Natasha resumed her pitch to establish a chamber music festival in Estonia as she said, "In addition to Anne-Sophie Mutter I've also received a commitment from Ophelia Hartley, the Canadian cellist, to perform in my proposed festival event. I confess that four years ago, when I first met with Ophelia in Sydney, Australia, we struck up an intimate relationship, and we've become BFF ever since. As a result, like Anne-Sophie Mutter, she will have her agent cancel any commitments that would conflict with my proposed festival.
"As for a violist, my agent, who is my mother by the way, has obtained an agreement with the British violist, Lawrence Power to commit to contest in my proposed festival. Mr Power has won many viola competitions, so I guess he couldn't resist a brand new competition to conquer."
At this point Vivian protested, "Well what you envision and assuming you manage to pull it off, it will easily dwarf our existing chamber music festival which has been going on with a modicum of success for the past fifteen years. Your festival will then kill it off, and as an Estonian that would not be a happy conclusion to contemplate."
Natasha rebutted, "On the contrary, Minister. Since each festival has a different agenda there is no conflict that must dictate one of them would survive and the other must perish. In a nutshell, my proposed event has the purpose to eventually putting Estonia on the map as a prominent cultural attraction for classical music in Europe equal in quality of reputation as to those in Austria and Germany. The existing Estonian festival has at its purpose to ensure that there is a venue for Estonian musicians to aspire to achieve world wide prominence. I submit my proposed festival will help achieve such goal.
"So those are not competing aims. I would plan that all of the competitions and performances of my festival to occur at night. In the afternoons we would provide workshops possibly at the same venues your festival utilizes, for violin, viola and cello Estonian musicians to hone their skills and receive invaluable tips from the established international musicians. It can only be mutually beneficial for both events. Actually, I'll probably be in touch with the Estonian festival organizers to work out a mutually satisfactory arrangement."
Vivian responded, "That certainly does sound exciting. So, exactly how will this chamber music festival unfold?"
Natasha replied, "It will be more than just an exclusive chamber music competition. I've been in touch with the conductor of the Estonian National Symphony Orchestra (Eesti Riiklik SΓΌmfooniaorkester or ERSO). I plan naturally to feature typical competitions for individual performances in the violin, viola and cello plus string quartets and trios. In addition, though, with the ERSO I intend to award separate prizes for best performances of a violin concerto and a cello concerto.
"For the opening night I plan to introduce a brand new composition and I expect that I'll do so for each annual festival thereafter. By the way, that is the reason why I was successful in getting Anne-Sophie Mutter to agree to participate in my proposed festival. You may be aware that though her repertoire includes many classical works, Ms Mutter is particularly known for her performances of contemporary music. Several pieces have been specially written for or dedicated to her. So, when I told her of my plans, she agreed to participate on the condition that she would perform my music on the opening night.
"Naturally, I had expected to so myself, but I realized since Ms Mutter's reputation and international renown dwarfs mine, it would enhance the importance of my work if she were to perform the world premiere of my composition. After all, I'm only twenty-three years of age, and despite my concert performances and recording successes, I don't believe music critics would be inclined to pay much attention to my compositions, as of yet anyway. That was certainly the case with my hit CD recording of Enescu's Sonata. I received rave reviews for my performance of that music as well as my effort in Sarasate's Zigeunerweisen but not a peep mentioned for my own original composition which was also included in my CD."
Vivian chuckled as she opined, "I can now understand that your appeal to induce Ms Mutter to appear for your project was based on solely true artistic opportunities. You were not required like, I daresay I believe I was, to offer extraneous incentives to entice Ms Mutter to appear."
Natasha coyly replied, "In that regard, I did indicate to Ms Mutter, that since for preparation to my festival, I would out of necessity spend some lengthy time in Estonia, after assuming I've procured the necessarily approvals. Hopefully, that would give me sufficient time for me to obtain an appropriate escort for the duration of her stay in Estonia."
Vivian assured, "I think you can count on me to offer assistance in that matter."
Natasha smiled as she enunciated, "As we're both aware, Ms Mutter is no longer a spring chicken. Some years back, when she was 43 years of age, she appeared to have indicated in an interview that she would be retiring when she turned 45. However, subsequently she said that her words were 'misinterpreted' and that she would continue to play as long as she felt she could bring anything new, anything important, anything different to music. From that I infer, and I'm thrilled to believe that my proposed music festival falls into that category which keeps Ms Mutter interested in adding to her storied career accomplishments."
Vivian then responded, "Wow! That's quite a spectacular cultural proposal you have outlined from which I can't see contains any downsides to it. Since you've made this appointment with me, you must be asking for some money to pull it off. I'm enthusiastic enough of your plans, that I'm prepared to approve so long as your demands are within reason. So, tell me how much are you wanting?"
Natasha smiled, as she realized that her major objective to procure her event in Estonia was achieved. Vivian appeared ready to go further than what Natasha needed her to do. Accordingly, Natasha replied, "I don't really need any major financial aid from the Estonian government for the expenses in running my proposed festival. Aside from the personal contributions from myself and my friend Boris Varennikov, I've secured two substantial commitments in America from the Ford Motor Company in Dearborn, MI and Baxter & Sons in Chicago, IL.
"I've also acquired a pledge from my alma mater, the Bienen School of Music at Northwestern University that they would hold a fundraiser for my proposed festival. They could see that for me as a former student to be able to present a successful international music festival can't help but enhance the international reputation of their school of music. They could claim, they were an indirect influencer in producing such a world renowned musical event. Based on the experience of the school's past fundraisers it would not be out of line to expect a million dollars to be raised. "In addition, I've lined up in Europe for BNP Paribas, France's largest banking house to sponsor my proposed Festival. Also on board would be Allianz, of Munich, Germany, the world's largest property and casualty insurer."