1. Estate Sale
It started with an estate sale. An elderly man in my neighborhood had been a collector of cultural artifacts: music, art, antique books and porcelain, a few specialized tools, lamps and other furnishings of good taste, curios, tchotchkes. He had the same name as an American TV star and ran a nondescript shop on a quiet arterial next to a photography studio I'd walked past dozens of times without noticing anything or anyone inside. He'd been a childless unmarried man more than 80 years old, now passed away. His carefully collected belongings were being sold from his shop by an auction house, with an elegant young woman named Tess acting as his family's agent.
I browsed through his belongings in the shop, chatting with Tess. She was keenly intelligent and perceptive, with an MFA from Brown and no ring on any finger. Her background in art history and literature enabled her to appraise many of the books she represented, though others were too obscure even for her. Inside each book on the shelves was a small square of colored paper with its appraised value penciled on, a note of its condition, and the appraiser's name and agency if Tess hadn't appraised it herself. Her coarse honey-blonde hair was gathered by a purple scrunchy into a loose ponytail, she wore thin gold sandals, a small amethyst pendant bound in gold wire on a thin gold necklace, and eyeglasses in delicate purple frames, had exquisite hands and longish clear fingernails, and sat behind a dark wooden desk with a stack of books on one side, two stacks on the other, and a telephone and an open PowerBook 1400c/166 in front of her. Every minute or two she looked up from her laptop, then made notes on a square of colored paper and inserted it into a book that she moved from one side of her desk to the other. She seemed fully at home as an archivist, though maybe a little restless.
I spent an enjoyable (ecstatic?) though mostly quiet hour browsing the bookshelves and peeking at the record collection, learning something of the character of the former proprietor as I picked out items I liked, chatting with Tess about the ones I found most intriguing. She had a lovely musical voice and seemed glad of the conversation. Many of the books were more than 100 years old and leather-bound, from writers like Kipling, Walter Scott, and George MacDonald, also including slightly newer titles from Lord Dunsany, Leslie Barringer, and Mary Renault - yes, our collector with the Hollywood name had been an Anglophile - plus a few from Americans like Henry Adams, William James, Edith Wharton, and the obligatory Hemingway-Steinbeck-O'Connor-Faulkner canon. There were also biographies from the usual 18th and 19th century English icons like Wellington, Nelson, and Disraeli, classical volumes from historians like Herodotus, Livy, and English revisionists of eighty and more years ago like Gibbon, analyses of works by Socrates, Plato, Aristotle, and Seneca from a distinctly British perspective, sycophantic pre-war histories with titles like "
The Miracle of England
", a highly interesting compilation of Arctic encounters between English expeditions and native peoples who were referred to as "savages" in the earliest stories and gradually became more respectfully addressed, and a $10 volume of delightful and somewhat hilarious Abraham Lincoln anecdotes from a contemporary who'd known him well and outlived him by 40 years. I put that one aside instantly - Tess' note indicated it as too obscure to appraise.
I spent less time with the record collection, mostly because this wasn't Tess' area of expertise, she had little to say about it, and I wanted more conversation with her. Mostly classical with some pre-bop jazz and a fair smattering of showtunes. I set aside a few recordings I remembered my parents playing when I was a child: Strauss, Mozart, the original cast recording of Camelot. I learned how the word "album" came to be applied to vinyl records when finding that some of the older records, 12" 78s with one track on each side, were bound into "albums" containing all the music that would later fit onto a single LP. Not sure when that bit of trivia will come in handy.
The prices cited for my purchases were far less than their assessed value and I spent about $40 on a half dozen old books plus $1 each on a crystal goblet dated c1840 and a small crystal bell that had what I thought was an remarkably calming, mellow tone. It was as much as I could carry on my half-mile walk home. I thanked Tess for her time and company and vowed to return the next day, when I brought home the records and a few more books.
The following weekend, my third visit to the little bookshop, was very nearly the end of the estate sale. The bookshelves were nearly bare even though I hadn't seen anyone else buy a thing on my previous visits. After browsing for 10 minutes and finding just one book remotely of interest, I brought it to Tess for purchase, whereupon she told me that everything was now being given away - her client's family simply didn't want anything to do with their TV star namesake's remaining collection. At my comment that the shelves were nearly bare, she glanced to one side, picked up a key, pressed it into my hand and smiled conspiratorially, and told me it was for the house around the corner where the shop's proprietor had lived, and where a large number of unsorted antiquities still lay. She gave me the address and I left the book I'd found in the shop with her.
It was an interesting place. Jeffersonian columns at the entryway of a small 3-story house. A Murphy bed, which would have been well-concealed had it not been deployed. A distinct smell of old ... something. I'd smelled it in the bookshop without placing it, but it was stronger here. Old books? Mold? Must? The question seemed to reverberate.
Up the ladder to the attic was the real treasure. Shelves and shelves of old books and records. The musty smell was stronger there. Dryer.
An hour later and I was still alone in the house. I'd wondered whether I would be, but I was. So I brought back a dozen books and a half-dozen records. Tess blessed my "purchase" and I would've returned the key, but I said there was a lot more good stuff I would love to carry away if only I'd driven. She smiled.
Tess said it would be just fine if I drove over. I was starting to feel a real connection with her.
I had a small station wagon. Great mileage, but ... small. For this purpose, however, it was plenty ... I took home about 200 records and two boxes of books, somewhat hastily assembled from what I'd been able to find in the house, most of which was not carefully examined. I actually left the book from the shop with Tess ... she rolled her eyes, smiling, but said she understood. And of course I left the key.
It would be many years before I saw Tess again. The house was sold 20 years ago.
I've slowly gone through my haul of books and records. I met another lovely young woman, married, and we're raising great kids that I'm still learning to deal with as emerging adults. The records are what you might expect. Some Mozart and a couple of the showtune albums remain sentimental favorites even if they don't spin on my old turntable often.
About those old books ... there was this one, unadorned by title or anything else. Bound in worn blue leather, hand-written, with the occasional item in wax paper between pages. I'm still not sure what drew me to it in the first place. It took me a decade to begin looking at it closely since being hand-written it was not so easily deciphered, and because there was so much more obvious (and valuable!) stuff to go through, plus a generation of fulfilling family life. The book seemed like a bunch of recipes with ingredients not easily obtained, vaguely worded journaling in between. Central and South American plants and herbs I'd never heard of, though I know my way around the kitchen.
Feminine handwriting. Herbal lore. Hard-to-interpret journal entries. What could possibly go wrong?
2. Herblore
"A bunch of recipes with ingredients not easily obtained, vaguely worded journaling in between," I wrote. Yeah, that's about right. These recipes included ingredients not easily obtainable in England, where the writer of this journal lived, or on the North American west coast where I live now. The book was written from 1868-1915, each entry carefully dated. The earliest were simple lists of harvests, grown in the writer's extensive garden or obtained through channels that would be difficult to reconstruct now, 150 years later. She'd been wealthy, living on an estate with servants. Her daughters H. and C. were born in 1892 and 1898, respectively, and her mother M., whose initial may have simply been short for "Mama", passed away in 1897. The frontispiece was a simple blessing in different feminine handwriting, presumably from the author's mother: "
Quos amor verus tenuit, tenebit
".