Journal of Erin Hollister
10 June, mid-afternoon
I'm no longer scared. I feel myself changing, physically and mentally. This morning I was an emotional wreck over what I did last night. Now I am indifferent.
Aunt Carmilla explained things when I woke up half past noon. I am transforming into a vampire, one of the living dead - or undead - that feeds on the blood of the living. As a vampire, I will not age, and I will have supernatural powers at night. At night, I will have increased strength; during the day my strength will be no greater than when I was just a mortal being. (It still sounds queer saying that out loud.) At night, I will have the power to turn into a mist, to pass through any barrier, to fly as shadow, and transform into a large animal. Aunt Carmilla takes the form of a large panther, but she says most vampires prefer the form of a wolf. I will also be able to take the form of a large bat, a large owl, or a horde of rats. In addition, as witnessed last night, my senses will be sharpened. I will have control over wolves, bats, owls, rats, and other nocturnal predators, and by making eye contact will be able to influence
my prey
the minds of
mortals
others. Finally, and this she stressed, the full moon has regenerative properties for vampires; even if reduced to ashes, should the ash be exposed to the light of the full moon, the moonlight will revive
me
the vampire.
She also explained the weaknesses. Silver, because of its mystical connection to the moon, is anathema to a vampire. A full vampire lacks a reflection, though until I fully transform, I will retain mine. (Carmilla mentioned there were some that retained their reflections after fully transforming, but this was a very rare case.) Holy symbols wielded by a believer can hold
us
a vampire at bay, and religious hymns will hurt
our
the vampire's ears. Touching a holy symbol
we
the vampire worshiped in life, such as a crucifix, causes
us
great pain.
We
A vampire cannot enter any residence nor the house of God without an express invitation, though an invite once given cannot be revoked save through a special ritual. Fire is also a weakness, though vampires can see clearly through smoke.
And then there are those who hunt
our kind
vampires, those who would cut off my head, drive a stake through my heart, burn my body to ashes, and call it a blessing. The mere thought is causing my anger to rise...
Aunt Carmilla told me that Mother's illness was because she began the transformation but never fed. The more I drink blood, the faster I will transform. Mother never drank anything other than water; I always wondered about that, but now it makes sense.
When I asked how Mother had saved Carmilla's life twice, Aunt Carmilla gave me this sad look. The first time, she explained, was when they first met, when the coach carrying Carmilla and her sire overturned in front of Grandfather's schloß, and they took her in with Mother's urging. The second time was after Carmilla had been revealed as a vampire. Carmilla had previously revealed herself as a vampire to Mother several nights before; when Grandfather along with a woodsman discovered Carmilla in her grave here at the Karnstein schloß, they killed her as Mother watched. Mother found Carmilla's remains afterward and dragged the remains to a nearby hill, exposing them to moonlight and resurrecting her.
There was more, of course, but the conversation was interrupted by my stomach. Carmilla led me to the dining hall, where a man and a woman had been stripped naked and laid out on tables, along with a wonderful spread of breakfast meats, fruits, and pastries on a third table. Both the man and the woman did not appear to be fully conscious. I licked my lips, grazing my tongue along my sharpening canines.
"Choose," she told me.
I should have gone to the breakfast spread. Instead, I found myself drawn to the man. His expression was dazed, but his penis was erect; only later did I see that there was a clasp at the base of it. I knelt down and took the penis in my hand, gauging its size and girth. I straddled him, lifting my skirt to around my waist and reaching down to guide him into my private area. Pleasure and pain mixed as my maidenhood was torn from me, but I didn't care about any of that. My eyes locked onto his, and it seemed like I could hear his thoughts as I maintained eye contact. All the while, my hips kept moving, rocking seemingly on their own.
I felt his ecstasy change to fear as my hunger grew. I felt my teeth elongate as my mouth opened wide. I struck fast, sinking my
fangs
teeth into his neck. Unlike last night, I was aware
of my prey
I was draining his blood. I am only slightly ashamed to say I enjoyed the rich, thick liquid that surged down my throat. I could
taste
his fear as his life ended.
