ACT THREE, SCENE ONE
"Well, you've got some fucking gall, turning up now, after all these years!" Riley spat the words out with contempt -- but some indecision, which was evident in the way her accent wavered: part of her felt determined to be profoundly chavvy, so as to identify unequivocally with her mother, her mother who, she felt certain, has been so wronged by this man all those years ago; but part of her wanted to display her own moral and intellectual superiority, to show herself his equal, despite his rather stiff Henley-on-Thames Church of England demeanour.
"I must seem a terrible person to you, Riley," Eddie replied. They were walking, rather aimlessly, through the back streets north of Kings Cock Station, Eddie having been summarily refused admittance to the flat by Olive, and Riley having been told that if she wanted to talk to the "dickhead" she should kindly leave with him, thank you very much.
Riley waited for the corollary to Eddie's first sentence, but it didn't come. "Yeah -- and?" she pressed him. It was a long summer evening, but the light was failing, and she was finding it hard to read the expression on his face.
Eddie looked her in the eye. "There is no 'and', Riley. At least, I have no excuse for what I did; I can't tell you, or myself, that I did the right thing. I did the cowardly thing -- and I'm sorry." They turned a corner into a large square with a central gated garden, where a small group of drunken youths were noisily fucking on the grass in a clumsy jumble of limbs, tongues and genitals.
Riley paused. Deep down, she felt moved by this strange man's confession, and his lack of self-protectiveness. But she had spent the best part of thirty years listening to her mother's anger and contempt at him -- and she wanted to make him suffer. "Well, so why have you come back now?" she retorted.
"Because I am nearing the age at which, as an ideological 'Undesirable', I won't ever be able to visit this country again, for fear of culling. And I wanted to meet my only child, for the first and probably the last time in my life. And -- and I hope this doesn't sound too patronising, Riley -- I'm very proud of you: married, with such a successful career. You've done well."
"Come on, Kyle, whatcha waitin' for?" one of the revellers called out in the distance. "Fuck 'er arse, go on!" Eddie rolled his eyes as he and Riley continued on their way along the path round the central lawn.
"Can't: Loulou ain't got no fuckin' lube!" Kyle replied -- whereupon the rest of the party, already busy fucking and sucking, burst into raucous laughter, chanting: "No lube Loulou, no lube Loulou..."
But Riley, unusually for her, was undistracted by these distant drunken anal complications -- for the phrase "only child" had hit her hard in the stomach. She stopped. "No other kids, then? Second family? Wife?"
"No... no..." The man was clearly struggling to know what best to say -- but after a pause, he continued: "I've never met anyone I loved as much as your mum."
"Oh puh-lease!" Riley halted, anger bursting out. "Loved her? Then abandoned her to a life of poverty and 'prostitution', in 2030s London? Couldn't you have taken her with you -- taken us with you?" The last clause was significant: Riley was beginning to realise that she was at least as angry and resentful for herself as for her mother.
"Oh! Did Olive never tell you?"
"What?"
Eddie paused again -- partly to take in the information, but also because the drunken Loulou had called out in their direction, "'Ey, m' pussy guys -- d'ya 'ave any anal lube on ya?"
Eddie grimaced in embarrassment, but Riley, unfazed, called out, "Yeah, I fink I got some in me 'andbag, love: 'ere, come get it."
"Aw, fucking!" called out Loulou. "Kyle, go an' get it from the lidy!" Kyle duly got up and tottered across the grass toward Riley, his stiff cock waggling as he came.
"'Ere, keep the whole tube," said Riley, as she tossed it towards Kyle. Kyle was too drunk to catch, but dropped it and stumbled, in the process scratching the head of his cock on a rose bush and yelping in pain. The rest of his friends roared with laughter, "Clumsy cock! Clumsy cock!" as Kyle tottered back to them.
Eddie rolled his eyes again, before continuing his explanation: "I wanted to take your mum with me, but she didn't want to come. She wanted to stay here, in an 'Enlightened' country." Eddie gestured witheringly at the revellers on the lawn, fucking and fumbling in equal measure. "She saw that things were changing, thought that maybe with all this free sex craze which was sweeping the country, her life might be better, that people might treat her with more respect."
"And why didn't
you
stay?" pressed Riley.
"I was a Christian minister, Riley. And in those days, that was not compatible with the growing 'Enlightenment' mindset. I know you'll find it hard to appreciate just how horrifying the new ideology was: everything I thought I stood for -- fidelity, constancy, commitment, even
love
-- all swept away under this terrifying barrage of lust, amorality, self-indulgence. I saw it as -- well, no, it damn well was, and still is -- wrong, just plain wrong!" Even in the dying evening light, Riley saw the man's face etched with pain. "I had to choose, Riley -- between the woman I loved, and the vocation to which I had decided to devote my life. I will never know if I made the right choice."
They had reached the other side of the square now, and Riley continued to look hard into her father's anguished eyes. In the distance the drunken party were chanting, "Too drunk to fuck! Too drunk to fuck!" as the hapless Kyle fumbled, trying to staunch his bleeding glans at the same time as spreading lube on his cock, all the while stroking it vigorously in a vain attempt to stop it going flaccid from pain, embarrassment, and too much alcohol.
But then: "Oh fuck, I'm gonna puke," moaned Kyle.
"Chunder! Chunder!" sang his companions, before bursting into raucous laughter.
Eddie groaned in disgust, as he ushered his daughter out through the gate at the other end of the garden, pursued by the sound of splattering vomit. "Riley, may I tell you about how your mum and I met? Maybe that will help you to understand..."
... cue those arpeggios again,
but this time fading into a slightly ecclesiastical, though studiously middle-class mood:
perhaps a bit of quiet organ music...
ACT THREE, SCENE TWO
... for we are now in a carpeted theological library
in a student chaplaincy building in central London,
and it is now Sunday 16th May 2032,
in other words, about three and a half years after our last flashback.
She caught everyone's attention the moment she walked in. Dressed in high heels, a short leather skirt which left very little to the imagination, a tight crop top and a slightly undersized leather jacket which barely concealed her large jiggling breasts, wearing what seemed to everyone else in the room to be far too much makeup, and ridiculously long false eyelashes -- she could not have made a greater contrast with the half a dozen or so sincere university students hunched over their Bibles on the sofas of the C. S. Lewis Reading Room in the University of London Anglican Chaplaincy, surrounded by wall-to-wall bookshelves.
"Can I help you?" asked the Reverend Edward Turner. He felt sure the newcomer must have taken a wrong turning somewhere. The undergraduates in his Bible study group shifted awkwardly on their dusty cushions. The young ladies in particular, dressed mainly in long skirts, buttoned blouses and cardigans, scowled suspiciously at the new arrival; whilst the males in the group looked gobsmacked.
The interloper smiled hesitantly, clearing her long straight dark hair out of her face to reveal a winning smile. "Hi, I'm Olive. They said at the desk that there was a talk going on in here. Can I sit in?"
"Oh... oh, of course," flustered the young curate. "Do sit down. I'm Eddie. Everyone, make room for Olive, won't you?" The others shuffled about so as to create a very wide berth for the newcomer. "Which college are you from, Olive?" asked Eddie, intrigued.
"Oh, I'm not from no college, Sir," replied Olive. "I was just walkin' home from work, and I was feelin' pretty bad about meself, and I saw the sign on the door, you know, 'Anglican Chaplaincy', and thought maybe I could get some help here, some spiritual advice, ya know? And the lady at the desk told me there was somefink going on in here..."