you are Stephanie," Roger pointed me out, "Tall, lean and strong, resplendent in your dress blue uniform, and a female executive, a fem -- ex in the prescribed executive department pin -- striped suit. How did the line go in the promo?"
I chuckled, "`Regardless of your job assignment of the moment and the attire that you're issued to perform your task of the day, we're a team producing a performance for the screen and you will be an equal in it -- if you're equal to the task.'"
With the rotation of the pillar, the scene dissolved into a group hug of naked girls linked arm -- in -- arm presenting full -- frontal nudity. "To include you," Roger reflected, "Carla the film director placed matching wigs on all the girls. Costly shot!"