An Intimate Interlude.
The ship never rested, never slept; most of the time it was on the move, shifting its colossal bulk from one harbour to the next, freeing its occupants to wander on dry land before recalling them back into its keeping. Those people it did allow to go free were quickly replaced; there was always a ready supply of bodies to keep it company on its seemingly endless, circuitous voyage: New faces, new experiences. New blood. More than enough to keep the journey interesting.
It was during the day that the ship seemed most obviously alive; it's decks a near constant bustle of bodies busying themselves about their business. It gave the ship almost the impression of an ant nest, or a hive. This impression was more accurate than most would have guessed, for at the heart of this hive, hidden and protected, lay a queen.
At night the activity died down to only a few workers: drones carrying out their tasks in the darkness, keeping the great machine alive and moving. Looking down on the ship, quietly sat at harbour during the early hours before dawn, a person might think that the great beast was sleeping. A person would be wrong.
Somewhere on that huge, shadowed bulk, there is a door; this door is not hidden, it is simply ... unnoticed. A large amount of effort and skill has been spent in making sure it remains so. Passengers walk past it oblivious; crew never attempt to open it. They have not been instructed to avoid it, somethings do not require instruction. The door is a plain white door, and if anyone was minded to turn the handle, they would find that it turns easily. Inside is a corridor of dark oak wood. This passageway is different. It gives the impression of belonging to a completely different ship, to a completely different time.
The corridor turns once, then again, before it ends at a set of heavy doors made of solid, dark wood. Here again the doors are not locked and will open readily enough if a person was to press their full weight against it. Again the doors seem out of place on such a modern ship, This sense of time displacement would only continue were a person to open the heavy double-doors and step inside.
The room beyond is large and circular. It's high ceiling made of the same dark wood as the door, a substance that appears to soak up the light from the small chandelier suspended from the centre. What material the walls are made of is difficult to guess, as every square foot around the perimeter is lined with bookshelves crammed to overflowing with many types of books: a mixture of modern hardbacks and far older volumes fight for space on the wooden shelves. There is even some paperback novels dotted here and there, although these are clearly not the occupant's favourite; she prefers the physical weight of a hardback book in her hand, its texture, it's smell.
As well as the numerous bookcases there is also a sturdy table, it's wood matching the decor in being dark and aged, with a large high-backed comfortable reading chair facing a fire that is never lit. The occupant of this room tends not to feel the cold. A open door stands at the rear of the room, a rectangle of darkness that offers no clue as what lies beyond. A large four-poster bed stands to one side, it's sheets and pillowcases made luxuriously of scarlet silk. The bed is occupied, and a visitor to this room would catch a glimpse of flowing red hair on the pillows before their attention was drawn back to the high-backed chair facing the cold and dead fire. It too is occupied.
The vampire is sitting reading a copy of Dante's Divine Comedy. The room would be too dimly lit for others to make out the writing in the centuries old book but, for Moretta, this had ceased to be a problem fully four hundred years before. It is a book she has read countless times in the past and, if asked, could recite pages from it by heart, but she had always enjoyed the physical act of reading, the look of the words on the page.
Moretta places the book on the arm of the chair and, closing her eyes, takes a moment to absorb the sounds around her. Of course the room is never completely silent, not for her. The fact of the ship's nature, coupled with her own enhanced hearing, means that it has been years since she has known the true peace that comes with absolute silence. Here, she has learned to become used to the constant throb of the mighty engines, and the sounds of bustling activity coming from all sides around her sanctuary. The walls creak and groan around her, and at times she imagines that she is in a submarine, far under the ocean's surface, with millions of tons of water pressing in on all sides, threatening to crush her into atoms. Her world is never quiet. She has, over time, become resigned to it, as she has learned to be resigned to so many things.