An Intimate Interlude.
The ship never rested, never slept; most of the time it was on the move, shifting its colossal bulk from one harbour to the next, freeing its occupants to wander on dry land before recalling them back into its keeping. Those people it did allow to go free were quickly replaced; there was always a ready supply of bodies to keep it company on its seemingly endless, circuitous voyage: New faces, new experiences. New blood. More than enough to keep the journey interesting.
It was during the day that the ship seemed most obviously alive; it's decks a near constant bustle of bodies busying themselves about their business. It gave the ship almost the impression of an ant nest, or a hive. This impression was more accurate than most would have guessed, for at the heart of this hive, hidden and protected, lay a queen.
At night the activity died down to only a few workers: drones carrying out their tasks in the darkness, keeping the great machine alive and moving. Looking down on the ship, quietly sat at harbour during the early hours before dawn, a person might think that the great beast was sleeping. A person would be wrong.
Somewhere on that huge, shadowed bulk, there is a door; this door is not hidden, it is simply ... unnoticed. A large amount of effort and skill has been spent in making sure it remains so. Passengers walk past it oblivious; crew never attempt to open it. They have not been instructed to avoid it, somethings do not require instruction. The door is a plain white door, and if anyone was minded to turn the handle, they would find that it turns easily. Inside is a corridor of dark oak wood. This passageway is different. It gives the impression of belonging to a completely different ship, to a completely different time.
The corridor turns once, then again, before it ends at a set of heavy doors made of solid, dark wood. Here again the doors are not locked and will open readily enough if a person was to press their full weight against it. Again the doors seem out of place on such a modern ship, This sense of time displacement would only continue were a person to open the heavy double-doors and step inside.
The room beyond is large and circular. It's high ceiling made of the same dark wood as the door, a substance that appears to soak up the light from the small chandelier suspended from the centre. What material the walls are made of is difficult to guess, as every square foot around the perimeter is lined with bookshelves crammed to overflowing with many types of books: a mixture of modern hardbacks and far older volumes fight for space on the wooden shelves. There is even some paperback novels dotted here and there, although these are clearly not the occupant's favourite; she prefers the physical weight of a hardback book in her hand, its texture, it's smell.
As well as the numerous bookcases there is also a sturdy table, it's wood matching the decor in being dark and aged, with a large high-backed comfortable reading chair facing a fire that is never lit. The occupant of this room tends not to feel the cold. A open door stands at the rear of the room, a rectangle of darkness that offers no clue as what lies beyond. A large four-poster bed stands to one side, it's sheets and pillowcases made luxuriously of scarlet silk. The bed is occupied, and a visitor to this room would catch a glimpse of flowing red hair on the pillows before their attention was drawn back to the high-backed chair facing the cold and dead fire. It too is occupied.
The vampire is sitting reading a copy of Dante's Divine Comedy. The room would be too dimly lit for others to make out the writing in the centuries old book but, for Moretta, this had ceased to be a problem fully four hundred years before. It is a book she has read countless times in the past and, if asked, could recite pages from it by heart, but she had always enjoyed the physical act of reading, the look of the words on the page.
Moretta places the book on the arm of the chair and, closing her eyes, takes a moment to absorb the sounds around her. Of course the room is never completely silent, not for her. The fact of the ship's nature, coupled with her own enhanced hearing, means that it has been years since she has known the true peace that comes with absolute silence. Here, she has learned to become used to the constant throb of the mighty engines, and the sounds of bustling activity coming from all sides around her sanctuary. The walls creak and groan around her, and at times she imagines that she is in a submarine, far under the ocean's surface, with millions of tons of water pressing in on all sides, threatening to crush her into atoms. Her world is never quiet. She has, over time, become resigned to it, as she has learned to be resigned to so many things.
Her room has no windows, for obvious reasons, and yet she can tell that, outside, night has fallen. The activity outside has quietened, and now all she can hear above the murmur of the engines is someone pacing on the deck directly above her and the gentle breathing of the sleeper on the bed.
Rising from the chair she moves over to the table, to the one item in the room that seems glaringly out of place and time: a white laptop computer which she opens and boots up. There was no getting around the fact that the technology revolution has made her life easier. It has all but removed the necessity for direct human contact, which in turn, has kept her safe. She reads through her e-mail messages, and replies to those she feels need a response. She notes with satisfaction that all traces of the boy have been removed from the suite. His friends also require attention although she has decided that it would be simpler to just evict them from the ship. They may cause a fuss over their friend's disappearance but nothing that would amount to anything; her contacts on the mainland would ensure that. They have become very skilled at covering up her activities, even though they have never fully worked out her true nature. They are paid a considerable amount of money in order to deaden their natural sense of curiosity. Despite what many people believe, her kind can not bend people to their will by thought alone. However, as luck would have it, money and the knowledge of the consequences of failure, is usually more than a suitable replacement for supernatural mind-control.
Meanwhile the ship would move on, surrounded by the water that has kept her safe from detection, from the enemies who she is sure still hunt for her. It had been her life for so long now that she has forgotten there ever was an alternative. She has thought herself content with her life, with her choices. It was only recently that a crack has appeared in her peace of mind. This was irritating, and dangerous.
Closing the laptop she rises and moves over to the bed. The figure beneath the sheets stirrs awake, sensing Moretta's closeness. The head shifts, and the woman turns her blues eyes towards her. She is very pretty, thinks Moretta, sitting down on the edge of the bed. It had been the redness of her hair that had first drawn her attention; a long, river of curls that reminded Moretta so strongly of... her. Moretta reaches up, and carefully brushes the hair from the woman's face. The woman in the bed smiled weakly up at her.
Her name is Leanne, and she's one of the dancers performing in a nightly celebration of the music of Irving Berlin. Moretta has not seen the performance herself, that would have been too much of a risk, but she has noticed numerous posters plastered around the ship. She even thinks she recognises Leanne from one of them, being twirled around in an emerald evening dress: an unconvincing Ginger Rogers to another man's far less convincing Fred Astaire. During their time together, Moretta had gotten to know the young woman, at least a little: she is 28, enjoys two boyfriends, (one on board and one waiting for her back in Dundee) and has dreams of opening on broadway someday. And Moretta also knows that, on the previous night, she had been chosen purely because, from a distance, she resembled a certain doctor that, try as she might, Moretta can not get out of her head.