Long delay for this chapter. Work, what else.
I'd like to thank Lastman as always for the notes and editing.
The 2021 Readers Choice awards is currently voting. I'm nominated for best Novel/Novella, so if you got time stop by and check out the nominees.
-Lady Smith-
Tuesday - May 4, 2021
My eyes flutter open, and I think they're still closed because it's so dark. I try to rub my eyes, but my wrists are bound. When I try to squirm, I discover so are my ankles. Something throws my entire body up, and my head slams into the bottom of something. I scream, but my mouth is stuffed with duct tape wrapped all the way around my head. I hear the rumble and feel the vibration of an engine.
This is how I die. I can hear Grandpa's voice.
'Oh death
'Oh death
'Won't you spare me over, til another year.'
He sang that to himself all the time. Grandpa never listened to the radio when we drove from job to job. Sometimes I thought he didn't know I could hear him. I asked him about it once. The song he was singing. A Conversation with Death. He said he sang it during Vietnam. He'd sit in his foxhole, or patrol the jungle, humming the tune to himself, as if he was pleading with the Grim Reaper. Asking Death to spare him until he got home.
Grandpa wasn't afraid to die. When he was diagnosed with cancer, he didn't go through any treatment. It was caught so late it wouldn't have mattered anyway. The day he got the news, he never sang it again.
'
Well what is this, that I can't see
With ice cold hands takin hold of me'
The car comes to a stop, and I can hear more engines around me. Louder, deeper engines. Motorcycles. The door to the car opens, and I feel the weight of the car shift as the driver exits and shuts the door. The trunk pops, giving me a sliver of light. Not sunlight. Soft white light from a bulb. The trunk opens and I flinch away from the harsh light blasting me in the face. I look back over my shoulder, and see a silhouette shrouded from the light reach across and cut my binds with a knife.
"Get out," the voice says, and I gingerly climb out of the trunk. I reach around my head and remove the tape, hissing and grunting as it pulls my hair. I cough out the first breath of fresh air I've tasted in who knows how long.
My eyes are adjusting to the light slowly. First, they're dark shadows in the light. Then pixelized colors in the general shape of a human, like a video with poor resolution. Finally, they're people. The clearer they became, the worse I felt about being able to see again.
Terrence Novak is standing to my side, openly displaying his anger and frustration. Like a child who was just scolded or whipped for disobeying. Titus Novak, the Caesar, is the one who cut my binds and is pacing, figuring out what to do.
"We weren't ready, and you pulled this shit?" Titus asks. Terrence remains rigid and looks away to exhale. "You ever heard the expression, don't break the law when you're breaking the law?"
"No one saw it..." Terrence starts, but that's as far as he gets.
"...you stabbed a cop and shot a woman in the face boy. The cop was watching her, because of us. It's not going to take much for them to put two and two together."
"She was about to run," Terrence says, pointing at me. Titus turns to me, and I look at my toes.
"That true?" he asks, and I don't react. "Lady?" I remain silent, and Terrence walks over to me and grabs my arm.
"You were running scared..."
"...let her go..."
"...you need to stop letting her go!" Terrence shouts, harshly flinging me away and taking a swing at Titus. It connects on his jaw, but the old man is still a bull. He grabs Terrence's arm and throws him to the ground without visible effort. Terrence tries to get to his feet but is kicked in the stomach so hard his body is propelled into the air and spins a full rotation, landing onto his chest.
"I've had enough of your reckless bullshit! Teach him," Titus orders, and the three other men begin to kick and punch him senseless.
"I'm going to ask you again. Forget about him, he's indisposed. Were you running?" Titus asks. I slowly nod, and he sighs while shaking his head.
"The cops are closing in. They offered me a deal again. I didn't take it, but it sounded like they're about to pull up the noose you didn't notice they slipped around your neck."
"And you decided to not tell me, and save your own ass?" Titus asks, and I look down again. "Not gonna lie, it's the smart play. You're a small fry. They don't care if the minnows escape the net. But, big fish, eat minnows."
I'm hit. I'm hit so hard I slam into the back of the car and bounce over it. My body crashes next to the rear tire. He hit me in the diaphragm, and now I can't breathe. I writhe on the ground, kicking my feet like a toddler having a tantrum.
"I've thought for a long time on whether you were ever worth our deal. Sure, we got some decent scores from you. Retrospect, I wouldn't do that again. If I could do it again, you'd suck so much dick you'd need your stomach pumped.
"That's always me. Always too generous. Always too fucking nice," Titus says. I hear his footsteps walk around the car. I flinch when he crouches over me. Him smashing my face into my steering wheel was 'being nice'.
"Here's the amended plan. I've called my contacts, saying it needs to happen now. They're scrambling, and some hands need some fiscal lube, but it's gliding right in all the same. You go into the building, kill the security, and we drive the cars straight onto a truck. Then we put a bullet in your head in the parking lot."
I start crying, snot and drool streaming from my face, sticking to the ground in one unbroken stream.
"Now before you think about tipping someone off, just know the bullet is mercy. If you try anything, you're going to wish for the bullet. If Terrence can get it up after his lesson, I'm not going to stop him. Or anyone else. That's all I'm promising you now. A fast death. That's all you're getting in return."
'
Oh I am Death, none can excel
I open the doors to heaven or hell.'
--
-Carl Reed-
What a nasty scene. One dead victim behind the counter of the diner. Blood everywhere. That's the good news. Blood is easy to test. We just need to test all the different samples from different areas to make sure it's all one person, or multiple people. We found over one hundred unique prints across the entire restaurant. We called in support from the state, and now an entire team from the Major Crimes Section is helping with the sheer volume of prints.
DNA testing only takes a few hours. We ran the DNA from five locations. I predict they'll all be from the victim just from their location and the blood type of A positive. I get the results five hours later at seven in the morning.
I rub my eyes and look at the screen. I focus away the noise around me, ignoring the ten other analysts capturing and running different prints. The detectives will use that and start clearing alibies within a few hours. No match in Montana. If her DNA was never recorded, can't do much about that, but it does match the DNA from the body. It confirms it's her blood.
I always do my due diligence and run it against the FBI's national database. I send that along and start helping with the prints.
We get some interesting hits on the prints. Nothing conclusive, but the diner does seem to have a large population of reformed felons and night shift workers as its patrons. We ran them all against state and national. Nothing conclusive, just a giant cluster fuck.
My desk phone rings, and I leave my work to answer it.
"Dr. Reed."
"This is Special Agent Shelby with the FBI Organized Crime Department," the man replies. What the hell? "You sent out a DNA check a few hours ago. We got a match that interests me."
"For Carroll Lewis?" I ask, and he confirms. "She runs a restaurant here, what interest is she to the FBI?"
"Check your email, and tell me if this woman is your victim," he says. I wait for the message to populate and open the attachment. The woman is gorgeous. She certainly looks a lot like the victim, but Carroll was more subdued. Her beauty wasn't in your face like a taunt. This woman wanted you to know you couldn't have her. It's the same person, just at completely different times in their lives. So different they're hardly the same anymore.
"Is that her?" Shelby asks.
"Yeah, it's her. What's going on?" I hear a click and look at the receiver. "Hello?"
"Holy shit," a voice says behind me.
"What?" I ask, placing the phone down and looking at one of the Major Crimes analysts. He waves me over and I look at his computer screen. It's showing possible hits on a print pulled from the restaurant. I see the face of blonde beauty, and a notification to alert the FBI if this individual ever resurfaced.
'
Extremely dangerous. Do not attempt to apprehend. Observe and report
.'
"What hornets' nest did we just kick?"