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EROTIC NOVELS

The Eden Project Pt 02 Ch 12

The Eden Project Pt 02 Ch 12

by dsetb132
15 min read
4.55 (2600 views)
adultfiction

Chapter 12: Summer Camp

They now approached several massive log buildings arranged in a semi circle around a huge outdoor gathering space. The charred remains of a big fire pit sat in the middle with many wooden benches surrounding. Very small children -- truly too young for school -- toddled around here, some clothed and some wearing cloth diapers, playing under the watchful eyes of a few attendant adults.

The buildings all had deep wrap-around patios and the same glass-less windows set around the outside. It reminded Ellie of summer camp. They looked uniform, but homey.

"Reset housing," explained Tad. "Divided by age group. Newborns are here," he gestured at the first building. "This is the nursery."

A good handful of men and women sat or stood on the patio, in and around the many rocking chairs that had been set out. They wore babies in slings around their midsections, or else swaddled and cradled. Some carried two at a time, bouncing and rocking, chatting amongst each other. A few of them waved at Ellie, who waved back. The women -- safely in the shade -- were almost uniformly topless to facilitate nursing. As Ellie seemed to observe everywhere else, many of them appeared to be pregnant with more. The men, for their part, fed their hungry charges with bottles. Ellie noticed that the bottles were the same brown glass that Hannah's toiletries were stored in.

"So it's not just the women doing the feeding," said Ellie.

"Nah," said Hannah. "There's too much to do to just sequester half the group into full-time baby duty. The guys are responsible for infant care too. They share the load however they can."

Ellie was oddly encouraged by this.

"We take it in shifts," said Hannah, "although -- many of the off-shift ladies are known to stop in when their breasts are full, including myself. It's more fun to feed the babies than it is to pump." She said this with a delighted smile.

"What happens to the milk you pump?" Asked Ellie. She remembered Hannah pouring it down the drain at the Holiday Inn.

"What do you think's in those bottles?" said Hannah. Ellie realized it was kind of a dumb question. "I pumped and dumped at the hotel because I was drinking."

"We will have to say hello from outside, I am afraid," interjected Tad. "I will not take you in there right now because I do not like making unnecessary noise for the sleeping ones. Moving on." He gave a farewell wave to the folks on the porch.

"This next one houses one to two year olds, then the next --three to five," he gestured down the sweeping semi-circle of buildings as he went, "then six to eight, nine to twelve, thirteen to fifteen, sixteen through eighteen, and the adult Resets at the end. We only have time to see one house, but they are all similar."

Tad led them into the three-to-five housing.

The room was cavernous, nearly the length and width of a gymnasium. A ten-foot vaulted ceiling was supported by log rafters and multiple rows of vertical pine supports. Several stone fireplaces accented the walls surrounding them, and two dozen windows prevented the space from being too dark. Clumsy artwork, perhaps done at school, nearly wallpapered the interior. They granted the space a sort of eclectic inclusivity and homeliness. Three doors were set into the nearest wall.

Ellie could see roughly ninety wooden beds, each with a knotted mosquito net dangling from above. They were made up in off-white linens and colorful quilts, and arranged in tight rows. Each bed had shelves for storage underneath. She could see toys and stacks of folded clothes in these.

"Bathroom," said Tad, indicating the wall with the row of doors, "kitchenette, and caretaker quarters. As you can see, it is overcrowded. Work on an expansion is set to begin next month."

The only two people in this house could be seen perched on a bed near the entrance -- a sniffling 4-year-old boy and a young man who looked a few years younger than Ellie -- maybe 16 or 17 -- urging him to drink water out of a ceramic cup.

"Hey," the guy said. "Sorry. This little man threw a bit of a tantrum at school right before you guys took your tour. Miss Stephanie said he needed some quiet time."

"Is Miss Stephanie his teacher?" asked Ellie, remembering the young woman with the cropped hair.

"Yeah," said the young man. "She brought him outside when I was walking by and asked me to take him." He looked at the little boy, and his voice rose with cheery enthusiasm. "And I said, 'sure, I love hanging out with my man Karim! Just until he feels a little better!'"

Karim smiled and giggled as he sipped his water. Ellie was surprised at the name choice; Karim had white skin and blonde hair.

"You about ready to go back?" asked the teenager.

Karim nodded.

"Okay, let's go."

Karim took his hand and they made to depart. Right before they left the building, the young man smiled at Ellie. "It's good to meet you, Miss Ellie, I hope you stick around."

"Preston's good with the little ones," said Hannah. "He makes me feel like we might be doing something right."

"Is he a Reset?"

"Sure is," said Hannah. "That's why he called you 'Miss' Ellie."

