As a journalist I looked at the assignment board and written across the card was "art school model" and I asked what that story was. "He is looking for the viewpoint of a nude model," he said. "Boss wants to find someone who will pose nude to get the perspective of a nude artist's model. See just how they feel about doing it. How it feels? If they get embarrassed, excited, humiliated, whatever?"
"I'll take that," I said.
"You have to get naked," he warned, stating the obvious.
"I'd guess," I said. "You'd have be naked to be a nude model. I get that. I'll do it," I said, taking the card off the board. I took the assignment card in to the city desk and told the man sitting there I'd take the assignment.
"You sure you want to do this?" he asked me.
"I'll take it, yes," I said.
"You have to get naked," he said.
"Why does everybody think I am not smart enough to know a nude model needs to be naked? I'll take it, Lew," I said. "Make the arrangements. I'll do the assignments," I said, signing the work sheet on the wall behind his desk.
I gathered my things, checked back to get the details of who I would report to, and took my car keys out of my purse and headed for the parking lot. I'd once done a story on nudists, so it was not my first time out of my clothes for an article assignment, although I only spent about an hour naked, most my time was in research.
When I got to the college art department, I checked in, was given a robe, signed the payroll sheet, and was shown to the dressing room. I was more nervous than I expected to be, but was treated well, and I followed the secretary to the locker room. "My name is Claire Watson, and I am from the Portland Register," I said. "I am doing a story on nude modeling.
"Are most of your models prostitutes?" I asked, revealing my biggest misconception.
"Most of our models are housewives and mothers," the secretary said. "Most are just regular women who are comfortable with their bodies and need to earn some extra money," she added. When the secretary left me in the dressing room I hung up my clothes in the locker and put on the robe. I thought about how silly my question sounded, even to me.
I went through the door of the dressing room directly into the classroom. Twenty or so people sat behind easels, waiting for me to arrive. The instructor, Dr. Kraft, greeted me with a warm smile and led me to the platform where a chair was covered by a large red piece of silk material. He told me the poses would be fifteen minutes long, with five minutes rest period for bathroom and stretch breaks. Dr. Kraft showed me some poses he was interested in, then let me pick one to start off with. At the first break I put on the robe and walked around the room to look at the sketches. I put the robe on, but I didn't close it in front. It seemed ridiculous to sit naked for ten minutes in front of these people, then put on a robe to walk among the same folks.
I looked at the sketches and an idea came to me about my article. It occurred to me how natural and relaxed I now felt with these people and how being naked in front of them was not a big thing, not hard at all, and I felt very natural and at peace. Being naked was really not difficult at all. I realized the housewives and PTA mothers who posed for these classes made me understand just how natural they thought the body is, and how very pure their feelings are.
The body is not obscene, I thought to myself. These women who pose nude for this art class have shown me that the body is natural, not lewd, pure, not vulgar. Doing it myself convinces me they know what they are talking about. I had asked about prostitutes as if the body was unclean and deprave. It occurred to me that our art museums and galleries and parks are filled with statues of naked people.
Nude models are no different than the secretaries and office workers in this college art department. Why is nude in art okay but not in the flesh? When the next break came I walked around and asked the art students how they felt about the nude models, about the people who posed for them.
"I think they're cool," one student said. "Like you today. You didn't close your robe, like it was okay to be nude up there and down here." He pointed at the platform. "But if you dressed for down here, but were nude up there it wouldn't make any sense. I think it was great you didn't close your robe and didn't act like nakedness is okay on the platform but not down here with us people."
"I am thinking about not even putting it on now," I said, slipping out of the robe and tossing it aside.
"That's great," he said. "It shows that the body really is okay." Then two students came up to me and asked me if I knew what Kraft had gotten in trouble for. It surprised me that such a nice man would have gotten in any trouble at all, ever.
"Last semester he had a male nude model cover himself with white alabaster paint," one student said.