Family Documents Part 01
Notes for a family history.
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Copyright Oggbashan December 2015
The author asserts the moral right to be identified as the author of this work.
This is a work of fiction. The events described here are imaginary; the settings and characters are fictitious and are not intended to represent specific places or living persons.
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Introduction
About a decade ago my uncle James was thrown from his horse. Although not seriously injured, he was bruised and temporarily using crutches. While recovering he spent many hours in the family's archives intending to write a family history. He never did finish the history but he collected and transcribed several stories that might have been used. Recently I too was temporarily incapacitated after a motorcycle accident and I spent some time trying to sort out the archives. That is where I found James' notes. I decided to word process them to help anyone who might use them later.
They are disjointed, in no particular order or date, and need much more work but they might be of interest to future researchers. I will give each separate piece of text a chapter number and my title.
I have omitted the references to the particular sections of the archives. They are in another document listing my 'chapters' and the archive location if you want to look at the original texts. The 'author' of each chapter will be found in the references.
If I have any introductory remarks they will be signed with my initials D E R.
Chapter 01 Woodland Folly
These might be James' own words. D E R
One of my ancestors, Hubert the Heedless, had more money than sense. As would be expected to happen, several people helped him to spend his money.
At the time the fashionable thing for a landowner to do was to landscape the garden and install statuary, create vistas and build features. Capability Brown was the acknowledged expert. Unfortunately Hubert used a local gardener who had no claim to be called capable. Incompetent might have been a better description for him.
He created a lake but the dam burst and flooded some of Hubert's tenants' crops just before harvest time. The gardener cut vistas through the mature woodland leading nowhere and showing nothing except piles of felled timber. I could go on. Three hundred years later we were still repairing the damage done then.
However Hubert had been fortunate with the builder he had been recommended to build the features on the estate. That builder, a local man, self-educated but with a good feel for the use of materials had provided a grotto, a hermit's cell, a Temple, a bridge across the vanishing lake and other features. Today, in the 21st Century, those buildings are still standing in a good state of repair. From time to time they had needed some maintenance at little cost. They had been built to last by a man who knew exactly what he was doing and had a pride in his work.
The grotto and hermit's cell had been combined. On a hill towards the edge of the estate was a sandstone outcrop, much weathered at the time but still a large feature. The builder, Ralph Jones, had used the outcrop as the foundation for an observation tower. He had tunnelled into the sandstone to make the grotto and had connected that to the so-called hermit's cell.
It is still an enjoyable set of buildings to explore. Anyone climbing the tower by the stone circular staircase passes several rooms with small windows that give clear views of the features that were natural to the estate. At the top the staircase emerges in a small turret to which the flagpole is attached. Apart from the turret rising at one point, the top of the tower is open to the elements and surrounded by a wall about shoulder height. At intervals there are steps set against that wall so that children can share the view with their parents.
The Upper Tower Room and Julietta
The highest room in the tower had the best sheltered views. There were small windows all round the room above a stone bench. Kneeling on the bench was the way to see out through the deeply recessed windows. The glazing was set about an arms-length from the outside and could be swung aside on brass hinges that were still original.
Apart from the bench the only thing in the room was a prone statue of Hubert's Italian mistress, Julietta. She had been carved as if on a bed with her legs spread to accept her lover. Her arms were clasped behind her head. Her erect nipples pointed at the dome of the ceiling. The carved bed had an unusual feature. At its edge there was a gutter running across the floor to a hole in the wall. Outside, only visible from the top of the tower if you leaned over dangerously, the gutter ended in a gargoyle carved as an erect penis with balls. Water poured into the gutter would spout from the penis falling the long distance to the ground. As children we would carry buckets of water up the tower and take turns in pouring water and watching the penis spray out into the air.