Ellie reflected that she'd never seen a teenage boy so good with a small child before. Her little sister Sarah was twenty and she just regarded them with disgust.

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"You said, 'caretaker quarters'?" asked Ellie.

"Yes," said Tad, leading the way to the door on the far left. "Adults are assigned night shifts on a rotating basis to look after the Resets. This applies to everyone, so it will be your job at some point as well. For children this young, I must warn you, it is basically sleepless."

Ellie peered into the room and saw a spartan bedroom; four twin-sized beds (also netted) and a small dresser. That was it.

Tad opened the next door; a small kitchenette with a fridge, a hot plate, and a sink. "No real cooking is done in here. We eat all meals as a community. The freezer and fridge are stocked with bottles of breast milk just in case none of the caretakers are nursing. The four and five year olds are usually self-weened and do not need nighttime feedings, but some of the three-year-olds are still on the breast."

Hannah strolled casually to the fridge. She produced a cold, brown, corked glass bottle of breast milk, popped the cork, and took a swig.

"Aaaahhhh" she said, then saw Ellie staring at her, blinking. "What? I haven't eaten since last night."

"Well... isn't that for... the kids?" asked Ellie.

Hannah shrugged. "There's always plenty, we've never run out."

Barring this, Ellie realized she had no reason to judge. The three of them left the kitchenette. Hannah took the bottle with her.

Finally, Tad opened the bathroom door. It was quite large and contained three rustic-looking flush toilets, some simple cabinets mounted on the far wall, and a long trough. All of them looked hand-made; the trough and toilets were a dark brown, glazed ceramic. On top of the trough's backsplash, Ellie noticed several wooden bowls and multiple bars of soap matching the one from Hannah's hotel room a billion years ago.

"Bathroom," Tad explained unnecessarily.

"How do they bathe?" asked Ellie.

Tad simply gestured at the trough. "Fifteen or twenty kids can bathe at once in this room. Since it is getting crowded, they have to rotate bathing times. Three groups in the morning, three in the evening." He turned a valve on the wall, and water poured into the room-length trough via multiple punctures in the ceramic backsplash above.

Ellie noticed the floor drain in the middle of the room, and realized the bowls must be for pouring water on oneself. "Everything looks like it's made on site," she said.

"That is because it is," said Tad. "As much as we can. Self-sufficient manufacturing practices are a key skill for the Resets, so we do our best to adhere to that here at Eden."

After this efficient tour, Tad led them back outside. "The housing for the older children is less crowded, but otherwise identical."

Ellie leaned to Hannah and whispered: "The teenagers bathe in groups too?"

"Smaller groups, they're less crowded. And remember they don't have any concept of body shame," Hannah reminded her, not keeping her voice down.

Ellie considered all of the bare breasts she'd seen so far, but nobody was totally naked.

"Well," said Ellie, "everyone I've seen has been wearing at least some clothes. I'll be honest, I half expected to find a bunch of nudists here when we landed."

Hannah laughed. "I love how much we get that from the new recruits."

Ellie's cheeks burned. Hannah's complete lack of modesty had led her to the wrong conclusion, it seemed. She tugged on her sagging shorts.

"No, despite what nudists -- arguably, nudity enthusiasts -- would have you believe, going around naked all the time really isn't practical," explained Hannah. "You have to protect your skin, and sitting on surfaces bare-assed all the time is just really unsanitary. There are reasons for clothes besides modesty."

"Crafting district," said Tad, gesturing widely and rotating on the spot. Ellie sensed that he was particularly proud of this area.

They had arrived at a sizable cluster of buildings that were all open-air, most sporting huge earthen furnaces and smoke stacks. Various tools, trappings, and supplies of artisan manufacturing littered the work surfaces and shelves of these sun-shaded workshops.

A milieu aroma of burning charcoal, baking, and lumber entered Ellie's nostrils. Workers moved dynamically around these spaces as they went about their labor. A young woman in long sleeves held a chunk of glowing-hot metal against an anvil with calipers while a young man hammered it into compliance. A middle-aged woman in a full-length linen dress shifted bread loaves inside of a massive earthen oven with a huge wooden paddle.

"Metallurgy, ceramics, glass, baking, and woodworking," announced Tad. "This is where we convert the raw materials of the land into the wonderful things we can use to build and thrive."

Among the industrial awnings, Ellie spotted an expansive excavated pit of smooth, red clay. Next to that was a huge pile of wood out in the open that looked destined to become a giant fire.

"What's with the bonfire?" Ellie asked.

"That's how we get charcoal."

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This came from a new voice. A deep one, warm and musical, like a baritone echo in a concert hall. A man emerged from behind the wood pile and sauntered over to introduce himself. Ellie's breath caught.

