Unfortunately, and alas! The cliché, "All good things must come to an end", descended upon our heroine. After fourteen years of an extremely happy common law marriage relationship with Raimond Kruuse, he died suddenly and somewhat unexpectedly of a massive heart attack. He was sixty-seven years of age. Vivian was devastated and heartbroken!
Maia Laaning, who in just a couple of months was going to be entering her third year at the University of Tartu, studying computer science, was likewise devastated. He was for all intents and purposes the de facto father in her life, and she couldn't be more grief stricken had he been her actual natural father. He had been instrumental in encouraging her to learn to play the piano, and thereby providing her with a worthwhile skill to enjoy her leisure times productively. He also encouraged her and was her biggest fan along with her mother in pursuing a possible professional tennis career,
Also mourning Raimond's death were his actual flesh and blood daughters, Maria and Amanda. They were both married by this time. Marie had two children, a boy and a girl and Amanda was the mother of a boy. At least they took comfort that their father had lived long enough to become acquainted with his three grandchildren. Unfortunately, they were cognizant that their young infants would retain virtually no memory of their grandfather.
Even Raimond's legal wife Varvaara Raudsepp, offered condolences to Vivian. Once it became obvious that Raimond and Vivian were in a serious relationship all tension and animosity that had accumulated in conjunction with their ill-fated marriage and had still lingered, had by then completely dissipated. Varvaara had settled down with a permanent significant other, and as her daughters had become adults with separate residences, she allowed her lover at last to move in with her.
Varvaara still had no desire to seek a divorce in order to remarry. She had no ulterior motive. She just felt as her marriage to Raimond had been such a disaster she didn't want to court a similar outcome upon remarriage. In any case, as Raimond and Vivian were recognized as an established couple in the eyes of the public, Varvaara made no objection at the deference given to Vivian as Raimond's de facto widow.
Since Raimond was the Prime Minister of Estonia at the time of his death, Andres Ott, who was the Minister of Justice, became the interim leader of the Centre Party and acting Prime Minister until a new leader and PM would be properly determined and installed. He delegated the task to the appropriate department to arrange for a state funeral and ordered that Vivian would be consulted and be allowed to offer some reasonable input for the funeral arrangements.
Accordingly, Raimond's body lay in state at the Stenbock House, the official seat of the Estonian government, for public viewing as well as a designated time for private viewing by the family and officials of the Estonian government. As Raimond had been a very popular Prime Minister, it seemed like every person residing in the city of Tallinn took the opportunity to pay their last respects, and figuratively saying goodbye in viewing his body. That number was augmented by a significant number of Estonians residing elsewhere, but who took time off to come to Tallinn for the funeral.
On the day of the funeral, the schedule was for his body and casket to be transported from the Stenbock House to St Mary's Cathedral, for funeral services conducted by the Archbishop of Tallinn, and the primate of the Estonian Evangelical Lutheran Church. After the funeral services his body was to be transported for burial at the Metsakalmistu Cemetery, Tallinn's most famous cemetery, in a gorgeous sylvan setting. Metsakalmistu was officially opened in 1939. A host of prominent Estonians have been interred there including Lennart Meri, a former President of Estonia. The airport in Tallin bears his name.
The one demand Vivian insisted on for Raimond's funeral, and wherein she prevailed, was to honor Raimond's peculiar wish that Richard Wagner's 'Siegfreid Funeral Music' be played at his funeral. To carry out this wish, a sufficient number of musicians of the Eesti Riiklik Sümfooniaorkester (ERSO) (in English, the Estonian National Symphony Orchestra) was cobbled together to play at the Stenbock House just prior to the departure of the body for the funeral services. The orchestra also played the music at the conclusion of the funeral services at the Cathedral, and also at cemetery during the actual lowering of the casket into the ground.
During the trips from the Stenbock House to the Cathedral and also from the Cathedral to the cemetery the orchestra was mounted on a huge platform parade float which was towed by an adequate tractor. Thus, the musicians played the music repetitiously and continuously during these funeral processions. There were electronic amplifiers installed on the float to enhance the majesty of the music, and thereby easily audible to the onlookers in the crowds lining up the funeral procession.
A few months before his death, Raimond did have a premonition that his death might be imminent, considering that his overall health had noticeably declined. In a discussion with Vivian, he uttered that unusual desire for his funeral. When Vivian inquired as to the reason for such request he had replied, "Well as far as I'm aware no prominent political leader anywhere has ever had that music played at their funeral. The music is from Wagner's opera Götterdämmerung, the final and fourth opera in a series known collectively as The Ring of the Nibelung, or referred to as the Ring cycle. This music in the opera occurs in conjunction with the death of the main character Siegfried. Since Siegfried was depicted in the opera as a truly magnificent heroic character, Wagner composed the music to reflect such reality plus the anguish of death.
"There is no denying that this music is absolutely magnificent and exultant completely appropriate to its purpose. For that reason, I believe that's why no one has ever had that music played at their funeral as it would appear to be likely considered as unseemly braggadocio on their part. But I say the hell with such false modesty. Whenever I die, I know I would be satisfied with the contributions of my service to our nation. It might not be heroic but still sufficiently meritorious to warrant the playing of this splendid music.
"In addition, the opera emphasizes the scope of the love Brünnhilde has for her soul mate Siegfried. It's remarkable in that as a Valkyrie warrior, she nevertheless still possessed a strong, deep woman's nature which was capable of totally giving herself up to love. Her passion is as strong and deep as her nature. It is not a surface heat passion. It is love rising from the depths of her heroic woman's soul. The grandeur of her ideal of Siegfried, her thoughts of him as a hero winning fame, her pride in his prowess, her love for one whom she deems as the bravest among men, culminate in the absolute intense passion of her love for him.
"Notwithstanding all the other men and for that matter women you have had sex with, I sense and have the impression that your love for me is equivalent to the strong passionate love Brünnhilde has for Siegfried. Needless to say, my love for you mirror matches that love. For these reasons I truly would want that Wagner's music would be played at my funeral, as it represents in my mind an authentic metaphor for my life."
Vivian had been deeply affected by these romantic sentiments enunciated by Raimond. It made her realize that her sexual proclivities for indulging in promiscuous sexual activity did not preclude her from being susceptible to succumbing to an intense deep passionate romantic love experience. She knew that she might not possess the virtues and purity of the character of Brünnhilde, but she damn well knew her passionate love for Raimond matched Brünnhilde's passion.
Since most men could not abide a slutty wife or a significant other, Vivian had concluded that her chances for finding a true romantic love of the kind that romantic poets would rave about, was not in the cards for her. In retrospect that was the fatal flaw that undid her marriage to Eino Tarvas. Eino talked a good game about his unconcern as to her past wanton sexual history, but Vivian got the impression that he expected her to adhere to the letter of law of the traditional marriage vows of faithfulness.
Sensing Eino's true feelings, Vivian did not disclose her visits to the TLR orgies. He did find out of Vivian's inconsequential adultery by interrogating her then three year old stepdaughter, Maia. That discovery made him less forgiving when she committed adultery in the Tartu incident whereby, she miscarried and learned of her infertility. That then in essence ended her marriage to Eino, although they did stay married a few years longer on the ostensible premise of still attempting to salvage an acceptable reconciliation.
But Raimond Kruuse was definitely a different kettle of fish. He had truly accepted Vivian's promiscuity as a characteristic which simply identified who she was and did not view it as a flaw in her personality. He considered her as a truly remarkable woman whom he was fortunate, to have had in his life. He could discern that she was capable of fiercely loving despite the occasional independent sexual contact, and he was grateful for it.