April 30, 2004: Age 34 years and 364 days. As good a time as any to start my autobiography.
It's Britain, so it's raining. I'm British so it's important that I mention the weather: my communication skills would be zilch if I didn't. Today the weather came up no less than four times.
Firstly,
Neighbour: Terrible weather!
Me: And they call this the start of summer!
Neighbour: Gives the flowers a chance I suppose.
Later:
Newsagents: Not letting up, is it?
Me: Good for the flowers, though.
Newsagent: Pity I'm not running a garden centre.
No pleasing some folk. Luckily, though, for a while I got a bit of a rest from the weather. That was because I was busy watching a particularly nasty gatecrasher do an amazing amount of damage in a very short space of time.
No I wasn't at mad Aunt Maud's latest 21st birthday celebration – I'd decided to give that party a miss on account of it being held at the naturist park and my bikini line being more gorillian than Brazilian (that and not having a thing to wear) – No, I was at home facing the demon whose name is spake in whispers only: THE COMPUTER VIRUS.
As I sat helpless, it chewed its way through the 456 documents in my personal file, nibbling at a word here, digesting a paragraph there, spitting out the bits it didn't like. It particularly liked some of my earlier work: the sports review of 2000 for the local paper, the funny anecdotes that sprang forth from the mouths of my babies that I was hoping to cash in on in Take a Break, the letter I'd written to my best friend when she'd had her fourth nervous breakdown - the one that began 'Carol, get over yourself...'
By the time we reached 2002 I thought I had it on the run. I've got Norton Anti-virus and Swatit and I wasn't afraid to use either. Like a Samurai Warrior I was going in there to Kick ass, and I kicked and kicked and kicked until it kicked back.
The soundless noise a computer makes as it crashes is enough to break a writer's heart. Hours and hours of work gone, lost into the motherboard from hell. Hundreds of short stories, dozens of newspaper reports and three very, very important pieces of work. There was my trial script for Hollyoaks, the episode where Chloe and Matt were getting married and everything was going fine until DCI Dale drop-your-drawers comes in and arrests the groom. When I get the call from Phil Redmond, what am I going to say? There was a radio play – Pair Ranting. I won't give the story away but it's a play on words. Then there was the play that never was. I thought I'd written a masterpiece that was destined for the West End, but Peter, my director, told me it wouldn't even reach Southend. I thought I'd written a love story filled with pathos and dramatic tension: he said it was dross. And finally there was Winners.
Me: Hi, Peter, it's me Joanne.
Peter: Hi Jo, Lovely weather. (3)
Phew, he was in a good mood.