Chapter 13-- Easton
When Kazelle opens her eyes again, she finds herself lying in a tight, cold space surrounded by darkness. She tries to sit up, but feels the heavy barricade on top of her. She exerts a push, slowly lifting the cover of her containment as a sliver of bright ray sneaks in. She opens the cover fully and sits up, glancing about at her surroundings.
The first thing she noticed was the nature of her containment: a full-length cooler intended for frozen meat, sitting in the far wall of a small dark room. On the opposite side, there is a slit where the light has penetrated, arrowing its way to the cooler.
Kazelle slowly rises to her feet and cautiously takes a step out of the freezer. She can feel her bare foot touch the hardwood floor, which lets out a soft creak as she plants her heel. She runs her hands across her chest and waist, feeling the dark, silky nightgown draped over her body. She looks up, and carefully makes her way toward the sliver of brightness. As she pushes at the partition separating her from the light, the wooden door gives way and creaks open.
Stepping out into the light, Kazelle finds herself in a small, quaint, fully-furnished bedroom. A blaze of sunlight floods through two windows on the far side of the bedroom wall with their curtains raised, illuminating the faded blue wallpaper and bathing Kazelle in its gentle warmth. Kazelle squints hard, almost blinded by the sudden deluge of radiance.
As her eyes begin to adjust, she notices a few landscape paintings and bouquets of colorful dried flowers hanging from the wall. These are not the decor she would personally choose, but for some reason they make her feel at peace, almost at... home.
Her eyes follow the sound of a faint, rhythmic squeak to the far corner of the room, just by the window, where a wooden rocking chair sways back and fort leisurely. A figure in a long black cassock slowly rises out of the rocker, turning around to reveal a white-bearded old man of the cloth, his grey old eyes radiate tenderness like the sunlight itself, without a hint of malice or deception.
"I see you've awakened. How do you feel?"
His voice is both benign and warm, despite a stoic rigidity to his sharp facial features: a complete opposite to Mother Rahab, whom Kazelle finds hard to trust.
"Umm... Where am I?"
Kazelle, still wary and hazy of her condition, glances about with caution at the unfamiliar setting.
"And who are you?"
"My name is Father Silas Zacharias. I am the overseer of Jericho Parish."
"Jericho...? You mean...?"
"Yes...
that
Jericho."
The elderly priest responds, Kazelle can sense a hint of reluctance in his voice.
"This is your new home. You've been here for about week now."
"A week?!" Kazelle's blue eyes widen. "And why was I in an icebox?"
"Well, as Mother Rahab probably already explained: you are technically a reanimated corpse, which means you have no means to metabolize or regrow any of your damaged tissues."
Father Silas strokes his beard in a slow, deliberate motion, seemingly a bit unnerved by his own explanation.
"Cryogenic sleep will prevent the decay of your flesh, not unlike the need to freeze meat to preserve it from going bad."
"So...I'm really
am
a zombie."
Kazelle glances down at her outstretched arms as her cold, pale skin shimmers in the rays of light.
"And I need to...as that nun puts it, eat brains to survive?"
"Zombie... ghoul... Whatever the technical term is. But yes, the key to sustaining your physical form is to maintain a low body temperature and to... eat brains."
"This is so..."
Kazelle wraps her head in her hands, trying desperately to process everything that has happened: being violated by the man with the pig mask, seeing Colette's severed head, being gutted by the mysterious hooded man, being reanimated and turned into a flesh-eating zombie to fight against some sex predators cult, and... did she really kill that man and eat his brains? She gazes up at the priest, who must have noticed the agonizing confusion in her eyes.
"I understand your alarm at these sudden developments."
Father Silas's voice remains gentle and sympathetic as he takes a step toward her, supported by an antiquated mahogany cane that thumps purposefully against the hardwood floor.
"This is why I am here. It is my job to guide you down the path of life."
He extends an open hand out to her. Kazelle hesitates for a moment, and then slowly places her palm upon his. His hand, though wrinkly and calloused, is warm to the touch: So this is what the living feels like to the dead.
Father Silas slowly closes his hand around her fingers, and gently guides it to her bosom, laying her hand on a hard metallic object. Kazelle glances down and sees the black cross dangling from a neck chain.
"This is the sign that you have chosen the path of life and peace."
Kazelle reaches up and takes it in both hands, slowly bringing it up and pressing it below her lowered chin, squeezing it tightly against the silver bell dangling from her choker.
"I suppose you should wash. You might not have noticed it, but the odor of a two-weeks old corpse can be quite unpleasant to the living. You wouldn't want to attract the wrong kind of attention from the townspeople."
"Townspeople? Just where am I, exactly?"
Father Silas points to a wooden door behind her, which Kazelle opens to reveal a small washroom with a bathtub, a toilet, and a sink.
"I'll explain it all to you in due time. First you must wash. And remember: ice-cold water only. Hot water will decay your flesh quicker."
Kazelle lets the door close behind her and strips out of the sheer nightgown, rinsing herself with an ice-cold shower as per the priest's instruction. After Kazelle dries herself with a towel, she opens the cabinet under the sink, finding it lined with black shirts and pants.
"Are these clothes for me?"
She calls out to Father Silas, who responds from beyond the door.
"Mother Rahab seems to have the impression that black is your color of choice. Oh, and, whenever you're ready, you can come on downstairs."
"Downstairs?"
Kazelle had not realized that they were on the second floor. She slips on a pair of black denim shorts and a black T-shirt and steps out of the washroom.