Massive shimmering forearms, peppered with dark hair, flexed and rippled in the late afternoon sun as he wiped his hands on a towel he'd produced from the pocket of his linen shorts. This drew Ellie's eyes to the fabric on the front of his shorts, fitting just tightly enough to push rhythmically against a freely-swaying member beneath. He was walking toward them.

Ellie pulled her eyes upward from this vulgar sight. It didn't help. He was shirtless.

Dry red clay was smudged across his midriff. It had caked into the sparse hair that emerged from his waistband and contrasted against mahogany skin. A soft stomach pushed out a navel that interrupted the trail of pubic hair, but evolved into a rock-solid chest and a yoke of powerful shoulders. The body hair re-assumed its confidence at his sternum. It splayed across hard pectorals that rolled and contracted as his arms swung; His was a body of hauling, labor, sun, and a love of food.

Ellie finally found the man's face beyond these visceral distractions and enjoyed no relief.

His confident chin was fully obscured by a dark, nearly black beard. It connected with matching hair that cropped close on the sides, but indulged itself finally in careless, heat-tousled waves that spilled from the top of his head and sharp widow's peak.

Against his polished mahogany skin and dark hair emerged tunnel-deep brown eyes. He looked a few years older than Ellie. Creases and crow's feet at his temples deepened when he smiled in polite greeting.

Ellie swallowed.

"Stack the wood," the coffee-warm voice continued. He was now three feet from Ellie and substantially taller; He stood over her, close enough for her to breathe his sweat. "Then cover it in clay except for a tiny hole on top, and burn it. It gets up to thousands of degrees inside the clay. Then you wait for it to cool off, break the clay, et voila." His massive shoulder heaved his arm in a flourish toward the wood. "Big pile of charcoal."

"Mm.." Ellie choked, "Wow, I... actually didn't know how charcoal was made."

She still didn't.

"Well, now you do. I'm Soren." He stuck out a hand.

"Ellie," she responded, offering hers, and received goosebumps when his radiantly warm fingers engulfed her hand almost entirely.

"You like what you've seen so far?" Soren asked. His tunnel eyes beseeched her from above.

"Oh, I think she does," said Hannah, and Ellie stood on her foot.

"Good," said Soren, missing the joke and turning to go back to work. The torture didn't end. Dimples sat above the back of his shorts, which pulsed in time to the flex of his strong thighs on each step. "We'll be happy to have you."

Yes, please.

"I haven't decided yet," said Ellie. "But it's... interesting, I'll say that."

"That it is," said Soren with a grunt, chucking another couple of split logs from the woodworking station toward the pile. "The Resets are great. I'm gonna have several of them help me with the clay in the morning. Just thought I'd get it ready so they can help with the fun part."

"Thank you for the lesson, Soren, but we have to keep moving," interjected Tad. "I think having the children help tomorrow is a wonderful idea."

Ellie clocked that Tad really liked that word. Soren offered a quick farewell wave as they pivoted and continued up the hill.

They climbed again, Ellie pulling obnoxiously on her shorts, toward a more complex wooden structure. "We proceed now to the Recruit house," explained Tad ahead.

"Soren's a snack, huh?" Hannah nudged Ellie.

Ellie dodged the question. "He does... charcoal?"

"And pottery," said Hannah. "It does wonders for his grip strength."

So Hannah's fucked him, I guess. Again the confused mixture of jealousy and desire. Ellie kept her face neutral.

Tad led them around the other side of a sprawling log-constructed facility until they arrived at a large, double-door entryway. These were centered on a long one-story section, capped on either end by a pair of two-story chunks of building.

The front doors themselves weren't like the simple wooden doors Ellie had seen so far; these had been crafted with artistry. A tableau of carvings stretched in one cohesive image between the two doors.

A massive spacecraft of a vague and unimaginative shape propelled vertically skyward, extending beneath it a smoothly tapered beam of exhaust directly onto a crowd of people below. Each of these dozens of people were carved in detail, naked and copulating with one another. The crowd of men and women spread across the bottom of the doors writhed in ecstasy. They fucked in all positions; they sucked cocks, they rode one anothers' faces; they groped breasts and butts; they fingered and stroked. It was like a condensed, wooden Kama Sutra. But, Ellie noticed, their faces were carved to be... passionate, sure... yet oddly solemn, as if in acknowledgment of the sacrifice underlying their pleasure.

These were not the faces one found clownishly pulled in Internet porn by actors feigning exaggerated pleasure. These frozen faces had a quiet intensity. Lips were bitten, lustful eye contact was held between partners, and brows furrowed as the wood figures climaxed. Their physical pleasure was represented, yet they looked focused, mission-oriented.

Ellie found it both highly erotic and highly foreboding, and she was confident this was the intent.

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