Part Five
I had no idea how long we had ridden the road. Hours, perhaps, or only a few moments that dragged out to eternity. Most of the time, I had kept my eyes tightly closed, cradled in the riderâs lap like a child, neither of us speaking a word.
Slowly I revived from the spell he had put me under, but I was swept up in events and felt unable to influence my fate. All around us, the dark night pressed in like a conscious entity; the roar of the bike seemed to cut through a palpable blackness, opening a passage that closed again behind it.
I shut my eyes after a brief look into the featureless void, still unable to raise my head from its resting place against Deadmanâs open shirt. The rider lightly touched my face, his fingers brushing my ear and scalp, as if he were ascertaining whether I was awake. I rolled my head away from his caress, for a caress it was. Under my cheek the hair on his chest made a crisp sound. He touched me again, and I made a stronger move to avoid him, lurching slightly to the side. Immediately the riderâs arms clasped me and set me upright. His coat fell around me, and the scent of his body welled up in a surrounding blur.
Where were we? I could not even see the stars now, and the headlight shone on a road with no markings, no signs. The surface was black and oddly glassy as if wet, though the air was hot and dry. Strange sounds whispered on all sides like inhuman voices, parting on each side to let us pass. Once or twice I thought I felt phantom claws touching my arm or thigh or hair, grasps that slipped away with the inexorable forward movement of the bike. I could feel no road vibration, and the bike never turned right or left. The broad straight road to hell? Rattlesnake, for all his belligerence and insulting manner, had been the only person to stand up to Deadman or try to save me, and the only one to give me much idea of what was happening. The riderâs name, or title, was the Undertaker. What was an undertaker? Someone who had charge of the dead. Someone who took the dead into his care: prepared them, transported them to their final destination.
That almost made sense, strangely, considering what the bartender had said--that I had no choice but to go with Deadman, that the place he wanted to take me to was the place I should go. If I had been dead, that was, it would have made sense. I wasnât dead and the rider knew it. So what did he want with me? I could not know the answer.
Oddly, I was grateful for the riderâs strength and determination, his body half wrapped around mine and protecting me. I knew somehow that this road was one I had to travel--no matter which way I had gone, I would have had to take this road, and a guide was a necessity. Even a guide whose mysterious nature and frightening ferocity filled me with horror, because I felt the presence of things far more horrible than he, to which I would inevitably have fallen prey if not for him.
Suddenly the glassy texture of the road changed. Again it looked like asphalt in the headlightâs glare, though the sky still had no stars. I saw trees and bushes and a state highway department sign reading âHanging Crickâ. We passed a mailbox and turned up a dirt driveway. Another handmade sign at the bottom of the drive said âNo Trespassing--This Means You--Violators Will Be Shot.â The rider passed the sign and roared up the driveway for about a hundred yards, then curved around a large clump of bushes and slowed in a yard.
At the end of the drive stood a large white farmhouse with a circling veranda, the sort of house common to the part of the country through which I had been driving. Set back some distance from the house was a big garage that had once been a stable, a battered Firebird and a John Deere tractor parked in front of it. Dimly behind that loomed a decrepit barn. A few bright floodlights on house and garage lit up the yard and driveway. The house had two stories and a shingled roof with a few decorative curved boards along the sloped eaves, and was visibly in need of a paint job. On the veranda sat a moldering sofa, a few cheap folding patio chairs and a two-seat swing. Four or five large, mangy dogs lay around the dusty yard.
As the bike entered the yard, the dogs sprang up as one and raced to chase it, barking and howling like wolves. Deadman parked by the steps that led to the kitchen door at the side of the house and took the keys out of the ignition. The dogs ran to the back yard, still barking, and circled around again. Lifting me off the bike, Deadman dismounted as I began to walk to the front of the house.
The dogs ringed me, snarling, and I froze. The rider spoke sharply and their attention turned to him. Passing me, they approached him with hackles raised, growling in their throats. He spoke again and kicked one of them. To my surprise, the dogs didnât spring; they cringed at his feet, whining. The rider raised a hand and they leaped back. He grinned at them, the sort of grin thatâs meant mostly to show the teeth, and the dogs whined again. Two or three of them slunk under the veranda.
Someone banged the front door open and came out--a young man with dark hair, and right behind him a fiftyish, greying man. They were obviously father and son. With a distinct resemblance to each other, both had beady eyes and sloping chins, and both were short and scrawny in comparison with Deadman, though they might have been less insignificant on their own. âHey! You there! This is private property--that signâs there for a reason!â bawled the father, pointing at me. He had a double-barreled shotgun in the crook of his arm. âWe donât hold with trespassing in these parts! Shane, hustle your ass and get her outâve here!â
âGet your ass off this property, bitch!â echoed Shane.
Deadman came around the corner of the house and grinned at the pair, who stopped dead at the bottom of the steps to the yard. âFuck,â said Shane. âItâs him!â His weak chin wobbled.
ââTaker?â gasped the father, his mouth hanging open in a round O.
The rider cocked his head and looked at them. âThought I warned you fellows to clear out of the house while I was here. You need reminding again, Vince?â
âItâs my house,â said Vince, drawing himself up to his full five feet ten. âDamn, it IS MY house! What gives you the goddamn right to walk in like you own the place?â
âYeah!â shrilled a trashily dressed young woman who had just emerged onto the veranda. âWeâre sick of you coming here and making trouble! Get off my familyâs land, âTaker!â
âGuess we got to go over all that again,â said Deadman with a rueful shake of the head, but he was smiling. He shrugged off his coat and threw it over the Harleyâs saddle, then walked past me and toward the steps. His sleeveless shirt exposed his huge arms, covered from shoulders to wrists with intricate tattoos. I saw a wise, demonic face, a castle wreathed with a dragon, an eyed skull, a fallen soul shrieking in the abyss; all written on his skin like a history.
âI got me a twelve-gauge here!â yelled Vince, significantly patting the shotgun. âI donât care who you are, âTaker! Iâm the lawful owner of this property, youâre trespassing, and Iâm gonna give you a damn double buck load in the face if you donât get back on that bike this damn minute!â
Vince lifted the shotgun, but before he could level it a giant fist shot out and took him straight on his receding chin. He flew eight or ten feet backwards, collapsing against the steps, and the shotgun went in the opposite direction. Deadman picked it up, bent the barrels with a stomp of his boot, flexed his fingers and looked at Shane.
The young woman screamed, hands to her cheeks. âDaddy!â She scrambled to his side, bending so far over her breasts nearly fell out of her brief, backless halter top. âAaahh! You hit my Daddy!â