Only later did we find that if water was poured into Julietta's open lips, the lips on her face and the lips between her legs, it would flow into the gutter and so to the penis. Research in the family archives revealed a diary kept by one of Hubert's poor relations. Hubert had commissioned the statue so that it could substitute for Julietta whenever she was unavailable because it was that time of the month. The servants would pour warm water through the statue's orifices before Hubert would mount it, screwing either her mouth or her pussy. Once he had finished the servants would rinse through the statue to clean it for Hubert's next ride.
Julietta, described by the poor relation as 'that Italian hussy', would sometimes assist Hubert to achieve coition with her marble image. She would delight in stimulating him to an erection that anchored him in her stone replica. He could not free himself without ejaculating or else by his erection subsiding. Julietta would torment him so that his erection was prolonged without relief, laughing at his predicament. She even went further. There were holes carved into the marble bed through which ropes could be threaded. She would insist on tying Hubert face down on her marble replica and would thrash his naked body with bamboo canes until the blood ran. Stains still remain on the marble that are said to have been made by Hubert's blood.
Why Hubert endured Julietta's behaviour was beyond the understanding of the diarist. He bewails Hubert's infatuation and his degradation of the hands of that woman. He failed to understand the love that Hubert and Julietta had for each other. They are buried in the family vault. Hubert's wife is on his left hand, Julietta on his right, or at least that is what is supposed to be the arrangement. There is another family tradition that the three of them are buried in the same coffin with Hubert facing Julietta, his penis placed inside her and his wife snuggling against his back. Whether that is true we will never know without exhuming them and that we would never do.
When young men of the family reached maturity we had a tradition that they should try Julietta's statue for size. Over the years the men had become larger with unfortunate results. A few had to be separated from the statue by squirting olive oil around their trapped manhood so later generations decided that the practice was too dangerous to the survival of the family. I cannot understand why they did not find a skilled sculptor who could provide a discreet enlargement to the statue's private parts. That is what I would have done. The cost today would be beyond me. If ever I have real money, Julietta's image would be modified to perform its function for me and future generations. As it is, Julietta has been unfucked for at least a hundred years. I'm sure that she feels neglected and insulted that only an occasional male finger penetrates her.
The next highest room
This room, unlike the one above it, has a fireplace with the chimney leading up beside the spiral staircase to exit above the turret on the roof. It was used by Hubert and Julietta in winter. The windows are double glazed in that there are two windows placed one behind the other in each window opening. That does prevent draughts but the gap between is too large for a good thermal barrier. Air for the fire enters the tower through grilles set in the base of the fireplace. Even today a small fire on the hearth warms the room effectively if it is left burning for several hours.
The same stone bench runs around the curved wall. In the centre of the room is a magnificent four poster bed curtained all round. The bed is very strongly made with massive supports at the four corners. The tester above the bed is also strong and fitted with copies of naval blocks and tackle. The original ropes had become unsafe and were renewed in the 1970s so that the operation of the bed could be understood by future generations.
The pulleys enabled Julietta or Hubert to suspend the other in mid-air. Even with a heavy man strung from the contraption a small woman could raise or lower him with one arm. The same diarist was invaluable. Apparently Hubert would suspend Julietta with her breasts just above his face. He could reach up with his hands or lips to caress, lick, nibble or just set them swinging gently. If he lowered Julietta he could penetrate her without being crushed under her weight. In later years Julietta became very fat and waddled. Sex under Julietta's full weight might have been too much for the elderly and frail Hubert. With the ropes and pulleys he could vary her touch from extreme lightness up to as much weight as he could stand. She could do the same with him.
Originally they had intended to swing together from the harness, to couple in mid-air. A few experiments had ended in embarrassing disasters and they had to be released by Julietta's maid. Although neither were averse to shocking their servants, the impossibility of freeing themselves was unpleasant. On the first occasion they had waited six hours before being released and were cold and irritable. For later experiments they had made sure that Julietta's maid was within earshot and could eventually get them free from their predicament.
It was said that Julietta had a very close relationship, too close, with her maid and that perhaps Hubert had too. The diarist mutters about threesomes or even unnatural affections between the two women but refrains from the salacious details that he delighted in when recording the misdeeds of Hubert himself.