When I lifted my head off his neck, I saw Carmilla between the woman's legs, her own fangs deep in
her meal's
victim's
the woman's thigh. Carmilla smiled at me; I smiled back and returned to feasting.
I know I should care that I will soon
have
to feed on the living, as I am currently only
choosing
to, but I do not. If the choice is between the power of the undead or the slow wasting that destroyed Mother, I choose to be a vampire.
May God have mercy on my soul.
Journal of Erin Hollister
10 June, late evening
Minea is an absolute treasure!
After writing in my journal this afternoon, I began to explore the Karnstein schloß. The schloß sits on a twelve acre lot surrounded by a ten foot tall stone wall with towers at each corner and spaced regularly. Inside the wall nearest the south-facing gate are the stables and carriage garage, with quarters for the living servants (half of whom apparently know Aunt Carmilla's secret, volunteering to be food for the undead!) along the insides of the west wall. The castle proper sits along the east wall with a wing on the north side, giving a large courtyard. Behind the castle to the north are the ruins of an old chapel, a few gazebos, a shrubbery maze with a large central gazebo, and a cow pasture.
Inside the castle, the first floor is dominated by a large ballroom on the north side. Across the central hallway from the ballroom is the main dining room, and the kitchen on the other side of it. Branching off the central hallway is a hallway leading to a private study and a large two-story library filled with old books. I would need to be immortal just to read one floor of the library in a regular lifetime! (Oh wait, I am! Or soon will be!) Above that on the third through sixth floors are the living quarters, and two tall towers hold even more living quarters. (My quarters are on the third floor; Minea, it turns out, resides in the east tower.)
I located Minea in the study, and stood there stricken dumb for several minutes. She was reading an old leather bound tome, but what caught my attention was her dark red skin, large bat wings emerging from her back, ram horns, and long, thin tail tipped with a spade that swished behind her. I actually do not know how long I stood there before she noticed me eyeing her.
"Like what you see, young one?" she asked me. I admit, I was flustered, and may have given four contradictory answers before she reached out and pulled me to her side.
Minea explained that she is a succubus, a demon that feeds not on blood like vampires but on the very life force of mortals, usually through sexual intimate activity. She went on to explain that, like vampires, most succubi (and their male counterparts, incubi) were once mortals - witches, wizards, warlocks, sorcerers, and other students of the black arts - who had sex with engaged in carnal relations with other succubi and/or incubi multiple times, eventually sacrificing their very souls to become demons themselves. Apparently only the students of the black arts of magic - like that Mr. Crowley back in London - can become demons that way; most mortals just die.
"Do not worry, young one," she reassured me. "Vampires and those soon to be like yourself are immune to a succubus' transformation and life drain." While that did not exactly ease my anxiety, Minea did not seem threatening, so I forced myself to relax.
We spoke at length for several hours, discussing every topic from the latest news from London to Sappho's poetry and Euripides' plays. Eventually the topic turned to tomorrow night's ball.
"I don't have a suitable ball gown," I admitted.
"I can loan you one of mine," she told me. "But while the gown catches your prey, how you dance keeps his attention - or hers; neither vampires nor succubi discriminate on how our food appears." We enjoyed a quick laugh at that, though mine was no doubt nervous. Then Minea slid a cylinder onto a nearby phonograph, which began playing a Mozart waltz as soon as she set the needle. Taking me into her arms, we began dancing, with her leading as a man would. Apparently with vampirism comes grace, as although in the past I would stumble over my own feet, I found myself dancing with my partner and not against her.
"You truly are beautiful," she told me as the dance ended, "and graceful. A word of warning: Carmilla has a thirst for vengeance as well as for blood. She never understood why Laura chose to stay mortal, and your grandfather once assisted in killing Carmilla. One thing she neglected to tell you earlier: Vampires have control over those sired from them."
Of course, I asked her why she was telling me this.